A humble businessman with a buried past seeks justice when his daughter is killed in an act of terrorism. A cat-and-mouse conflict ensues with a government official, whose past may hold clues to the killers' identities.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
When the network of satellites designed to control the global climate starts to attack Earth, it's a race against the clock for its creator to uncover the real threat before a worldwide Geostorm wipes out everything and everyone.
Twenty three-year-old Mitch lost his parents to a tragic car accident at the age of fourteen, and his girlfriend to a terrorist attack just as they were engaged. Seeking revenge, he is enlisted by CIA Deputy Director Irene Kennedy as a black ops recruit. Kennedy then assigns Cold War veteran Stan Hurley to train Mitch. Together they will later on investigate a wave of apparently random attacks on military and civilian targets. The discovery of a pattern in the violence leads them to a joint mission with a lethal Turkish agent to stop a mysterious operative intent on starting a world war in the Middle East.Written by
Firing a weapon next to someone's head can (and often does) cause permanent hearing loss. It would be an asinine training maneuver to risk serious injury to a trainee by discharging a handgun within several feet of them. See more »
We are in beautiful Ibiza, Spain. Beautiful sand, beautiful waves. My favourite shorts and my favourite girl who is about to get... oh my God!
Hey! Come on, give it to me!
No, stop! Come on, come on...
Oh, oh my God. That is so cute.
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The names of Dylan O'Brien and Michael Keaton appears in the "Diagonal Billing" method, which was first used for Paul Newman and Steve McQueen in The Towering Inferno (1974) See more »
Books are NOT movies. This needs to be said over and over, because there is always a cabal of complainers who hate any movie that doesn't faithfully follow its hardcover source. I haven't read Vince Flynn's American Assassin, and I don't intend to. But I feel fairly confident that he wasn't writing a movie. American Assassin (the movie) is a film-telling of the original story; it is NOT the original story, and it doesn't pretend to be. (Memo to Vince Flynn fanatics: Don't go see it.) American Assassin is a terrific watch, if for no other reason than seeing Dylan O'Brien nail it. And he is well aided by his supporting cast, most especially Michael Keaton, Taylor Kitsch and Saana Lathan. (I would like to have included Shiva Negar, but her character is severely compromised by problematic writing. She did the best she could with what she was given.) The script is larded with clichés, but for the most part the actors make good use of them. Director Michael Cuesta keeps it all moving right along. Most of the characters are very thinly drawn, leaving the actors to flesh them out as best they can. The special effects range from absent entirely to overdone. The script itself lurches from event to event, with an ending that goes beyond credulity. None of this matters. Dylan O'Brien is on screen ninety percent of the time, and his character is spot on. He is totally in command, and his charisma is entirely in charge. For a movie such as American Assassin, that's what it is all about.
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