Farmer Brand can't read and he is quite happy with that. His wife, Keet, who has to read him all the subtitles on the television, isn't. She decides to hire a teacher for him. This is a ... See full summary »
Alex van Warmerdam
Alex van Warmerdam,
An artist, a school girl, a maid, a train conductor and a business executive are drawn into a great wheel of misfortune as all their lives are touched by the existence of one very particular summer dress.
Alex van Warmerdam
One winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain... See full summary »
Alex van Warmerdam
A series of brutal murders puts the lives of three men on a collision course: The father of the latest victim now out for revenge, a vigilante police detective operating outside the ... See full summary »
The story of the relationship between Karamakate, an Amazonian shaman and last survivor of his people, and two scientists who work together over the course of forty years to search the Amazon for a sacred healing plant.
A priest and his companion hunt silently through the fields, accompanied by a braying dog. They are armed and deadly. Their quarry is Camiel Borgman (Jan Bijvoet), living in military sparseness in an underground den, near companions Ludwig and Pascal. Camiel scrapes out with some difficulty, hitching a ride with a doomed truck driver on a relentless trip to the heart of suburbia. He passes by two odd women, Brenda and Ilonka, with whom he seems to share a history. When a dirty Camiel arrives at the door of artist Marina and media executive Richard's expansive, designer-chic home, the shifting perceptions of Van Warmerdam's screenplay begin to displace and disorient the audience. Hallucinogenic elements dot the consciousness as Camiel shifts between the roles of victim and aggressor. He asks for a bath. He toys with Richard's jealousy. He is viciously beaten up by his cruelly intolerant host and left wounded on the floor. Marina seeks to assuage her guilt by allowing him a space for ...Written by
When Marina is shown moving the glass of wine towards her daughter, she leans over just a bit. In the next shot, the glass is standing at the other side of the kitchen desk, way out of her reach. See more »
The film opens with the caption: And they descended upon the earth to strengthen their ranks. See more »
'Borgman' tells the story of a drifter (Jan Bijvoet) that slowly but suddenly takes control of the lives of a young, wealthy family living in a beautiful mansion somewhere in the Netherlands. The movie begins with a scene in a forest, where Borgman, i.e. the drifter, and some of his associates are chased from their underground hiding places by a group of holy workers (lead by the-always-inspiring Pierre Bokma). Soon after their escape, Borgman alone seemingly randomly knocks on the doors of the houses of very wealthy people, asking if he can use bathing facilities in their house. In attempt to do good after a brutal beating by her husband (Jeroen Perceval), Marina (Hadewijch Minis) helps Borgman by giving him temporary shelter in the garden shed. That was all that the intimidating but darkly intriguing character of Borgman needed to unfold his diabolical plans...
Although Borgman is a layered surrealistic film, and probably therefore sometimes slow and hard to understand, its message is clear and the story is continuously compelling. Especially intriguing are the biblical aspects, which are always subtly present in the background, and which give the film a dark, tense character. Not being a religious person, the movie does trigger an interest in the spiritual, or better, meta-ethics, which won't leave you alone for several days afyer having watched it. The excellent performances of Jan Bijvoet and Hadewijch Minis are crucial in delivering the very strong script.
I highly recommend this film to anyone who seeks a tense thriller. Because, aside from the absurdist aspects, from start to the end the movie is very exciting.
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