Told from Igor's perspective, we see the troubled young assistant's dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man - and the legend - we know today.
James McAvoy and Daniel Radcliffe star in a dynamic and thrilling twist on a legendary tale. Radical scientist Victor Frankenstein (McAvoy) and his equally brilliant protégé Igor Strausman (Radcliffe) share a noble vision of aiding humanity through their groundbreaking research into immortality. But Victor's experiments go too far, and his obsession has horrifying consequences. Only Igor can bring his friend back from the brink of madness and save him from his monstrous creation.Written by
20th Century Fox
In Spain was released in 86 theaters. The film was projected in dubbed version / subtitled version (14 theaters). See more »
How could have Igor learned to read much less become an expert on anatomy? His status in the circus was so low it is unlikely anyone would have invested in teaching him the rudiments of the 3Rs. See more »
You know this story. The crack if lightning. A mad genius. An unholy creation. The world, of course, remembers the monster, not the man. But sometimes, when you look closely, there's more to a tale. Sometimes the monster is the man.
I've been with the circus for as long as I can remember. Circuses like to think of themselves as families. But, of course, each one has its clown.
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Stitched together from archaic fable tricks, Viktor Frankenstein is an empty vessel at heart.
Perhaps the Frankenstein name is indeed cursed, there hasn't been a great Frankenstein based movie in years, even decades. From last year's I, Frankenstein to Van Helsing who only has it as subplot, all have met mediocre fate. Now armed with robust acting power and visual that oozes Victorian era, also a bit or horror and action attached somewhere, another rendition shares the same exact fate; cinematic tediousness.
A slight modification to the narrative is made, just like Sherlock the movie is narrated from the sidekick's perspective, in this case Igor's (Daniel Radcliffe). Aside from that, there's barely anything new that hasn't been done in similar or better fashion. To its credit, it's not utterly terrible in term of presentation, in fact the visual is rather nice. It's quaintly dark and electric version of last decade metropolis, Tesla would approve.
James McAvoy as the titular Viktor really tries hard on establishing the character. Given the stale material, he still manages to squeeze some emotional scenes as well as a good chemistry with Radcliffe in a bromantic kind of way. Andrew Scott from Moriarty fame, now plays the role of Inspector Turpin. He's the polar opposite of Viktor, conservative yet equally clever and ambitious.
Unfortunately, the far too familiar plot fails to produce any thrill, the strong acting prowess ends up rehearsing the same routine of mad scientist's banter. There's screaming, philosophical argument, faux science and slight mental abuse by the two leads. It's a lot of noise of little dramatic effect. Not that the script is bad in any way, it has occasional witty lines although any hint of humor or charm is muffled by the overly melancholy tone.
At some points, the movie tries to dabble in horror, action and even romance subplot. The atmosphere is already primed for thriller, but the shocking abomination is ironically timid and unmemorable. Action consists of a few scenes of slow motions repetition. Despite the production offering distractions, the main story line is very straightforward and streamlined, and sadly also predictable.
For all the star and flair, though they might be mildly amusing, the end product is a medium so lacking of life.
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