A titan of industry is sent to prison after she's caught insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. Keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another.Written by
As Sandy arrives in Winter Park, Florida, a flying shot of a beach in front of the town with an unknown skyline is shown. Winter Park is a small bedroom community just north of Orlando and it's completely landlocked with the exception of a few local lakes. The closest beach to Winter Park are approximately fifty minutes away. See more »
After the end credits, we hear two lines of dialog from earlier in the movie. The Skiptracer Robert Patrick saying "No, Sandy's a girl's name!" And Sandy Jason Bateman replying "It's not, it's unisex!" See more »
The studio thought that it was necessary to enrich the DVD/BD releases with a longer Unrated Cut that adds almost 9 minutes of material. The clear conclusion here is that the majority of those scenes feel like they were cut out of the theatrical version because they simply weren't needed or slowing down the events. Typical "unrated" material that could've been too risky for the "R"-rated theatrical version is nowhere in sight. See more »
The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.
Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.
In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.
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