It's Lara's 60th birthday, and this very evening, her son will be giving his debut piano concert. Lara mapped out his musical career. But Lara is not welcome at his debut performance. Even if Lara engages, everything gets out of control.
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
Inspired by real events, five friends struggle to cope with their frustrations and are compelled to violence as Weltstadt, a once-popular tourist spot, falls onto hard times following the reunification of Germany.
This tragicomedy is a self-ironic portrait of a young man who drops out of university and ends up wandering the streets of the city he lives: Berlin. The film deals with the desire to participate in life and the difficulty to find one's place.Written by
Wouter van der Sluis
A terrific gem about urban youth, life, Germany and the absurdity of all of it
"Oh Boy" is a special movie and a very German one too. We follow the protagonist Niko Fischer, played by a superb Tom Schilling, through an entire day in vernal Berlin. This day is filled with several episodes in which director Jan-Ole Gerster manages to portrait the various aspects of life in modern Berlin - whether its the Kafkaesque bureaucracy one has to deal with on a daily basis or the never-ending struggle to find normality in the midst of hipsterdom and self-proclaimed avantgarde attitude which makes Berlin so popular amongst party people all over the world.
What is more, Gerster even succeeds to weave Germany's grim past into the story-line by reminding the viewer every now and then how pointless and redundant many aspects of our lives are in comparison with the unatoned horrors committed by Germans on their own turf and all over Europe.
Niko Fischer can be seen as the conscience of those of us who cannot help but deal with what it means to live in Germany and be a German on a daily basis. It might be even difficult to understand the movie in its wholeness for a foreigner as it is with literature by Hesse or Kafka, authors that largely contributed to this piece by making hilarious absurdity and tragedy confluent. The club toilet scene with Niko's schoolmate is key here and has almost Freudian dimensions.
Anyhow, I highly recommend watching this film, last but not least because I tremendously identify with it.
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