213 reviews
The acting is really good. The chemistry between Kristen and Katy (beefy chick) felt very natural. Say what you will about Kristen in the Twilight movies, but she's got some serious acting chops. She did a banger job in this movie. Ed Harris's hair is crazy evil and his performance is up there with Kristen's. Dave Franco was funny, but I also hated his character. The movie has some unexpected dark humor at times, which was surprising given its dark and gritty look. There's some good use of sound design, there's a lot of squishy noises throughout the movie. The soundtrack is solid as well. The movie's got its own distinct style. Cinematography was pretty impressive. They made some really nice creative decisions with certain shots and the way they filmed certain scenes.
This movie is equal parts intense, violent, unsettling and funny at times. I don't know what it is about A24 but they always seem to do weird things in the movies they release. Overall, the movie was fine with the exception of two moments where it turned really weird and of course both of those moments could be seen as metaphorical. This movie takes a downward spiral where things get pretty dark and out of control. In essence, this movie is about love, obsession, addiction, past trauma, toxic relationships and extremely flawed characters. Unfortunately there's not a single character with a redeeming quality by the end of the movie that you can cheer for or relate to, and this makes it hard to truly get invested in. The beginning part of the movie was the best. But once things start to spiral out of control, it becomes unsettling, intense and not the most pleasant of rides. Although I was glued to the screen while watching and it was entertaining, I don't think I'd watch this one again. I can recommend it though.
This movie is equal parts intense, violent, unsettling and funny at times. I don't know what it is about A24 but they always seem to do weird things in the movies they release. Overall, the movie was fine with the exception of two moments where it turned really weird and of course both of those moments could be seen as metaphorical. This movie takes a downward spiral where things get pretty dark and out of control. In essence, this movie is about love, obsession, addiction, past trauma, toxic relationships and extremely flawed characters. Unfortunately there's not a single character with a redeeming quality by the end of the movie that you can cheer for or relate to, and this makes it hard to truly get invested in. The beginning part of the movie was the best. But once things start to spiral out of control, it becomes unsettling, intense and not the most pleasant of rides. Although I was glued to the screen while watching and it was entertaining, I don't think I'd watch this one again. I can recommend it though.
- vanessavegan
- Jul 21, 2024
- Permalink
Rose Glass, the visionary director behind Saint Maud, throws another punch with Love Lies Bleeding, a neo-noir crime thriller that's both stylish and unsettling. Lou, a cautious gym manager, has her world turned upside down when she develops feelings for Jackie, a dedicated bodybuilder in Las Vegas training for a competition (Katie O'Brian). Sparks fly, but their budding romance gets entangled with Lou's dark family secrets, propelling them down a violent path.
Love Lies Bleeding isn't afraid to push boundaries. It evokes memories of classic thrillers like Body Double, with its neon-drenched aesthetic and underlying themes of obsession and desire. However, Glass injects a contemporary dose of female empowerment, subverting the stereotypical femme fatale trope. Jackie isn't just a damsel in distress; she's a complex character with her own agency, which adds a layer of intrigue to the narrative.
The film's greatest strength lies in its central performances. Stewart delivers a raw and intense portrayal of Lou, a woman yearning for connection but burdened by her past. O'Brian matches her intensity, embodying the steely determination and vulnerability of Jackie with remarkable nuance. Their chemistry is undeniable, making us invested in their tumultuous relationship, even as things spiral out of control.
While the plot takes some wild turns, it's the film's thematic exploration that lingers. Glass dissects the destructive nature of desire, and the lengths people go to in the name of love-or perhaps, obsession. The violence, though brutal, feels purposeful, serving as a metaphor for the emotional turmoil the characters endure.
Admittedly, the pacing can be uneven at times. The first act establishes the characters and their connection beautifully, but the middle section drags a bit as the focus shifts towards the criminal underbelly. However, the film regains its momentum in the final act, culminating in a climax that's both shocking and strangely cathartic.
Technically, Love Lies Bleeding is a knockout. The cinematography is sharp, using bold colours and contrasting lighting to create a visually arresting world. The pounding score complements the film's intensity, while the editing keeps the narrative taut without sacrificing character development.
Love Lies Bleeding isn't for the faint of heart. It's a film that revels in its own darkness, challenging us with its graphic violence and unconventional love story. But for those seeking a neo-noir experience that's both thrilling and thought-provoking, this is a film that will stay with you long after the credits roll.
Love Lies Bleeding is a film with flaws, but its bold direction, phenomenal performances, and exploration of complex themes make it a worthwhile watch, especially for fans of unconventional thrillers. Just be prepared for a wild ride.
Love Lies Bleeding isn't afraid to push boundaries. It evokes memories of classic thrillers like Body Double, with its neon-drenched aesthetic and underlying themes of obsession and desire. However, Glass injects a contemporary dose of female empowerment, subverting the stereotypical femme fatale trope. Jackie isn't just a damsel in distress; she's a complex character with her own agency, which adds a layer of intrigue to the narrative.
The film's greatest strength lies in its central performances. Stewart delivers a raw and intense portrayal of Lou, a woman yearning for connection but burdened by her past. O'Brian matches her intensity, embodying the steely determination and vulnerability of Jackie with remarkable nuance. Their chemistry is undeniable, making us invested in their tumultuous relationship, even as things spiral out of control.
While the plot takes some wild turns, it's the film's thematic exploration that lingers. Glass dissects the destructive nature of desire, and the lengths people go to in the name of love-or perhaps, obsession. The violence, though brutal, feels purposeful, serving as a metaphor for the emotional turmoil the characters endure.
Admittedly, the pacing can be uneven at times. The first act establishes the characters and their connection beautifully, but the middle section drags a bit as the focus shifts towards the criminal underbelly. However, the film regains its momentum in the final act, culminating in a climax that's both shocking and strangely cathartic.
Technically, Love Lies Bleeding is a knockout. The cinematography is sharp, using bold colours and contrasting lighting to create a visually arresting world. The pounding score complements the film's intensity, while the editing keeps the narrative taut without sacrificing character development.
Love Lies Bleeding isn't for the faint of heart. It's a film that revels in its own darkness, challenging us with its graphic violence and unconventional love story. But for those seeking a neo-noir experience that's both thrilling and thought-provoking, this is a film that will stay with you long after the credits roll.
Love Lies Bleeding is a film with flaws, but its bold direction, phenomenal performances, and exploration of complex themes make it a worthwhile watch, especially for fans of unconventional thrillers. Just be prepared for a wild ride.
- steveinadelaide
- Mar 22, 2024
- Permalink
Love Lies Bleeding tells the story of Lou(Kristen Stewart), who works in a gym. Lou falls in love with Jackie(Katy O'Brian), an aspiring bodybuilder who is passing through town, before competing in a bodybuilding competition in Las Vegas.
Love Lies Bleeding is a good film. Director Rose Glass has given us a movie that is unique, gripping, has plenty of shock value & keeps the audience on the edge of their seats, throughout. However, one major flaw is that it tries to mix too many genres & themes. The ending of the film is quite bad & is unintentionally funny, too. The performances are the highlight of the movie. Kristen Stewart is spectacular as Lou. Katy O'Brian is awe-inspiring as Jackie. Stewart & O'Brian share electrifying chemistry, in all their scenes together. Anna Baryshnikov is outstanding as Daisy. Dave Franco is unforgettable as JJ. Jenna Malone is brilliant as Beth. Ed Harris is outstanding as Lou Sr. The supporting cast is excellent. Love Lies Bleeding is worth a watch if you want to watch an original story. Just be prepared for a rollercoaster of a ride!
Love Lies Bleeding is a good film. Director Rose Glass has given us a movie that is unique, gripping, has plenty of shock value & keeps the audience on the edge of their seats, throughout. However, one major flaw is that it tries to mix too many genres & themes. The ending of the film is quite bad & is unintentionally funny, too. The performances are the highlight of the movie. Kristen Stewart is spectacular as Lou. Katy O'Brian is awe-inspiring as Jackie. Stewart & O'Brian share electrifying chemistry, in all their scenes together. Anna Baryshnikov is outstanding as Daisy. Dave Franco is unforgettable as JJ. Jenna Malone is brilliant as Beth. Ed Harris is outstanding as Lou Sr. The supporting cast is excellent. Love Lies Bleeding is worth a watch if you want to watch an original story. Just be prepared for a rollercoaster of a ride!
- Anurag-Shetty
- Jun 24, 2024
- Permalink
- dweston-38669
- May 5, 2024
- Permalink
Let me preface this review that I liked both characters, loved the gritty atmosphere and the outstanding cinematography and production design. Unfortunately the great direction can not substitute an unfocused script. The heavy-handed metaphors are superfluous and it reminded me of another A24 gamble that missed it's mark called Lamb (2021). It never really knows what it really wants to be: gritty crime thriller or drama ,it falls short in both genres. And depending on your suspension of disbelief the ending will be hit or miss. The movie does something towards the end, which will split the audience. Some people will love it, others wil be confused. I found it to be a creative cop-out. It is unnecessarily pretentious, because up to this point the movie was doing fine: a bit illogical, but a good ending would have still managed catch the curve. There's also a problem with the character of Jackie being quite underdeveloped. It's not the actresses' fault, both actresses deliver damn good performances, especially with the pastiche dialogues. It's just sems like you have seen it all before, but better. Especially the presence of Ed Harris invoked memories of Cronenberg's History of Violence, but whereas Cronenberg manages to ride the fine line between comical/surreal exagerration and authentic drama. Love Lies Bleeding tries to do go all in on caricature and loses it's gamble. It's a shame because I liked the epilogue, even the end credits are charming. But it's that crucial piece near the end, that never provided that heartfelt catharsis or an inventive solution. It's still an entertaining movie overall , it's best though to lower expectations towards the end.
- alex_with_a_P
- Dec 14, 2024
- Permalink
I'm was not a fan of Christen Stewart before seeing thus movie. However, the beauty of acting is forgetting the actor and seeing the character, which I totally did.
The lust and visceral energy in this movie is difficult to describe and uncomfortable to experience (as a middle aged man) but still highly engaging and entertaining.
I can't quite put my finger on why I loved this movie so much, which is probably why I loved this movie so much.
I think it's going to be one of those films that devides audiences (yes, I've read a few reviews). The old cliche applies, you'll either love it or hate it.
For me personally it is an expression of what love actually is!
The lust and visceral energy in this movie is difficult to describe and uncomfortable to experience (as a middle aged man) but still highly engaging and entertaining.
I can't quite put my finger on why I loved this movie so much, which is probably why I loved this movie so much.
I think it's going to be one of those films that devides audiences (yes, I've read a few reviews). The old cliche applies, you'll either love it or hate it.
For me personally it is an expression of what love actually is!
- nufc_geordie
- Sep 24, 2024
- Permalink
Final film viewing of the year (2024) goes to the bleakest of love stories. We're introduced to an out of town gym. You know the kind. A bit gritty, not a leg warmer in sight. Lou (Kristen Stewart) is in charge, but it's not a lavish life, she spends half her time unblocking toilets. We're in the southern states, dusty streets, double denim, bad haircuts (although half these dodgy 80s looks are back in now). She has a sister, Beth (Jena Malone) who gets repeatedly beat up by her husband, JJ (Dave Franco) a cheating scumbag deadbeat. His boss is Lou Sr. (Ed Harris), they run a gun range, that out of towner, Jackie (Katy O'Brian) finds herself working at. All quite bleak and deadend, until Jackie frequents the gym and meets Lou. Jackie you see is a body builder, hitching her way to Vegas for a competition. After Jackie and Lou spend the night together, the connections all come into focus. Lou Sr. Is Lou's father. They do not get on. He doesn't care about Lou being gay. Lou does care about him being a sadistic gun runner. She cares more about Jackie though. Smooth sailing love story it is not. Both Jackie and Lou have messy lives, but we're in Lou's town so it's her issues that are front and centre. After Beth takes a particularly brutal beating. Jackie makes their lives even messier. It's a savage rollercoaster that just keeps descending. The FBI are snooping around Lou Sr., Jackie is losing control (with some devastating body horror steroid fuelled visions) and Lou's ex, Daisy (Anna Baryshnikov) is threatening to unravel all Lou's not so well laid plans. Tense, violent, bloody violent. It all serves the story though and it's brilliant. Ed Harris is terrifying. Kristen Stewart is magnificent. It's not for the faint hearted, but if you can handle the violence, this is a beautifully twisted dark tale of love.
- TakeTwoReviews
- Dec 30, 2024
- Permalink
When I saw the trailer for this film there was something that immediately attracted me to it. Yes the gritty set-in-the 80s look has been done before but seldom as well as this. The setting is bleak, the characters lost in various ways and the only ways out present great danger.
I was immediately drawn to the central characters and was invested in their plight. The film walks a fine line between gratuitous sex and violence and realism perfectly, however the film deviates into a fever dream that I for one loved. I will say that a film that takes as many risks as this will not be for everyone, but that's completely valid. Thank the heavens that there's still someone out there prepared to take the risk, stray from formula and let the audience decide.
I was immediately drawn to the central characters and was invested in their plight. The film walks a fine line between gratuitous sex and violence and realism perfectly, however the film deviates into a fever dream that I for one loved. I will say that a film that takes as many risks as this will not be for everyone, but that's completely valid. Thank the heavens that there's still someone out there prepared to take the risk, stray from formula and let the audience decide.
- trevor-m-byrne
- Jul 7, 2024
- Permalink
'Love Lies Bleeding (2024)' is a sweaty, grimy, bloody romantic crime thriller about a disillusioned woman who falls in love with a bodybuilding hitchhiker whose steroid-infused rage soon lands both of them in big trouble. It unashamedly - proudly, even - takes the often explicitly cishet, masculine revenge/crime-gone-wrong genre and tells it from a distinctly LGBT+, feminine angle that doesn't feel exploitative despite its graphic nature. It also doesn't box itself in with that 'feminine' label, allowing its female characters to exist with all the complexities and imperfections usually afforded to their male counterparts. It's refreshing to see a story like this be told from a creative team of primarily women, and director Rose Glass continues to impress with her sophomore feature. Filled with palpable texture and peppered with moments of stark surrealism, the feature typically avoids convention despite telling a fairly conventional tale. It's the kind of film you can almost smell, a dirty and down-to-earth representation of small-town America that's the opposite of 'Hollywood' (whatever that term is typically associated with). Its moments of shocking violence punctuate the interpersonal drama at its core and inherently raise its stakes. Kristen Stewart is really good a Lou, with a non-showy performance that feels tactile and real. She's able to hide a real darkness just beneath her shy yet brash exterior, and her initially meek interactions with Katy O'Brian believably bubble into the full-blown immersion associated with head-over-heels love. O'Brian turns in similarly impressive work, portraying a dangerous but vulnerable person whose inner life is layered and messy and likely not all that much more stable prior to her experiments with steroids. She's so ripped she could easily play She-Hulk without the aid of CGI (which, incidentally, I'd love to see), but it isn't her stunning physique that leaves the strongest impression and that's no easy feat. The supporting cast do a good job at making the world feel palpable, with Ed Harris' hair extensions always threatening to outact everyone they share a frame with (Harris himself is good too, of course) and Dave Franco channeling his brother to convincingly play a real creep (and somehow garner a hint of sympathy with a single word in his most memorable scene). Although it's not always as exciting or intense as I'd like, the piece has a strong atmosphere throughout and its world really does feel tangible. Its complex characters constantly reveal darker and darker aspects of themselves, all while its heroes fall deeper and deeper into an all consuming romance that might just doom them both. Its infrequent violence is as shocking as it is affecting, and its confident surrealism gives it a slightly ambiguous air that adds to its overall effect. It's a strong example of female and LGBT+ representation, too. It's not as good as Glass' previous picture, 'Saint Maude (2019)', but it's a really solid follow-up that's effective pretty much across the board.
- Pjtaylor-96-138044
- May 9, 2024
- Permalink
- kikiclogwyni
- Apr 21, 2024
- Permalink
I was gripped from the first scene of Love Lies Bleeding right through to the very last. A film filled exclusively with flawed characters with not ones moral compass making it to the end intact.
Kristen Stewart plays Lou, a gay gym manager terrified of becoming her ruthless crime-boss father, brought to life excellently by Ed Harris. In the claustrophobic 80s small town everyone knows everyone and their business. So when Jackie, a female bodybuilder, rolls into town, she's quickly and passionately pulled into the inescapable web of darkness surrounding Lou's family.
As the film unravels, it morphs into a surreal, sometimes psychedelic fever dream that will no doubt divide opinion with its bold choices. I thought it was daring and cinematic all the way through. Whether you agree or not, one thing's for sure - you won't be bored.
Kristen Stewart plays Lou, a gay gym manager terrified of becoming her ruthless crime-boss father, brought to life excellently by Ed Harris. In the claustrophobic 80s small town everyone knows everyone and their business. So when Jackie, a female bodybuilder, rolls into town, she's quickly and passionately pulled into the inescapable web of darkness surrounding Lou's family.
As the film unravels, it morphs into a surreal, sometimes psychedelic fever dream that will no doubt divide opinion with its bold choices. I thought it was daring and cinematic all the way through. Whether you agree or not, one thing's for sure - you won't be bored.
Kristen Stewart is a talented performer known for making both good and dreary movies better. Her restlessness and unquiet presence draw audiences in, making her a captivating character. In her latest film, "Love Lies Bleeding," Stewart plays Lou, a small-town loner in New Mexico, who yearns to escape a classic dead end. In the '80s, Lou works in a gym, where she spends her time fixing jalopies and slipping steroids. A beautiful stranger named Jackie (played by Katy O'Brian) catches Lou's eye, setting the movie on an incendiary path. The movie features violence, guns, spooky flashbacks, and a classic villain played by Ed Harris. The film is filled with extravagantly bad hair, rotten teeth, and souls, making it an exciting and captivating experience for viewers. The film also features a classic villain, played by Ed Harris, who delivers a sneer and an epically terrible wig. Overall, "Love Lies Bleeding" is a thrilling and captivating film that showcases Stewart's talent in making movies better and more enjoyable. "Love Lies Bleeding" is a thriller directed by Rose Glass, who has a background in James M. Cain and Jim Thompson novels. The film follows Jackie, a bodybuilder, and Lou, a drifter who meets his kismet at the gym. They connect after the gym closes, and their relationship is marked by a violent confrontation between Jackie and a gym rat. The story quickly heats up as Jackie drifts into town, landing a job to earn money. She crashes with Lou, who is eager for Jackie to stay. Lou remains super-jumpy and wary, and Stewart gives her character a tremulous energy that vibrates in her every look, gesture, and head bob. Glass borrows liberally but not mindlessly, taking familiar themes and clichés like romantic doom and family trauma and playfully bending them to her purposes. She upends the heterosexual coupling that powers many movies, including gun-crazed noirs where violence is sex (and vice versa). Glass deploys her allusions and, with her two beautifully synchronized leads, distills what's pleasurable from them while leaving behind old ugly ideas about women. The film is enjoyable because it uses dark and oh-so-sweet elements, with the greatest danger and thrill being finally love. Glass looks back and she looks forward, going dark and oh-so-sweet in a thriller where the greatest danger and thrill is finally love.
- moviesfilmsreviewsinc
- Jul 19, 2024
- Permalink
- filmtravel101
- Mar 16, 2024
- Permalink
Sadly the film isn't as amazing as I hoped it would be.
The two main characters have great chemistry and the style of the movie is pretty cool but the script is kinda lame. I don't mind a simple story but in this case it felt like there was missed potential somehow. I really expected to love this movie but even though it had some very nice moments and the direction was superb, it was a bit of a letdown.
I feel like there was nothing I could take away from the story - nothing I learned...
And at the same time, even though the style is cool, this type of look and music for a film of this genre is pretty standard these days when it comes to independent films. It's the old "Drive" Nicolas Winding Refn thing from the perspective of a female director. I feel like this type of movie is starting to get a bit old maybe.
This is definitely not a must-see, but you will probably have a good time in the cinema if you are into the trailer.
The two main characters have great chemistry and the style of the movie is pretty cool but the script is kinda lame. I don't mind a simple story but in this case it felt like there was missed potential somehow. I really expected to love this movie but even though it had some very nice moments and the direction was superb, it was a bit of a letdown.
I feel like there was nothing I could take away from the story - nothing I learned...
And at the same time, even though the style is cool, this type of look and music for a film of this genre is pretty standard these days when it comes to independent films. It's the old "Drive" Nicolas Winding Refn thing from the perspective of a female director. I feel like this type of movie is starting to get a bit old maybe.
This is definitely not a must-see, but you will probably have a good time in the cinema if you are into the trailer.
- AntoineMatuttis
- Jul 17, 2024
- Permalink
Didn't know a lot about this film before checking it out. Saw the cast, trailer and its a thriller, you can count me in.
Overall found this film to be super enjoyable, stylish, bold, shocking and totally unsettling in parts. Basically everything you could ask for from a modern day thriller. Loved the central dynamic/relationship between the two leads. Felt incredibly natural and down to earth. Exactly why the more bonkers stuff works because the basics have been done so so well. Kristen Stewart and Katy M O'Brian are both stellar throughout. Also have to shoutout Ed Harris, with of the most ridiculously amazing looks one of his characters has ever had. Incredibly powerful, and unnerving. Again I believe only Harris could do this role.
Directing, cinematography and sound are incredible! Absorbs you into the world seamlessly. Absolute feast for the eyes and ears all the way through. The colour palette is off the charts with this film, extremely vibrant and fitting for the craziness of the story.
75% out of 100. Great chemistry with central characters and backstories you believe. Performances are great. Story has all sort of surprises, which will keep you guessing. This is a great modern day thriller that is easily accessible and a joy to watch. Don't sleep on this film!
Overall found this film to be super enjoyable, stylish, bold, shocking and totally unsettling in parts. Basically everything you could ask for from a modern day thriller. Loved the central dynamic/relationship between the two leads. Felt incredibly natural and down to earth. Exactly why the more bonkers stuff works because the basics have been done so so well. Kristen Stewart and Katy M O'Brian are both stellar throughout. Also have to shoutout Ed Harris, with of the most ridiculously amazing looks one of his characters has ever had. Incredibly powerful, and unnerving. Again I believe only Harris could do this role.
Directing, cinematography and sound are incredible! Absorbs you into the world seamlessly. Absolute feast for the eyes and ears all the way through. The colour palette is off the charts with this film, extremely vibrant and fitting for the craziness of the story.
75% out of 100. Great chemistry with central characters and backstories you believe. Performances are great. Story has all sort of surprises, which will keep you guessing. This is a great modern day thriller that is easily accessible and a joy to watch. Don't sleep on this film!
- Lewis_Heather787
- Dec 30, 2024
- Permalink
A24 delivers again, a movie that is going to make you go "What did I just watch!?" and that's classic A24 i guess. You may/may not like the film, but you'll surely talk about it. Kristen Stewart and Katy o'Brian were fantastic in this "dark and gritty", "romantic-thriller-drama" film (that is not family friendly, for obvious reasons which you'll either find unnecessary for the plot to move or might feel like they were absolute value ads to the chemistry between the lead) that has some amazing sound design, commentary on female empowerment, and some elements of....fiction...? With an ending that's surely going to have you asking questions and coming up with your own interpretation of what you just saw.
Watch it if you like A24 content!
Watch it if you like A24 content!
- TreeFiddy53
- Aug 20, 2024
- Permalink
In the southwest in the late 1980s, a young female bodybuilder finds a new home in a small town. She comes across a young female employee at a gym whom she quickly connects with, but who turns out to be at odds with her family, a hive of degenerates. Their romance ends up being intertwined in a web of crime.
Kristen Stewart is quite good in this as the black sheep of the family and a determined rebel. Katy O'Brian turns out to be the unexpected life blood of this film. Her performance is so multidimensional that the film just wouldn't be as good without her. She conveys curiosity, fear, rage and ultimately ecstasy in the arms of her newfound muse. Her discovery of steroids adds a nice bonus, but it's possible this plot thread merely unleashed a fierce beast that was always there and never had a escape valve. Dave Franco is well-deployed in a brief but seething role as a scummy hooligan. Ed Harris is effectively cold-hearted as the local kingpin who seemingly owns everything in the town and has local law enforcement in his back pocket to cover up his dirty tracks.
Although profoundly gripping and impossible to tune out, this is definitely not for squeamish viewers. The violence here is quite ferocious. The tension is at times a turbo-charged level. It's been a while since a film filled me with some of that old school dread as it drew toward its climax. The soundtrack often lean on soothing New Wave beats, as if to provide some relief from the devilish storyline. At times disturbing, other times intensely atmospheric, this film offers an escape from mainstream fare. Through it all, the ending feels hard-earned and cathartic. Highly recommended to those like edgy filmmaking.
Kristen Stewart is quite good in this as the black sheep of the family and a determined rebel. Katy O'Brian turns out to be the unexpected life blood of this film. Her performance is so multidimensional that the film just wouldn't be as good without her. She conveys curiosity, fear, rage and ultimately ecstasy in the arms of her newfound muse. Her discovery of steroids adds a nice bonus, but it's possible this plot thread merely unleashed a fierce beast that was always there and never had a escape valve. Dave Franco is well-deployed in a brief but seething role as a scummy hooligan. Ed Harris is effectively cold-hearted as the local kingpin who seemingly owns everything in the town and has local law enforcement in his back pocket to cover up his dirty tracks.
Although profoundly gripping and impossible to tune out, this is definitely not for squeamish viewers. The violence here is quite ferocious. The tension is at times a turbo-charged level. It's been a while since a film filled me with some of that old school dread as it drew toward its climax. The soundtrack often lean on soothing New Wave beats, as if to provide some relief from the devilish storyline. At times disturbing, other times intensely atmospheric, this film offers an escape from mainstream fare. Through it all, the ending feels hard-earned and cathartic. Highly recommended to those like edgy filmmaking.
- PotassiumMan
- Mar 22, 2024
- Permalink
My first thought was it feels like the gym was depicted in the way someone who doesn't go to the gym imagines the gym is like. Like they watched Pumping Iron instead of visiting the nearest gym. It's like if Pumping Iron was a raunchy, lesbian, blood-soaked psychedelic experience. With a dash of crime family drama.
I found the cinematography of the movies to be quite impressive; it had a captivating aesthetic. Although it's not on an epic scale and mostly unfolds in remote settings, it's mesmerizingly filmed with themes of sex and violence. The characters are pretty good, so were the actors playing them. Kristen Stewart was Kristen Stewart, I think you already know what to expect when you see her in a movie, and I think she was pretty good. It took me a while to realize I recognized Katy O'Brian from The Mandalorian. I loved that she was homeless but still working out; if she can get swole living under a bridge, what's your excuse? Lol.
Theres a huge emphasis on smoking and drugs, it's a pretty big theme and mostly referenced on the radio. The story is alright, there's a love, crime and family drama.
It's quite raunchy. I wasn't expecting that, but I suppose the movie did give off those vibes. I just didn't watch any trailers or anything and went in blind. It also included some other adult/mature content like domestic violence. It's quite gory as well. Initially, it felt like it was penned by a man; I was surprised to learn it was written/directed by a woman afterward. I recall thinking that there will probably be a lot of people commenting on this, expressing their displeasure with how women are portrayed in movies written by men.
The movie had several moments where I thought to myself, well that's taken a weird turn. It gets more weird and weirder the longer in goes. It's really weird that it was common/normal back then to just hit your wife. It was jarring to watch. Franco's character is probably the worst one.
It's also one of those movies where none of the characters are good people, it's just bad people making bad decisions, in the name of love. I didn't really find myself rooting for anyone and l didn't feel particularly attached to the movie as a whole. I feel like it could've been better, and by better I mean more psychedelic, more violent, maybe even disturbing. It's not a movie for everyone, but it's pretty interesting and I enjoyed it. I like it but I don't know if it'll still be on my mind a month from now.
I found the cinematography of the movies to be quite impressive; it had a captivating aesthetic. Although it's not on an epic scale and mostly unfolds in remote settings, it's mesmerizingly filmed with themes of sex and violence. The characters are pretty good, so were the actors playing them. Kristen Stewart was Kristen Stewart, I think you already know what to expect when you see her in a movie, and I think she was pretty good. It took me a while to realize I recognized Katy O'Brian from The Mandalorian. I loved that she was homeless but still working out; if she can get swole living under a bridge, what's your excuse? Lol.
Theres a huge emphasis on smoking and drugs, it's a pretty big theme and mostly referenced on the radio. The story is alright, there's a love, crime and family drama.
It's quite raunchy. I wasn't expecting that, but I suppose the movie did give off those vibes. I just didn't watch any trailers or anything and went in blind. It also included some other adult/mature content like domestic violence. It's quite gory as well. Initially, it felt like it was penned by a man; I was surprised to learn it was written/directed by a woman afterward. I recall thinking that there will probably be a lot of people commenting on this, expressing their displeasure with how women are portrayed in movies written by men.
The movie had several moments where I thought to myself, well that's taken a weird turn. It gets more weird and weirder the longer in goes. It's really weird that it was common/normal back then to just hit your wife. It was jarring to watch. Franco's character is probably the worst one.
It's also one of those movies where none of the characters are good people, it's just bad people making bad decisions, in the name of love. I didn't really find myself rooting for anyone and l didn't feel particularly attached to the movie as a whole. I feel like it could've been better, and by better I mean more psychedelic, more violent, maybe even disturbing. It's not a movie for everyone, but it's pretty interesting and I enjoyed it. I like it but I don't know if it'll still be on my mind a month from now.
- AfricanBro
- Mar 15, 2024
- Permalink
I don't think I've seen a thriller quite so fresh as this in a long time. From the off, you know there's something a bit weird about the cinematography... it reminded me a lot of early David Fincher. Then comes the gore, which is surprisingly sudden and graphic... reminding me very much of David Cronenberg (particularly "A History of Violence")... and if that weren't enough, there's even some David Lynch in there.
Where the film appears to have divided its audience is a scene right near the end that some viewers, bless 'em, took literally when it's quite clearly meant to be allegorical. There are multiple (and not exactly subtle) clues and moments throughout the film that not everything you see is meant to be taken literally. It's chock full of surrealist cinematography and imagery (and very dark humour), and it's a shame that all appears to have floated over so many heads.
I welcome the return of films that make you think, make you squirm and make you question what you're seeing. Ever since the turn of the millennium, films have become progressively more pedestrian, patronising and predictable.
The actors are all absolutely incredible... particularly the two female leads, and the pacing of their character development was spot on. The dreamlike cutaways almost subliminally telling you what was really going on... with expositional dialogue kept to a minimum.
There were many themes going on which, as a man, I wouldn't dare to try and unravel in any depth, but I felt this film stayed the right side of the line displaying female empowerment, without once descending into the "all men are bad" trope. Because none of the characters in this movie are good people, regardless of their gender. And there's many more themes too... I'll leave those for you to discover (I'll need to rewatch it a few times to discover them myself).
And that's all I can really say without spoiling anything, because you're best off going into this film with an open mind, knowing as little about it as possible in advance.
Where the film appears to have divided its audience is a scene right near the end that some viewers, bless 'em, took literally when it's quite clearly meant to be allegorical. There are multiple (and not exactly subtle) clues and moments throughout the film that not everything you see is meant to be taken literally. It's chock full of surrealist cinematography and imagery (and very dark humour), and it's a shame that all appears to have floated over so many heads.
I welcome the return of films that make you think, make you squirm and make you question what you're seeing. Ever since the turn of the millennium, films have become progressively more pedestrian, patronising and predictable.
The actors are all absolutely incredible... particularly the two female leads, and the pacing of their character development was spot on. The dreamlike cutaways almost subliminally telling you what was really going on... with expositional dialogue kept to a minimum.
There were many themes going on which, as a man, I wouldn't dare to try and unravel in any depth, but I felt this film stayed the right side of the line displaying female empowerment, without once descending into the "all men are bad" trope. Because none of the characters in this movie are good people, regardless of their gender. And there's many more themes too... I'll leave those for you to discover (I'll need to rewatch it a few times to discover them myself).
And that's all I can really say without spoiling anything, because you're best off going into this film with an open mind, knowing as little about it as possible in advance.
- happyspaceinvader
- Dec 28, 2024
- Permalink
This isn't some jam down your throat gay movie. It's a movie with characters that happen to be gay. As someone who typically gets annoyed by movies that attempt this over the last decade now, I would say it wasn't overwhelming or assertive at all. Straight forward plot, but never getting too predictable. It does a wonderful job of showing fresh exciting love being deconstructed by the realities of life very well.
It was also the perfect length. It never feels like it's dragging on or being rushed.
Acting was above average for today's standards. Nobodies acting got in the way of the plot. Overall decent way to spend an early afternoon.
Expect of heavy sex scenes in the first third or so btw.
It was also the perfect length. It never feels like it's dragging on or being rushed.
Acting was above average for today's standards. Nobodies acting got in the way of the plot. Overall decent way to spend an early afternoon.
Expect of heavy sex scenes in the first third or so btw.
- aidanDpolonsky
- Mar 14, 2024
- Permalink
I anticipate this review might receive some criticism, as all I seem to be encountering are overwhelmingly positive appraisals for the movie. Do I need to be under the influence of something to comprehend it, because the ending struck me as the most absurd thing I've ever witnessed in a film?
First and foremost, Katy O'Brian-wow. She truly left a remarkable impression with her performance in the movie; it was simply splendid.
As for Kristen Stewart, I'll refrain from commenting, as I believe my silence should convey my thoughts adequately.
Overall, the movie is rather average, lacking any cinematic or theatrical elements of note. It fails to provide entertainment or captivate its audience throughout.
Those who manage to endure the entire film are likely to be greatly disappointed.
In conclusion, it falls short of being commendable. That's my verdict.
First and foremost, Katy O'Brian-wow. She truly left a remarkable impression with her performance in the movie; it was simply splendid.
As for Kristen Stewart, I'll refrain from commenting, as I believe my silence should convey my thoughts adequately.
Overall, the movie is rather average, lacking any cinematic or theatrical elements of note. It fails to provide entertainment or captivate its audience throughout.
Those who manage to endure the entire film are likely to be greatly disappointed.
In conclusion, it falls short of being commendable. That's my verdict.
- rehmankhilji
- Apr 25, 2024
- Permalink
- martinpersson97
- Aug 16, 2024
- Permalink
- chand-suhas
- Jun 4, 2024
- Permalink