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Gangs of Wasseypur (2012)

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A clash between Sultan and Shahid Khan leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.

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Top Rated Movies #240 | 10 wins & 34 nominations. See more awards »

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Cast

Credited cast:
... Sardar Khan (as Manoj Bajpai)
... Nagma Khatoon (as Richa Chadda)
... Faizal Khan
... Ramadhir Singh
Jameel Khan ... Asgar Khan
... Nasir Ahmed
... Shahid Khan
... Mohsina
Zeishan Quadri ... Definite
... Ehsaan Qureshi (as Vipin Shrma)
Satyakam Anand ... J.P. Singh (as Satya Anand)
Aditya Kumar ... Perpendicular
... Shamshad (as Raj Kumar Yadav)
... Danish Khan
Rest of cast listed alphabetically:
Sankalp Acharekar ... Tangent
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Storyline

Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Written by anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

revenge | blood | gun | abuse | gangster | See All (15) »


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Details

Official Sites:

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Release Date:

2 August 2012 (Singapore)  »

Also Known As:

Asian Godfather - Die Gangs von Wasseypur I + II  »

Filming Locations:


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Box Office

Budget:

INR 184,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

(2 parts)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene featuring a flooded coal mine (just before Sardar Khan is born) is shot in a real coal mine that was actually dry. Using the sound of water dripping and people wading through water, and actors walking as if struggling to cross water, they created the illusion of flooded mine in the darkly lit shot. There is not a drop of water inside the mine in reality now. See more »

Goofs

Number plates on car are shown to have black numbers written on white plate. However, till year ~2000, it was other way round in India i.e. white numbers on black plate. See more »

Quotes

Ramadhir Singh: Every fucker's got his own movie playing inside his head. Every fucker is trying to become the hero of his imaginary film. As long as there are fucking movies in this country people will continue to be fooled.
See more »

Crazy Credits

The opening credits are in black and white and distorted, to reflect the style of the times in which the opening is set. See more »

Connections

References Sapoot (1996) See more »

Soundtracks

Aey Jawano
Singer: Ranjeet Baal Party(Gaya)
Composer: Sneha Khanwalkar
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Frequently Asked Questions

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User Reviews

 
The movie of the year
22 June 2012 | by See all my reviews

It has been nearly 5 years since I went and saw a movie first day first show in the theatres. But such was the level of anticipation with "gangs of wasseypur" that I found myself standing in front of the ticket counter at quarter to nine. The movie, which is 160 minutes long, starts with a shoot-them-up which may be the most authentic shoot-to-kill scene in Hindi cinema. The movie tells the story of rivalries between different sects of Muslims: the butchers, Qureshis, and the Pathans, Khans and extend over a period of three generations. The story starts from the pre- independence era when the British owned the mines in Dhanbad. After independence, these mines pass on to the wealthy landlord who hires an exiled Pathan to act as his strongman. The pathan, the father of Sardar Khan (Manoj Vajpayee) has been kicked out of his village, Wasseypur, after a confrontation with the local musclemen, the Qureshis, and is now forced to work in the mines of Dhanbad. He starts becoming too big for his shoes and is bumped off by the landlord thus beginning a series of killings and counter-killings. The acting by the "star" cast is stunning with Manoj Vajpayee leading the pack in as good as a performance as "Bheeku Mahatre" in Satya. When he stares lustfully at the back side of Reema Sen (here resurrected after being in the wilderness for nearly half a dozen years), you can feel the lust as a physical thing. He is backed by a very strong ensemble cast. The real strength of the movie is its dialogues. The words, replete with the choicest of abuses, feel as if they were wiretapped. The conversation rings true to life and had me laughing at the sheer vulgarity of it. The patois is captured very faithfully. The only negative point about the movie is its length which could have been edited somewhat in the second half when the third generation takes up (like the long Godfather III, if you may). Anurag Kashyap has put his soul into the movie and that is visible from every frame of the movie. The direction is the best I have seen this year in Hindi cinema and will only increase the expectations from the second part of this opus. And that is why I am jealous of the lucky bastards at the Cannes film festival who got to see both the parts back to back. The movie ends at a tantalizing junction and the prospect of meeting with these barely lovable characters for a second outing left me salivating.


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