The Girl Next Door
- Episode aired Oct 7, 2011
- TV-14
- 42m
IMDb RATING
8.0/10
4.4K
YOUR RATING
Sam reunites with a childhood girlfriend who is supposedly preying on human brains.Sam reunites with a childhood girlfriend who is supposedly preying on human brains.Sam reunites with a childhood girlfriend who is supposedly preying on human brains.
Leslie Hopps
- Amy's Mother
- (as Leslie Hopps Deschutter)
Nicholas Harrison
- Cop
- (as Nick Harrison)
Andrea Whitburn
- Junkie
- (as Drea Whitburn)
Featured reviews
I agree with most of zombiehigh18's points.
I wound up watching major chunks of this show a while back as my 21-year-old grandson is a major fan of this series. He's in the midst of re-watching the whole thing on NetFlix so I occasionally catch an old episode these days.
I gather this episode abounded with in jokes. I remember spotting some of of those now and again in the series, but don't recollect most episodes as crawling with the stuff. I remember seeing this episode sometime or other, but not being stopped in my tracks by "Amy flaming Pond?!" multi-age scenes, as I was just now while looking at Jewel Staite's history, prompted by the disasterathon running at the moment on Syfy.
Too bad they didn't sneak some fireflies or some other Kaylee reference into the episode - or did they? All things considered, about as entertaining and angst-ridden as most Supernatural episodes.
I wound up watching major chunks of this show a while back as my 21-year-old grandson is a major fan of this series. He's in the midst of re-watching the whole thing on NetFlix so I occasionally catch an old episode these days.
I gather this episode abounded with in jokes. I remember spotting some of of those now and again in the series, but don't recollect most episodes as crawling with the stuff. I remember seeing this episode sometime or other, but not being stopped in my tracks by "Amy flaming Pond?!" multi-age scenes, as I was just now while looking at Jewel Staite's history, prompted by the disasterathon running at the moment on Syfy.
Too bad they didn't sneak some fireflies or some other Kaylee reference into the episode - or did they? All things considered, about as entertaining and angst-ridden as most Supernatural episodes.
"The Girl Next Door," the third episode of Supernatural's seventh season, directed by Jensen Ackles and written by Andrew Dabb and Daniel Loflin, is a character-driven installment that dives into Sam Winchester's (Jared Padalecki) past while reigniting the moral tensions between him and Dean Winchester (Jensen Ackles). While the episode provides intriguing flashbacks and explores themes of trust and morality, its pacing and narrative inconsistencies leave it as a divisive entry in the series, but the story struggles to fully capitalize on its emotional stakes.
The episode picks up after the events of "Hello, Cruel World," with Sam and Dean recovering from their escape from Leviathans in Sioux Falls General Hospital. As they regroup in Rufus' old cabin, Sam stumbles upon a newspaper article about an "ice pick killer," whose modus operandi matches a case he solved as a teenager. Without informing Dean, Sam sets out to investigate, leading him to reconnect with Amy Pond (Jewel Staite), a kitsune he met during his youth. Amy has been killing low-life criminals to harvest pituitary glands for her sick son, Jacob. Sam's decision to spare her reignites long-standing tensions between him and Dean over their approach to hunting monsters.
Ackles' direction brings a cinematic flair to the episode, particularly in its use of flashbacks. The scenes set in 1998 are visually distinct, employing warm tones to evoke nostalgia while contrasting with the darker palette of the present-day storyline. The editing effectively transitions between timelines, allowing viewers to understand Sam's emotional connection to Amy. However, some critics have noted that the pacing feels uneven, with certain scenes-such as Dean's pursuit of Amy-rushed compared to the slower buildup of Sam's investigation.
Jared Padalecki delivers a strong performance as Sam, portraying his internal conflict between his hunter instincts and his empathy for Amy. His flashback scenes with Colin Ford as young Sam are particularly poignant, highlighting his longing for normalcy amidst his chaotic upbringing. Jensen Ackles excels as Dean, whose skepticism and unwavering moral code drive much of the episode's tension. Jewel Staite brings depth to Amy, balancing her monstrous nature with genuine vulnerability as a mother trying to protect her child.
Thematically, "The Girl Next Door" explores moral ambiguity and the complexities of trust within familial relationships. Sam's decision to spare Amy reflects his belief that not all monsters are inherently evil-a stance shaped by his own struggles with identity and trauma. Conversely, Dean's decision to kill Amy despite her promises underscores his fear that sparing monsters leads to greater harm-a belief rooted in his protective instincts toward Sam. These conflicting ideologies highlight Supernatural's recurring theme of sacrifice and moral compromise.
One standout moment occurs during Sam's confrontation with Amy at her home. Her confession about killing only to save her son adds emotional weight to their interaction, forcing Sam to confront his own biases about monsters. Another impactful scene involves Dean killing Amy after promising Sam he would let her go-a betrayal that sets up future conflicts between the brothers while emphasizing Dean's unwavering commitment to their mission.
"The Girl Next Door" is an emotionally charged but flawed episode that succeeds in advancing character arcs while faltering in its execution of broader narrative elements. Its exploration of trust and morality adds depth to Season 7 but is undermined by uneven pacing and predictable plot twists. While Ackles' direction showcases his potential behind the camera, the episode ultimately leaves viewers divided over its portrayal of Dean's actions and their implications for his relationship with Sam. By intertwining personal stakes with supernatural dilemmas, "The Girl Next Door" challenges viewers to reflect on whether redemption is possible-or if some choices are beyond forgiveness.
The episode picks up after the events of "Hello, Cruel World," with Sam and Dean recovering from their escape from Leviathans in Sioux Falls General Hospital. As they regroup in Rufus' old cabin, Sam stumbles upon a newspaper article about an "ice pick killer," whose modus operandi matches a case he solved as a teenager. Without informing Dean, Sam sets out to investigate, leading him to reconnect with Amy Pond (Jewel Staite), a kitsune he met during his youth. Amy has been killing low-life criminals to harvest pituitary glands for her sick son, Jacob. Sam's decision to spare her reignites long-standing tensions between him and Dean over their approach to hunting monsters.
Ackles' direction brings a cinematic flair to the episode, particularly in its use of flashbacks. The scenes set in 1998 are visually distinct, employing warm tones to evoke nostalgia while contrasting with the darker palette of the present-day storyline. The editing effectively transitions between timelines, allowing viewers to understand Sam's emotional connection to Amy. However, some critics have noted that the pacing feels uneven, with certain scenes-such as Dean's pursuit of Amy-rushed compared to the slower buildup of Sam's investigation.
Jared Padalecki delivers a strong performance as Sam, portraying his internal conflict between his hunter instincts and his empathy for Amy. His flashback scenes with Colin Ford as young Sam are particularly poignant, highlighting his longing for normalcy amidst his chaotic upbringing. Jensen Ackles excels as Dean, whose skepticism and unwavering moral code drive much of the episode's tension. Jewel Staite brings depth to Amy, balancing her monstrous nature with genuine vulnerability as a mother trying to protect her child.
Thematically, "The Girl Next Door" explores moral ambiguity and the complexities of trust within familial relationships. Sam's decision to spare Amy reflects his belief that not all monsters are inherently evil-a stance shaped by his own struggles with identity and trauma. Conversely, Dean's decision to kill Amy despite her promises underscores his fear that sparing monsters leads to greater harm-a belief rooted in his protective instincts toward Sam. These conflicting ideologies highlight Supernatural's recurring theme of sacrifice and moral compromise.
One standout moment occurs during Sam's confrontation with Amy at her home. Her confession about killing only to save her son adds emotional weight to their interaction, forcing Sam to confront his own biases about monsters. Another impactful scene involves Dean killing Amy after promising Sam he would let her go-a betrayal that sets up future conflicts between the brothers while emphasizing Dean's unwavering commitment to their mission.
"The Girl Next Door" is an emotionally charged but flawed episode that succeeds in advancing character arcs while faltering in its execution of broader narrative elements. Its exploration of trust and morality adds depth to Season 7 but is undermined by uneven pacing and predictable plot twists. While Ackles' direction showcases his potential behind the camera, the episode ultimately leaves viewers divided over its portrayal of Dean's actions and their implications for his relationship with Sam. By intertwining personal stakes with supernatural dilemmas, "The Girl Next Door" challenges viewers to reflect on whether redemption is possible-or if some choices are beyond forgiveness.
Dean the control freak brother who demands to know every single detail of Sam's life, and who goes nuts if Sam leaves out a detail, shows what kind of dishonest hypocrite he really is. How many times has Dean gone bonkers if he finds out that Sam did not give him a detailed explanation of every dream, nightmare, memories, thoughts, etc.?
Sam is trying hard to trust Dean (big mistake), and tells Dean about Amy Pond (not the Doctor Who sidekick). Sam met her back when they were both children, and Amy saved Sam from getting killed by her Mom, a kitsune.
Amy is a kitsune who eats the thyroid glands of humans. She tells Sam she is working as a mortician so she only eats dead people. Kind of gross, but Sam lets her slide because she was the first girl he ever kissed.
After he tells Dean the story, and asks him not to pursue Amy, Dean agrees, out of love and respect for Sam. Pathetically, it turns out Dean is a lying sack, and he tracks down Amy and shows her no mercy, and betrays his brother Sam.
I would have liked this show better without Dean. Every time Dean got sent to hell or otherwise met Death, I hoped he was being written out of the show. Dean was an annoying character who always thought he was better than everyone else. His motto was "do as I say, not as I do."
Sam is trying hard to trust Dean (big mistake), and tells Dean about Amy Pond (not the Doctor Who sidekick). Sam met her back when they were both children, and Amy saved Sam from getting killed by her Mom, a kitsune.
Amy is a kitsune who eats the thyroid glands of humans. She tells Sam she is working as a mortician so she only eats dead people. Kind of gross, but Sam lets her slide because she was the first girl he ever kissed.
After he tells Dean the story, and asks him not to pursue Amy, Dean agrees, out of love and respect for Sam. Pathetically, it turns out Dean is a lying sack, and he tracks down Amy and shows her no mercy, and betrays his brother Sam.
I would have liked this show better without Dean. Every time Dean got sent to hell or otherwise met Death, I hoped he was being written out of the show. Dean was an annoying character who always thought he was better than everyone else. His motto was "do as I say, not as I do."
Its a flipflop episode that contradicts previous episodes that certainly a mishap throughout the entire series but a soul crunching episode nonetheless and hits deep to sam and the betrayal within family regardless of his own feelings. Stellar episode but missing stars due to the flipflopping on character development. I certainly think this was a episode to pave the way to the brothers dynamic and most likely a way to see how both could sway from their principals to meet what they truly need in the heat of the moment or just to appease their own satisfactions so they can be able to look themselves in a mirror at the end of the day.
On its own this is a good episode. It has nice bro melodrama and Ackles does well enough to keep the episode feeling like a thriller. But it is an episode built around ad hoc flashbacks to give the current episode more emotional weight or investment. I really hate how the show repeatedly uses this device of contriving events in the past that only are brought up as a way of telling the current episodes. Sometimes they end up double down on idiotic aspects of the show. OF COURSE Sam's first kiss is with a monster. This is the worst use of the device but it is one of the most trite examples.
Storyline
Did you know
- TriviaJewel Staite's character is named Amy Pond, a nod to the The Eleventh Hour (2010) character who is seen as both a child and an adult.
- GoofsSam's flashbacks take place in Lincoln, Nebraska but as he is leaving the Lancaster (county) library, the door has a sign for the "Montana Reading Club".
- Quotes
Dean Winchester: [watching a Spanish soap opera intently as Bobby walks in the door. Sam is reading in the background. To Bobby] Dude. Ricardo.
Bobby Singer: What happened?
Dean Winchester: [grimly] Suicidio.
[Sam shakes his head in disgust]
Bobby Singer: Adios, Esai.
[Dean shakes his head sadly]
- ConnectionsReferences Rear Window (1954)
- SoundtracksShe Was Country
Performed by The Neil Nelson Band
Details
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