An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
Jeffrey Desange, senior partner of an investment brokerage, has a breakdown after a financial collapse and kills several co-workers and his estranged wife and kidnaps his two young daughters, Victoria and Lily. When they're found five years later, they're taken in by their uncle (their father's twin brother) and his girlfriend. Macabre events soon make the new guardians suspect that a supernatural evil force named Mama has attached itself to the girls.Written by
Clifton Forge, Virginia, is a real place, as is Douthat State Park where the lake/cabins mentioned in the movie are located, which is about 10 miles away in Bath County, Virginia. The stand-in main street is even very similar. The actual town, however, is not nine miles down a dirt/gravel road. In reality, it has direct access to Interstate 64, the same Interstate that passes through Richmond. It is also the only town in the world with that unique name. See more »
When Annabel is answering the door to Jean Podolski Annabel has no makeup around the eyes. When they have moved in to the kitchen her eyes are in full makeup. See more »
There is no rational explanation that supports this theory. But it is only the ability to embrace the different reality, that makes science expand beyond the limits of what we know. However, extraordinary claims require extraordinary proofs.
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® 2012 by Third String Tunes/EMI Music Publishing Ltd.
Edición autorizada para España a EMI Music Publishing Spain S.A.
All rights reserved. International Copyright secured.
Performed by Jack White
Courtesy of Sony Music Entertainment España, S.L.
Courtesy of XL Recordings Ltd
By arrangement with Beggars Group Media Limited See more »
The Mothmom Possibly.
Mama is directed by Andres Muschietti and written by Muschietti, Barbara Muschietti and Neil Cross. It stars Jessica Chastain, Nikolaj Coaster-Waldau, Megan Charpentier, Isabelle Nelisse, Daniel Kash, Javier Botet and Jane Moffat. Music is by Fernando Velazquez and cinematography by Antonio Riestra.
A Suicidal father abducts his two young daughters and takes them to a cabin out in the woods, his intention is to kill them. Before he can enact his plan he is killed by a strange entity, leaving the two girls alone in the cabin. Years later the girls are discovered in the cabin, completely feral and when any sense can finally be made out of them, they talk of being looked after by someone they call Mama; And it seems Mama has come back with them to civilisation
Based on his own 2008 Argentinian short of the same name, Andres Muschietti expands the idea out to a full length feature film. With pretty decent results as well. Pic is a supernatural fairytale, thick on ethereal atmosphere and not over reliant on boo jumps or an adherence to blood and guts spilling just to put bums on seats. From the moment the girls are found, scampering around the wood cabin on all fours, clearly having survived on cherries for five years, there's an uneasy feel to the story. We already know there is a spirit involved as we half glimpsed "Mama" during the pre-credits sequence, what we need now is a good story and a healthy quota of frights and peril for Waldau and Chastain as they become surrogate parents to the troubled youngsters; And again, Mama mostly delivers all that is required of it for a good night in by the fire whilst perched on the edge of your seat.
Chastain is excellent as the punk rock chick reluctantly mothering two children before her time, the two girls, Charpentier and Nelisse, are also top draw, exuding the sadness and confusion that children of that age would obviously be feeling under these circumstances. While their reactions to what we ourselves can't see, via glances or hushed exchanges, has a creepiness to it that delivers a bucket load of dread. Muschietti's direction is very stylish, not only does he marshal his principal cast members with great skill, he shows some ingenuity in scene staging with one sequence particularly brilliant as Chastain does housework and the younger of the girls plays with Mama in the bedroom, we know it, even though we can only see the wee bairn. The soundtrack and score is suitably screechy, and the cinematography by Riestra has Gothic tints to it.
Why Mama is not a bona fide entry in the upper echelons of horror is mainly due to an annoying mistake that so many horror genre film makers make, namely showing too much of the spook. There is a point around the hour mark where "Mama" herself just stops being scary, a shame because the effects work isn't half bad. There's other, less itchy problems, such as Waldau being reduced to a bit player from the mid-point, a sub-plot involving Kash's Dr. Dreyfuss just feels like set-up material, while the ending is sure to be a bit too WTF for some. That said, this is good genre cinema for those who like The Woman in Black type of thrills and story telling. 7.5/10
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