The Suns are a typical Hong Kong family: May, forty something, works for a trading company; her husband, Bing, works as a low-grade civil servant, and Allen, their teenage son, is still at ... See full summary »
"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.
Hee Ching Paw,
Cheuk Man Au
Ordinary Heroes is a 1999 Cantonese-language film directed by Ann Hui. It was co-produced by Hong Kong and China. It concerns social reform activists in Hong Kong. The film's Chinese title ... See full synopsis »
Anthony Chau-Sang Wong,
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
The House of the Angel focuses on the ruling class in 1920s Argentina, a deeply repressive society where political arguments were often settled by duels, and young women were expected to be totally ignorant of sex.
A special agent has for 8 years been deep undercover in Asia's lucrative organized crime trade as he plays protégé to one of the key players, Banker. Nick now has but he has started to feel loyalty to his new environment, and to the money.
Carefully and tenderly filmed life in a home for the elderly
I saw this film as part of the Rotterdam Film Festival 2012. Relatively long with nearly 2 hours running time, but not long winded at all. How does this film maker achieve that?? Carefully filmed, very nearby the two main characters. At the same time it showed an inside view in a retirement home, and a small view over the fence into the film industry.
The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.
The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.
The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.
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