Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
Vera Fried: The seventh grade teacher of Writer, Producer, and Director Darren Aronofsky. The idea of making this movie came from a school assignment poem that Darren Aronofsky wrote in January 1982, for Ms. Fried's class. Titled "The Dove", it was selected for a prize for a U.N.-organized writing contest of that year. As a sign of thanks, Fried is mentioned in closing credits, and appears twice in this movie: once as an extra greeting Noah, and later as one of the corpses floating in the river. See more »
When Noah is looking out of the ark towards the forest because he hears the animals coming, the sun is coming up over the trees and his head is blocking some of the light. But when we see him from the front in that same scene, there is no direct sunlight on his face or in the background. It switches between the from behind to the front view a couple times and this stays consistent between them. See more »
From Adam to Seth, Seth to Enosh, Enosh to Kenan, Kenan to Mahalalel to my father, Methuselah, then to me. Today, that birthright passes to you, Noah. My son.
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Besides the title of the movie, there are no opening credits See more »
Greetings again from the darkness. Since I am no biblical scholar, my comments are those of a movie lover. Tackling any part of a story from the bible is a journey filled with land mines and aggressive criticism - and that's before your movie is released! Surely director Darren Aronofsky was prepared for backlash from those who forbid any interpretation of the Good Book. The story of Noah lasts but a few pages in the bible, meaning Aronofsky had to creatively fill some space to produce a 2-plus hour film.
Russell Crowe makes a fine Noah. He is relentless in his quest to fulfill The Creator's request ... and he flashes his "Gladiator" glare on a few occasions. Rather than an uplifting childhood bedtime story, this Noah carries the burden of God, his own family and the survival of all beings ... his days are filled with moral dilemmas much larger than what you and I go through.
With all the miscommunication afforded by email and text these days, imagine if God conversed with you through images in your dreams. Maybe that process creates some areas of gray? Not if you are Noah. I guess he only dreams when God wants to show him something, so his decision making and mission is pretty focused. He is to build a giant floating warehouse to save two of every creature. Yes, that means a lot of death for those not invited. See, God is using Noah and his family to help cleanse the earth of mankind ... God is ready for a re-boot. He is really not happy with how mean and nasty man has become ever since that whole apple debacle and the murder of Abel by Cain.
Some of the visual effects are spectacular. I especially enjoyed the high-speed montage showing the creation of life ... you know that first week. Also, the beginning of the flood is quite a spectacle, but the ark itself is actually quite stunning ... constructed per the size noted in the Bible. The animals are all digitally created and we actually see little of them, though the on-boarding process goes remarkably smooth - considering this happens before the herbal sleep concoction is disbursed.
Most of the discussion will probably be on The Watchers ... the fallen angels who once tried to help mankind, and for their efforts, God turned them into giant stone creatures. I will add that The Watchers need a new nickname since they did the bulk of the manual labor in constructing the arc and then protecting it ... not much watching going on for these poor guys (voiced by Nick Nolte and Frank Langella, among others).
Noah's wife is played by Jennifer Connelly and their sons are played by Logan Lerman, Douglas Booth and Leo McHugh Carroll. They welcome Emma Watson into their family in what turns into a very odd plot twist, and the villain, Tubal-Cain is payed by Ray Winstone. Methuselah, Noah's grandfather, is played to the hilt by Anthony Hopkins. All of these characters are pretty one dimensional, but this is Noah's story. The burden he carries is quite heavy and his decisions aren't always popular.
If you are looking for the well documented story of Noah, it's no mystery what book you should be reading. If you are after a pretty impressive visual interpretation, you could certainly do worse than Aronofsky's take. And the best news ... no Morgan Freeman voice-over!
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