Life changes in an instant for young Mia Hall after a car accident puts her in a coma. During an out-of-body experience, she must decide whether to wake up and live a life far different than she had imagined. The choice is hers if she can go on.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
Amanda and Dawson are soul mates who met as teens and were from different backgrounds. But circumstances would force them to part ways. 20 years later they are brought back together by the passing of a mutual friend. So they go back home to fulfill his final wishes and they run into each other. While Amanda is married, albeit unhappily, she still has feelings for Dawson but can't forgive him for pushing her away.Written by
This the 9th film adapted from a Nicholas Sparks novel of the same title. See more »
when Dawson and Amanda are pushing April's car, Dawson opens the engine compartment. Amanda's friends drive up and the driver of the car says, April come on but he should have said Amanda come on. See more »
This is dangerous, we've had wine, and you somehow have gotten better looking which is so annoying. I mean you couldn't have gotten bald or fat or something? Jesus!
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Trite story, bad direction, poor casting, barely redeemed by performances
Good romantic films are almost as rare as good comedies. I really did not ask for anything special, as I like "chick flicks" and Hollywood has such a love affair with action movies, Hollywood has almost stopped making them. Nonetheless, I really disliked this one; because, even with the clichés, this movie had so much promise. The movie opens with a fine action sequence; and James Marsden is a really watchable actor. However, as soon as the parallel love stories begin, the movie falls apart. First of all "young Amanda" (Liana Liberato) not only does not look much like "older Amanda" (Michelle Monaghan), their body languages and acting styles are completely different. There is even a bigger disparity with "young Dawson" (Luke Bracey) and "older Dawson" (James Marsden). Thanks to terrific performances by Liana Liberato and Gerald McRaney, the flashback sequences are much more entertaining than the present sequences, even though Michael Hoffman's direction is much better in the present sequences. Hoffman shoots WAY too many of the flashback sequences as medium shots, when closeups would have been far better. Even the ending seems tacked on and trite.
Except for Liana Liberato and Gerald McRaney, "The Best of Me" is anything but. I give "The Best of Me" a "5".
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