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Identity Thief (2013)

Trailer
2:33 | Trailer

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Mild mannered businessman Sandy Patterson travels from Denver to Florida to confront the deceptively harmless looking woman who has been living it up after stealing Sandy's identity.

Director:

Seth Gordon

Writers:

Craig Mazin (screenplay), Jerry Eeten (story) | 1 more credit »
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Popularity
2,770 ( 332)
1 win & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jason Bateman ... Sandy Patterson
Melissa McCarthy ... Diana
Jon Favreau ... Harold Cornish
Amanda Peet ... Trish Patterson
T.I. ... Julian (as Tip 'T.I.' Harris)
Genesis Rodriguez ... Marisol
Morris Chestnut ... Detective Reilly
John Cho ... Daniel Casey
Robert Patrick ... Skiptracer
Eric Stonestreet ... Big Chuck
Jonathan Banks ... Paul
Ryan Gaul ... Bartender
Steve Mallory Steve Mallory ... Party Guy
Tyler Nilson ... Party Guy
Steve Little ... Party Guy's Buddy
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Storyline

Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. Keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

Is this the face of a sucker? See more »


Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

8 February 2013 (USA) See more »

Also Known As:

ID Theft See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$34,551,025, 10 February 2013, Wide Release

Gross USA:

$134,506,920

Cumulative Worldwide Gross:

$173,965,010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated) | (unrated)

Sound Mix:

Dolby Digital | Datasat | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Jason Bateman considers the movies Planes, Trains & Automobiles (1987) and Midnight Run (1988) to be major influences on this movie. See more »

Goofs

As Sandy arrives in Winter Park, Florida, a flying shot of a beach in front of the town with an unknown skyline is shown. Winter Park is a small bedroom community just north of Orlando and it's completely landlocked with the exception of a few local lakes. The closest beach to Winter Park are approximately fifty minutes away. See more »

Quotes

Sandy Patterson: I said no jewelry.
Diana: Oh, were you serious?
Sandy Patterson: Yeah.
Diana: You've got to work on your tone.
See more »

Crazy Credits

After the end credits, we hear two lines of dialog from earlier in the movie. The Skiptracer Robert Patrick saying "No, Sandy's a girl's name!" And Sandy Jason Bateman replying "It's not, it's unisex!" See more »

Alternate Versions

The studio thought that it was necessary to enrich the DVD/BD releases with a longer Unrated Cut that adds almost 9 minutes of material. The clear conclusion here is that the majority of those scenes feel like they were cut out of the theatrical version because they simply weren't needed or slowing down the events. Typical "unrated" material that could've been too risky for the "R"-rated theatrical version is nowhere in sight. See more »

Connections

Referenced in Midnight Screenings: Side Effects/Identity Thief (2013) See more »

Soundtracks

Ain't Messin 'Round
Written by Gary Clark Jr.
Performed by Gary Clark Jr.
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
See more »

Frequently Asked Questions

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User Reviews

 
One Draft Too Soon
27 February 2013 | by racolvinSee all my reviews

The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.

Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.

In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.


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