In Manhattan, film-maker Erik bonds with closeted lawyer Paul after a fling. As their relationship becomes one fueled by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.
Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Juan David Restrepo
After an accident Raymond has gone blind .His family treats him like a child .But fortunately ,a nun comes to his rescue.She works in a center where blind people learn to read with the Braille alphabet.
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
It's 1998 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. As the two men start building a home and life together, each continues to privately battle their own compulsions and addictions. A film about sex, friendship, intimacy and most of all, love, Keep the Lights On takes an honest look at the nature of relationships in our times.Written by
I saw this with a group of other filmmakers. The film was loosely constructed and most of us found it tedious and boring. One person left mid film and I can say I can't blame him.
The scenes seemed to be edited in a haphazard manner,and the story moved so slow that at times it appeared that there was no story at all. We failed to connect to the characters and were not invested at all. I found myself wanting the main character to hurry up and die so I could go home.
Coming from such an esteemed director, I think we all were expecting a deeper, more emotionally intense cinematic experience. It was a festival hit, including Berlin, and I am not sure why.
4 of 8 people found this review helpful.
Was this review helpful to you?
| Report this