A docudramatic account of the 2010 Chilean mine disaster is presented, where the thirty-three miners who went into the San José Mine in Copiapó, Chile in the middle of the Atacama Desert on August 5 were trapped 700 meters underground for sixty-nine days, with all thirty-three eventually able to make it out of the mine alive. That day, mine foreman, Luis "Don Lucho" Urzúa, reported his concerns to mine owner, Carlos Castillo, about the unstable nature of the mountain under which the mine is located, those concerns which went unheeded. Don Lucho one of the thirty-three, went to work as usual into the mine, when that instability led to collapse in some of the underground shafts, the thirty-three who were able to make it to the refuge area, however with communication channels to the surface inoperable. Under normal circumstances, the refuge area had enough supplies to last thirty men three days. The miners also discovered that the company had failed to place the requisite ladders from ...Written by
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Some of the letters at the beginning of the Chilean License Plates (such as G) were not yet available as of 2010. See more »
Squandering an almost unbelievable true story in a treatment that feels far to TV like to produce the emotional resonance needed in such a dramatic survival tale, Patricia Riggen's dramatization of the 2010 Chilean mining collapse that enthralled the world is a harmless attempt at bringing this stunning example of human courage and perseverance to the big screen but for such an unforgettable modern day tale, The 33 is sadly highly forgettable.
With a recognisable if not an exactly star studded cast led by the increasingly aged looking Antonio Banderas who finds support from hamming it up co-stars Rodrigo Santoro and one time A-lister Lou Diamond Philips, Riggen puts a majority of its focus onto these three men as Banderas's Mario and Philips's Don Lucho survive under the collapsed mountain of San Jose with their 31 other co-workers and Santoro government official with a heart of gold Laurence Golborne manages the rescue efforts above ground but a key ingredient to films such as The 33 is getting the audience to feel their pains and sufferings and their triumphs but Riggen's direction is so stale and uninvolving that The 33 has a hard time making any form of impact with its loaded material.
Many including myself would remember the travails of these 33 Chilean miners, trapped for months in the small space of shelter after the mining shaft they were working in collapses but Riggen fails to capitalise on our memories or feels from this time and it would be most adequate to describe Riggen's direction as cold and miscalculated and the aforementioned cast struggle with some truly groan inducing dialogue and even industry veterans Gabriel Byrne and the embarrassed looking Juliette Binoche can't make the cheese covered wordings work. Overall The 33 fails to make a dent cinematically bar a few sporadic yet impressive visual ticks and even the late great James Horner's intrusive score feels like a half effort.
The true tale of these Chilean miners and there will to survive is a great story and as poor as The 33's execution is their plight is enough to make sure Riggen's film isn't a true turkey but for a tale that offers so much possibility (the psychological toll of being underground an example, something briefly touched upon here) The 33 feels like an opportunity gone begging with hopes left that one day a more polished and thoughtful incarnation of this story can be produced.
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