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Rules Don't Apply (2016)

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The unconventional love story of an aspiring actress, her ambitious driver, and their eccentric boss, the legendary billionaire Howard Hughes.

Director:

Warren Beatty

Writers:

Warren Beatty (screenplay by), Warren Beatty (story by) | 1 more credit »
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Popularity
4,462 ( 153)
Nominated for 1 Golden Globe. Another 3 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Tom ... TV Newsman #2
Paul Sorvino ... Vernon Scott
Peter Mackenzie ... Gene Handsaker
Ivar Brogger ... T.V. Newsman #1
Dan Desmond Dan Desmond ... Gladwin Hill
Alden Ehrenreich ... Frank Forbes
Matthew Broderick ... Levar Mathis
Candice Bergen ... Nadine Henly
Martin Sheen ... Noah Dietrich
Hart Bochner ... Colonel Willis
Karl Florine Karl Florine ... Air Traffic Controller (as Karl J. Florine)
Annette Bening ... Lucy Mabrey
Lily Collins ... Marla Mabrey
Madisyn Ritland Madisyn Ritland ... Bella
Louise Linton ... Betty
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Storyline

It's Hollywood, 1958. Aspiring actress, songwriter, small town beauty queen and devout Baptist virgin Marla Mabrey (Lily Collins) has a contract with movie mogul Howard Hughes (Warren Beatty) and arrives with her mother (Annette Bening) in Los Angeles to do a screen test for one of his film projects. At the airport, they meet their driver Frank Forbes (Alden Ehrenreich). Forbes is an ambitious young man with a business plan and engaged to his 7th grade sweetheart, both deeply religious Methodists. The instant attraction that Marla and Frank feel for each other not only puts their religious convictions and moral values to the test, but also defies Hughes' #1 rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes' enigmatic behavior intersects with Marla and Frank in separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed. Written by 20th Century Fox

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual material including brief strong language, thematic elements, and drug references | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 November 2016 (USA) See more »

Also Known As:

Exceção à Regra See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$31,100,000 (estimated)

Opening Weekend USA:

$1,589,625, 25 November 2016

Gross USA:

$3,647,836
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Atmos

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film premieres on November 23, a day after leading man Alden Ehrenreich's birthday. See more »

Goofs

The Western Electric business phone in Howard's bungalow has a clear plastic dial first introduced in 1964. The scene takes place in late 1950s. See more »

Quotes

[Marla together with other contract actresses at a ballet studio]
Sally: So, did you get caviar ?
Marla Mabrey: Yes, I got caviar, but I still haven't met him. Do you have any idea how many houses he has for actresses under contract ?
Sally: I think something like... 14.
Mamie Murphy: [smiles] More like... 22.
Bella: [smiles] More like 26.
Marla Mabrey: [repeats together with the others in disbelief] 26!
See more »

Crazy Credits

The end credits contain the standard disclaimer that all characters are fictional. But Howard Hughes, as well as his aides Noah Dietrich (played by Martin Sheen) and Robert Maheu (Alec Baldwin) are real people. See more »

Connections

Referenced in Lorraine: Episode dated 14 October 2016 (2016) See more »

Soundtracks

Amazing Grace
Written by John Newton (uncredited)
[Incorrectly credited as Traditional]
Performed by The Harding University Concert Choir
Courtesy of Dallas Christian Sound, Inc.
See more »

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User Reviews

 
Most Conventional Beatty Film
6 December 2016 | by bkrauser-81-311064See all my reviews

Rules Don't Apply is a showbiz comedy about two star-crossed lovers. But it might just as well be director, producer and star Warren Beatty's mantra. Every so often the man steps out of whatever dimly lit bungalow he lives in and comes out with a big, bold project that stands quixotically and defiantly against the mores of the time. Reds (1981) grated harshly against the easy money proclivities of the Reagan Era while Dick Tracy (1990) looked backwards through the pulpy pages of loose leaf Americana while we looked on towards a post-communist world. Bulworth (1998), arguably Beatty's most radical film ripped off the facade of the yuppie, blue dog Clinton administration, revealing deep fissures between white liberals and the dreams differed of black Americans (albeit as told through the coddled, tone-deaf worldview of a limousine liberal). Now with Rules Don't Apply, Beatty is in full navel-gazing mode, making a movie so thematically simple that it's conventionality is its own form of radicalism.

The film details the brief stint in La La Land of one Marla Mabrey (Collins), the recently crowned Apple Blossom Queen and new RKO starlet on-call. She arrives fresh-faced from Fresno and encounters naive company driver Frank Forbes (Ehrenreich) who, like Marla, hopes to meet their employer Howard Hughes (Beatty). Problem is, this is 1958 and Howard Hughes has not spoken to anyone outside of his close circle of confidants for years. Caught in a state of arrested development, Frank and Marla begin a chaste attraction which alters their futures in unexpected ways.

Beatty portrays Hughes as a full on Falstaffian character; full of wit and intelligence but far too reckless and in-his-own-head to be taken seriously. He fits himself ever so awkwardly into the center of the action, allowing an ensemble cast of A-listers to orbit around the chaos that Hughes creates. It's an interesting mess to be sure. Hughes is simultaneously the most interesting character in the entire movie and the broadest; less a person than an event like the sinking of the Titanic.

Lily Collins and Alden Ehrenreich simply can't hope to compete for attention and screen time, even if their pleasant mugs immediately bring to mind James Dean and the luminous Audrey Hepburn respectively. They make the most out of their piddly roles with Collins managing to warble the catchy old-fashion title song and make the whole scene seem relevant. Yet when compared to the exacerbated gasps of Annette Bening, Alec Baldwin, Oliver Platt, Steve Coogan and Matthew Broderick, our two lovers are completely washed out of the film's more interesting excesses.

And there are some pretty fun excesses. There are solid if low- hanging comedic setups, snappy dialogue and goofy sequences of frenetic action which would otherwise seem slight if not for the fact that comedies are straight-up never made like this anymore. They also keep the ball rolling, making sure everything makes sense without much dead air.

In a career spanning nearly seventy years, Warren Beatty is about the closest thing to Hollywood royalty you got still working today. If you ignore his filmography, and have the patience to sit through a few stale jokes, Rules Don't Apply is basically a lesser Cafe Society (2016). Yet considering Beatty's work is often ahead of its time, Rules Don't Apply is basically a 90's Ganz/Mandel comedy mimicking the sensibilities of the 30's taking place in the 50's starring a guy not relevant since the 80's.


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