1921. An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
1921. In search of a new start and the American dream, Ewa Cybulska and her sister Magda sail to New York from their native Poland. When they reach Ellis Island, doctors discover that Magda is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined. Alone, with nowhere to turn and desperate to reunite with Magda, she quickly falls prey to Bruno, a charming but wicked man who takes her in and forces her into prostitution. And then one day, Ewa encounters Bruno's cousin, the debonair magician Orlando. He sweeps Ewa off her feet and quickly becomes her only chance to escape the nightmare in which she finds herself.Written by
Wild Bunch
Marion Cotillard was cast after she met director James Gray during a dinner at a French fish restaurant where Gray and her boyfriend Guillaume Canet were talking about the script of Blood Ties (2013). Gray and Cotillard proceeded to get into an argument about an actor. "She threw bread at my head and she mentioned that she thought I was a jerk. And of course as consequence I immediately loved her." Gray told he had never seen Cotillard in anything before, but was instantly drawn to her. "I thought she had a great face, and not just physically beautiful because she is, but a haunted quality, almost like a silent film actress. I've talked about this, but she reminded me of Maria Falconetti in the Carl Theodor Dreyer film [The Passion of Joan of Arc (1928)]; able to convey depth of emotion without dialogue specifically. I watched every film of hers I could get my hands on. And then I knew I had to write something for her. So that's the genesis of this thing [The Immigrant]. I wrote the movie for her and Joaquin Phoenix, and if they hadn't wanted to do the movie, I'm not sure I would have made it", he told. See more »
Goofs
The famous opera singer Enrico Caruso did sing at Ellis Island, but not in February 1921. Carusos's last performance was in late December 1920, after which his health deteriorated. See more »
Quotes
[first lines]
Ewa Cybulska:
[standing in line at Ellis Island speaking Polish]
We're almost there.
Magda Cybulska:
[coughing]
Ewa Cybulska:
The doctors are looking, try to hold it in. You're just nervous. That brings it on. Try to close your ears and say a prayer, to the Mother of God.
Magda Cybulska:
I will.
Ewa Cybulska:
We'll find Aunt Edyta soon, and we'll be safe. We'll be together. We'll make our own families, have lots of children.
See more »
There is nothing new or surprising in the story: a poor young immigrant girl who is fresh-off-the-boat taken advantage of, and is sexually exploited by another survivor (just one step above in the food chain ladder) in the golden age of immigration in America.
The acting is good, but the script is quite poor and the direction merely goes through the motions of formal correctness without adding depth, or a true reflection, or a new insight on the matter.
The characters lack in complexity and reality; the revealing of social injustice is more a "homework making" of a formal outrage than a truly insightful exploration of human miseries.
It is an average film with minor hits and major misses which, in my opinion, will not make its way through history, even for easy-to-please audiences as the lovers of Hollywood movies.
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There is nothing new or surprising in the story: a poor young immigrant girl who is fresh-off-the-boat taken advantage of, and is sexually exploited by another survivor (just one step above in the food chain ladder) in the golden age of immigration in America.
The acting is good, but the script is quite poor and the direction merely goes through the motions of formal correctness without adding depth, or a true reflection, or a new insight on the matter.
The characters lack in complexity and reality; the revealing of social injustice is more a "homework making" of a formal outrage than a truly insightful exploration of human miseries.
It is an average film with minor hits and major misses which, in my opinion, will not make its way through history, even for easy-to-please audiences as the lovers of Hollywood movies.