Mild mannered businessman Sandy Patterson travels from Denver to Florida to confront the deceptively harmless looking woman who has been living it up after stealing Sandy's identity.
A titan of industry is sent to prison after she's caught insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget.
Director:
Ben Falcone
Stars:
Melissa McCarthy,
Kristen Bell,
Peter Dinklage
Competition between the maid of honor and a bridesmaid, over who is the bride's best friend, threatens to upend the life of an out-of-work pastry chef.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
A lazy, incompetent middle school teacher who hates her job, her students, and her co-workers is forced to return to teaching to make enough money for breast implants after her wealthy fiancé dumps her.
Director:
Jake Kasdan
Stars:
Cameron Diaz,
Jason Segel,
Justin Timberlake
After discovering her boyfriend is married, Carly soon meets the wife he's been betraying. And when yet another love affair is discovered, all three women team up to plot revenge on the three-timing S.O.B.
Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.
Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. Keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another.Written by
napierslogs
After the car accident on the highway, the grill is back to normal on the Ford that Sandy is driving. Prior to the accident, the grill is dented and damaged. See more »
Quotes
Sandy Patterson:
Hi. Good morning. Something wrong with pump five. It's not taking my card.
[Luis swipes card]
Sandy Patterson:
Thanks.
Luis the Gas Station Attendant:
[Speaks Spanish to hearing device and then turns to Sandy]
You don't pay your bills, man. I gotta cut the card.
Sandy Patterson:
Cut the card. No, I absolutely pay my bills. Run it one more time. Nothing wrong with that card.
Luis the Gas Station Attendant:
That's not what it says right here.
Sandy Patterson:
I don't care what the screen says. Maybe it's broken. I'll go somewhere else. You're not cutting that card.
[Luis speaks Spanish once more]
Sandy Patterson:
Cutting the ...
[...] See more »
Crazy Credits
After the end credits, we hear two lines of dialog from earlier in the movie. The Skiptracer Robert Patrick saying "No, Sandy's a girl's name!" And Sandy Jason Bateman replying "It's not, it's unisex!" See more »
Alternate Versions
The studio thought that it was necessary to enrich the DVD/BD releases with a longer Unrated Cut that adds almost 9 minutes of material. The clear conclusion here is that the majority of those scenes feel like they were cut out of the theatrical version because they simply weren't needed or slowing down the events. Typical "unrated" material that could've been too risky for the "R"-rated theatrical version is nowhere in sight. See more »
Right Thurr
Written by Chingy (as Howard 'Chingy' Bailey), Shamar Daugherty, Alonzo Lee
Performed by Chingy
Courtesy of Capitol Records
Under license from EMI Film & Television Music See more »
The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.
Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.
In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.
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The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.
Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.
In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.