6.4/10
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8 user 88 critic

Da-reun na-ra-e-seo (2012)

Not Rated | | Drama | 31 May 2012 (South Korea)
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A three-tiered story centered on a trio of French tourists visiting the same seaside resort.

Director:

Sang-soo Hong

Writer:

Sang-soo Hong (screenplay)
7 nominations. See more awards »

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Cast

Cast overview:
Isabelle Huppert ... Anne
Joon-Sang Yoo ... Lifeguard
Yu-mi Jung ... Wonju
Yuh Jung Youn ... Park Sook (as Yeo-jeong Yoon)
Seong-kun Mun ... Munsoo
Hae-hyo Kwon Hae-hyo Kwon ... Jongsoo
So-Ri Moon ... Kumhee
Youngoak Kim Youngoak Kim ... Monk (as Kim Youngoak)
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Storyline

A three-tiered story centered on a trio of French tourists visiting the same seaside resort.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Official site [Japan]

Country:

South Korea

Language:

Korean | English | French

Release Date:

31 May 2012 (South Korea) See more »

Also Known As:

En otro país See more »

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Box Office

Opening Weekend USA:

$3,207, 11 November 2012, Limited Release

Gross USA:

$22,139, 3 February 2013
See more on IMDbPro »

Company Credits

Production Co:

Jeonwonsa Film See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Shot in 9 days. See more »

Connections

Referenced in Os Filmes Estão Vivos (2013) See more »

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User Reviews

 
embarrassingly dreary
29 September 2014 | by lasttimeisawSee all my reviews

Unwittingly it is my very first film from the universally acclaimed South Korean auteur Sang-soo Hong, by virtue of Isabelle Huppert. But out of my heart, the film is frustratingly bland and ineptly flippant.

All the setting is exclusively in a remote beach and a family hotel near sea side. After an informal conversation between a pair of mother and daughter, Park Soo (Yoon) and Wonju (Jeong), about their familial dispute. Then Wonju starts to write three short stories for her script, each centers a French woman named Anne (Huppert), respectively as a female director, an adulteress and a divorcée (conveniently dressed in blue, red and green), and Wonju becomes the hotelier.

In each scenario, Anne is pursued by Korean men, for the blue Anne, her friend Jongsoo (Hyo) expresses his beyond-friend affection to her despite he is with his pregnant wife Kumhee (Moon); for the red Anne, she is on a tryst with the film director Munsoo (Mun), who is late for their rendezvous, subsequently she has illusions of whether or not Munsoo will ever arrive; for the green Anne, who is accompanied by her friend Park Soo, out of her wedlock because her husband deserts her for a Korean woman, she is seeking help from a monk (Youngoak) but also seduced by the lecherous Jongsoo.

Yet in each episode, Anne encounters an amiable lifeguard (Yu), and looks for a small lighthouse, they almost have the same dialog typically instigated between a foreign tourist and a local citizen, which is pleasant to watch for the first time, but a third time is not a charm. In one hand, one can greatly appreciate the sharp-witted execution of the in-your-face hostility hidden beneath the ostensible amicability thanks to the language barrier, on the other hand, most of the time, the film entraps itself into its own dilemma-tic loop, only skirts along the surface of the inter-cultural clash.

Huppert is criminally underused here, maybe she also took the advantage for a holiday here, the Korean cast is naturalistic at its best, Sang-soo Hong never give anything too demanding to perform, the film is a free-wheeling prose, it might fare better if it is projected as a screen background with its unobtrusive visual tenderness and lilted but minimal conversations while you can sip your afternoon tea with mini-cookies, but, it you want to carefully scrutinize its contents and its subtext with your full attention, it is an embarrassingly dreary one, and it seems Sang-soo Hong himself, did adopt a devil-may-care attitude long since its inception.


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