American Mary

This is an incredible story of revenge with a lot of gore mixed in. Would watch again.

American Mary is a sleek and sexy film that is unpredictable and fairly unique. The story is dark, daring and entertaining, and solid production gives it clean and smooth look. It's body modification theme is edgy yet tasteful, and at times quite thought provoking. Katherine Isobelle plays the lead brilliantly; cold and brutal, but at the same time, empowering and elegant.

As for Faults, well, American Mary is a great film, but it peaks two-thirds of the way in, and by comparison it's ending feels a little timid and noncommittal.

Now, this is a bit over critical on my part, and it's only a minor flaw, but one that stands out as there are so few in the film. It's the cameo from the Soska sisters, I get it, I do, If I made a horror film, I'd want to be in it too, but this just wasn't the parts for them. Although I suspect they probably wrote it with themselves in mind. It's only a short scene but one with so much potential. The Soska sisters play big characters in a scene that could have been wonderfully unsettling, but instead its a bit flat and clumsy. The girls just didn't have the physical presence or screen confidence required to fill out the roles.

American Mary would have been excellent if it wasn't hindered by a few minor flaws and a weak ending. Overall, a delicate, but by no means tame, addition to the torture porn sub-genre. This film could easily become a horror cult classic, and deservingly so. I will be interested to see what the Soska sisters do next.

This movie grew on me. It's great fun watching poor Mary (Katharine Isabelle from Ginger Snaps) transition from an overworked, money-deficient med student into a hardened lass with an affinity for slicing and dicing. Hey, got trouble paying for tuition and other bills? No sweat, let's do some body modification surgery on people! Fun for everyone! This is a pretty gory, gruesome movie, and *maybe* it ends a little too neatly for my tastes, but it's well executed. The directors also cameo as special (and creepy) clients of Mary.

Modern imitation of some of David Cronenbergs' filmography is nonetheless interesting and watchable on its own terms. It's really more of a drama than a horror film, with touches of gore and dark comedy, and is slow paced enough that it may have some viewers fumbling for their remotes. It plunges the audience into a world of sordid and off putting characters in a tale of sex and fetishism. Ultimately, it works its way towards a somewhat conventional finish, but getting there is still an amusing enough experience.

The lovely Katharine Isabelle, best known for her role as Ginger in the "Ginger Snaps" series, stars as Mary, a promising med student in desperate need of cash. So she accepts the offer from nightclub owner Billy (Antonio Cupo) to patch up a mangled associate of his. This leads to offers from other people, people who are into radical body modification, to perform a variety of "underground surgery". As Mary is immersed in this world more and more, it really takes a toll on her well-being.

If it weren't for Ms. Isabelle, who looks extremely sexy in a variety of outfits, this would have been a little harder to get through. She delivers an engaging lead performance, and is believable throughout Mary's personality arc. It is fun to see Mary take her new business so seriously that she dismisses one potential patient who's willing to settle for something as mundane as piercings. And we do get to see a number of individuals who've had some pretty nasty things done to themselves.

Some people may want to note that at least the gore in this movie is serving the story and never *becoming* the whole reason for its existence. The effects are generally well done.

Sibling directors Jen and Sylvia Soska (who also cameo in "American Mary" as the German twins) do have some potential, so it will be intriguing to watch the progress of their careers.

Six out of 10.

Mary is a promising medical student who has a traumatic encounter with a surgeon who is her professor. Things turn bloody when after a few surgical body modifications to earn money, Mary seeks revenge on her attacker. The sadism is pretty stomach turning, and the film uses Schubert's Ave Maria once and Bach's version twice before it is over, a very strange choice of music, indeed. The premise is interesting and Katharine Isabelle is compelling in the lead. The patients seeking bizarre physical alterations is fairly disgusting. Jen and Sylvia Soska are the directors, and judging by this work, they are seriously disturbed women. The movie is extremely dark and it kept me interested to the last scene which was a bit disappointing. As a thriller, it is slightly above average, and a 6/10.