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An ex-con assumes the identity of a murdered sheriff in the small town of Banshee, Pennsylvania, where he has some unfinished business.
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4   3   2   1  
2016   2015   2014   2013  
Won 1 Primetime Emmy. Another 1 win & 9 nominations. See more awards »





Series cast summary:
Antony Starr ...  Lucas Hood 38 episodes, 2013-2016
Ivana Milicevic ...  Carrie Hopewell / ... 38 episodes, 2013-2016
Ulrich Thomsen ...  Kai Proctor 38 episodes, 2013-2016
Frankie Faison ...  Sugar Bates 38 episodes, 2013-2016
Matt Servitto ...  Deputy Brock Lotus / ... 38 episodes, 2013-2016
Hoon Lee ...  Job 38 episodes, 2013-2016
Ryann Shane ...  Deva Hopewell 38 episodes, 2013-2016
Lili Simmons ...  Rebecca Bowman 38 episodes, 2013-2016
Matthew Rauch ...  Clay Burton 33 episodes, 2013-2016
Rus Blackwell ...  Gordon Hopewell 32 episodes, 2013-2016
Trieste Kelly Dunn ...  Deputy Siobhan Kelly 34 episodes, 2013-2016
Demetrius Grosse ...  Deputy Emmett Yawners 22 episodes, 2013-2016
Ben Cross ...  Mr. Rabbit 21 episodes, 2013-2015
Anthony Ruivivar ...  Alex Longshadow 18 episodes, 2013-2015


Lucas Hood, an ex-con and master thief, assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town of Banshee, Pennsylvania. Written by megcak555

Plot Summary | Plot Synopsis


Small Town. Big Secrets. See more »


TV-MA | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official site





Release Date:

11 January 2013 (USA) See more »

Also Known As:

Banshee: La città del male See more »

Filming Locations:

Charlotte, North Carolina, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

16:9 HD
See full technical specs »

Did You Know?


Lucas Hood was modelled after Colin Farrell. See more »


The USMC Marines from Camp Genoa are seen in town in their digital (deployment) uniforms. Marines cannot wear those off base other than being in actual field training or combat. For the bar and town scenes, they would be in some combination of the Alpha or Bravo uniform, the dress green blouse and trousers with the Khaki shirt and tie. Or at more formal events, in their blues. See more »


Sugar Bates: [looking at three dead bodies, & a recently released ex-convict, in his bar] It's what you call in the bible "a clusterfuck of epic proportions"
See more »

Crazy Credits

During the first season, the opening credits show a safe being unlocked. The numbers shown are 42-15-68, and these numbers have meaning. 42 is the amount of deaths that occur during the first season, 15 is the number of years Hood spent in prison, and 68 is a reference to Revelations 6:8 which was spoken by Kai Proctor in episode 1.7, 'Behold a Pale Rider'. See more »

Frequently Asked Questions

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User Reviews

well this is embarrassing
7 November 2014 | by A_Different_DrummerSee all my reviews

I am watching the series in sequence, just started the second season, and I have been reviewing individual episodes in the IMDb because frankly they are some of the most amazing episodes I have ever seen in mainstream TV.

I thought I had already done a summary review of the series but then found I had not. Oops.

OK, for the record, the acting is superb, the casting is superb, the scripts are to die for, and even the direction is in a class by itself (just finished s02e02 and the opening sequence did a match-cut of two parallel story lines with a wonderful sultry audio track over the top).

The assumed identity theme is brilliant. The idea of writing not one but two supervillains into the story and letting the audience try to figure out which one is worse -- brilliant. This series is brilliant.

But the ones to watch are Jonathan Tropper and David Schickler who are relatively fresh to the game and I predict will be at the edge of their craft for years to come.

These guys are off the chain. The seem to instinctively know how far they can push the viewer's sensibilities without causing blowback. That simple feat is not so simple and is possibly the key, the secret, to successful TV.

As I write this, most of the shows I follow have already gone slightly bonkers (LONGMIRE and JUSTIFIED pop to mind) but so far Banshee is holding up.

Astonishing entertainment.


Update Feb 2015: I'm a critic. My job is to report on the extraordinary. I am halfway through Season 2 and this series has me gob-smacked. Shickler and Tropper, who seem to have very few credits on IMDb outside of this series, are astonishing. Appearing as if out of nowhere, this series has individual episodes as good as or better than some of the product JJ ABRAMs is currently doing. And Abrams, who is a God in Hollywood -- one year he did both the Star Trek and the Star Wars films simultaneously(!) -- has had years to perfect his craft, plus, he can pick up the phone and bring in the Nolan Bros if he wants to. Shickler and Tropper in Banshee are showing us an instant and total mastery of writing, direction, casting, and -- my favorite -- a grasp of how important it is to keep the viewer "connected" from week to week. This "underdog" series is extraordinary in every sense of the word.

---- update June 2016 ----

Going to miss this show. I will even miss the titles and the credits, that's how good it is. As the (former) top rated Cinemax show, Banshee joins the rarified air of shows like Dick Van Dyke and Seinfeld, shows that VOLUNTARILY took themselves off the air because they felt they had given their all to the fans. Good news? The producers and even the stars can cut their own ticket in Hollywood for whatever they want to do next. Buy the boxed set, lock yourself in a closet and binge-watch. You will not be disappointed.

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