An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Director:
Nicolas Winding Refn
Stars:
Ryan Gosling,
Kristin Scott Thomas,
Vithaya Pansringarm
Forced for some time to be a fighting slave, a pagan warrior escapes his captors with a boy and joins a group of Crusaders on their quest to the Holy Land.
Director:
Nicolas Winding Refn
Stars:
Mads Mikkelsen,
Maarten Stevenson,
Alexander Morton
The sixteen year-old aspiring model Jesse arrives in Los Angeles expecting to be a successful model. The aspirant photographer Dean takes photos for her portfolio and dates her. Jesse befriends the lesbian makeup artist Ruby and then the envious models Gigi and Sarah in a party. Meanwhile, the agency considers Jesse beautiful with a "thing" that makes her different and she is sent to the professional photographer Jack. Jesse attracts the attention of the industry and experiences a successful beginning of her career. Ruby, Gigi and Sarah, however, will do whatever is necessary to get this "thing" for themselves.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Jena Malone's second time playing a lesbian character in 2016 after appearing in Lovesong (2016). See more »
Goofs
When the mountain lion in Jesi's room roars the sound used is the roar of an African Lion (or possibly a tiger) not that of a California Mountain Lion. See more »
Quotes
Sarah:
What's it feel like?
Jesse:
What do you mean?
Sarah:
To walk into a room, and it's like in the middle of winter. You're the sun.
Jesse:
It's everything.
See more »
Alternate Versions
The theatrical R-rated version and unrated version are different only in the second morgue scene as follows: (A) Female genital nudity is depicted 1 hour 29 minutes and 0 seconds into the film. In the R rated version (which played in US theaters), when Ruby was kissing the corpse (played by a female actress), the bottom of the frame showed the upper half of the vulva (inclusive of somewhat blurred labia, due to the camera focus on the kissing). In the "unrated" version (NOT the theatrical version or the director's narrative - which both emulate the R rated version seen in US theaters), that same moment depicts VERY clear labial exposure (as in medical clarity, yet artistically depicted). (B) Note that the unrated version also shows Ruby's hand brush along the genitalia as it sweeps up to the left breast (R rated version prolongs the cut-away to the Jessie fantasy shot), and also depicts Ruby bouncing on the corpse as she reaches orgasm (while the R rated version shows only the close up of her face). The foley work and soundtrack during the unrated morgue scene are subtly but noticeably different. In short, the unrated cut sounds a lot more "squishy" with ample "smacking" sounds. The uncut version appears to be available through iTunes only, despite being an Amazon production,which you can find here: https://itunes.apple.com/mt/movie/the-neon-demon/id1129719992 (That means if you want to watch it on a TV you'll need an AppleTV to play it). See more »
I can't lie, I initially rated The Neon Demon a 5/10. However, after seeing it opening day and being transfixed yet somewhat put-off the entire runtime, I couldn't get the film out of my head, and have now decided I absolutely love it.
Yes, the dialogue is a disaster, the performances are interesting at best (I was actually the most impressed by Abbey Lee and hope to see her play an out and out psycho soon), and all semblances of a conventional plot line are nonexistent, but the world and experience the movie gives the viewer is like nothing else. Films that would come close are 70s cult classics including Argento's infamous giallo Suspiria and the underrated Japanese horror/acid-fest Hausu, and I would be shocked if Winding Refn didn't at least take some inspiration from the former. I had thought films like that were all but lost in time, but The Neon Demon takes the technicolor-ed, fever dream slasher to a new level, even down to the haunting score. No one can deny it looks absolutely fantastic-- from the day-glo pinks and blues juxtaposed against black, the artful shots that looked like a cross between a Kubrick film and an underground rave, and the way LA was captured as almost a character in itself- a menacing, hollow one at that.
However, all this would be nothing more than an experimental, music video-esque piece of performance art if it wasn't for the thematic elements in which the movie draws from. And though it's hardly groundbreaking in touching on its deeper elements, the movie really does have a lot to say about conventional beauty standards and the levels with which we will go to achieve them. I found myself wishing I looked like the three female leads more than once during the movie, and while I'm sure this irony, if it can be called that, wasn't exactly intentional, it does make me think a lot about the way the modeling and film industries view beauty, and how rather than try to change society, we try and change ourselves. Both are easier said than done.
All in all, The Neon Demon was a visual feast with a deeper meaning. Many things are unexplained, but this just adds to the mystery. If you're up for in immersive, original experience that may leave you feeling a bit uncomfortable due to its content and the harsh reality of its themes, I would recommend it in a heartbeat.
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I can't lie, I initially rated The Neon Demon a 5/10. However, after seeing it opening day and being transfixed yet somewhat put-off the entire runtime, I couldn't get the film out of my head, and have now decided I absolutely love it.
Yes, the dialogue is a disaster, the performances are interesting at best (I was actually the most impressed by Abbey Lee and hope to see her play an out and out psycho soon), and all semblances of a conventional plot line are nonexistent, but the world and experience the movie gives the viewer is like nothing else. Films that would come close are 70s cult classics including Argento's infamous giallo Suspiria and the underrated Japanese horror/acid-fest Hausu, and I would be shocked if Winding Refn didn't at least take some inspiration from the former. I had thought films like that were all but lost in time, but The Neon Demon takes the technicolor-ed, fever dream slasher to a new level, even down to the haunting score. No one can deny it looks absolutely fantastic-- from the day-glo pinks and blues juxtaposed against black, the artful shots that looked like a cross between a Kubrick film and an underground rave, and the way LA was captured as almost a character in itself- a menacing, hollow one at that.
However, all this would be nothing more than an experimental, music video-esque piece of performance art if it wasn't for the thematic elements in which the movie draws from. And though it's hardly groundbreaking in touching on its deeper elements, the movie really does have a lot to say about conventional beauty standards and the levels with which we will go to achieve them. I found myself wishing I looked like the three female leads more than once during the movie, and while I'm sure this irony, if it can be called that, wasn't exactly intentional, it does make me think a lot about the way the modeling and film industries view beauty, and how rather than try to change society, we try and change ourselves. Both are easier said than done.
All in all, The Neon Demon was a visual feast with a deeper meaning. Many things are unexplained, but this just adds to the mystery. If you're up for in immersive, original experience that may leave you feeling a bit uncomfortable due to its content and the harsh reality of its themes, I would recommend it in a heartbeat.