"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she ... See full summary »
"Marius" takes place in Marseilles' Old Port, at the La Marine Bar, owned by César and his son Marius. Marius' biggest dream is to embark on one of the boats passing by his dad's bar and to... See full summary »
Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.
Who has never been ashamed of Mom's new hairdo, Dad's bad jokes, that velvet couch in the living room, a childhood friend who obviously doesn't get it? Lila and Ely live just the other side... See full summary »
For travelers around the world, the eruption of the Icelandic volcano Eyjafjallajökull is a downer. For Alain and Valerie, it's a catastrophe. For if they are to make it in time to the tiny... See full summary »
Vincent is about to become a father. At a meeting with childhood friends he announces the name for his future son. The scandalous name ignites a discussion which surfaces unpleasant matters from the past of the group.
Alexandre de La Patellière,
Bernand Fréderic is a mediocre bank executive, married, with a son. He used to have another profession: look-a-like of French star Claude François. Now, with the Imitators Gala Night coming... See full summary »
I was reluctant to go for the ride. I think movies about great horses cannot make great movies, even if they are very well done they only cater for a limited public: kids if it's mostly a fable, or connoisseurs if it's more of a true story.
Then I am no fan of Guillaume Canet. The lack of depth in his turf plus the fact that he envisioned the Jappeloup story as 'Rocky meets jumpers' really did not appeal to me. And even if I was crazy about jumping I would have had these many reservations.
Now Jappeloup has been cleverly crafted around the choices that rider Pierre Durand had to face, with the central paternal figure played to perfection by Daniel Auteuil. This is enough to tell an emotional story that peaks with every jumping show.
The seminal choice for Durand to leave his lawyer job to live his passion to the full is well timed, but emotion really lies with the father's simple and heartfelt lines. The father then comes on schedule to ease the stress while his son only appears as bland, more obstinate than really passionate about riding, let alone about his horse.
The groom character created as a proxy for the horse-rider relationship is not really interesting. It shaves a narrative challenge off the main character's shoulders, only making him look vain and passive before others - the groom (Lou de Laâge), his father, his wife (Marina Hands) - steer him in the right direction.
In the end, the mere succession of key jumping events starts to be too much, all the more so as the father is no longer there. And maybe the movie lacks Daniel Auteuil to deliver the final word, because in the end there is no sense of a lesson learnt. The journey was emotionally charged but the minute after we arrived it's all gone.
9 of 15 people found this review helpful.
Was this review helpful to you?
| Report this