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Carrie (2013)

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A shy girl, outcasted by her peers and sheltered by her religious mother, unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

Director:

Kimberly Peirce

Writers:

Lawrence D. Cohen (screenplay), Roberto Aguirre-Sacasa (screenplay) | 1 more credit »
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Popularity
1,051 ( 51)
6 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julianne Moore ... Margaret White
Chloë Grace Moretz ... Carrie White
Gabriella Wilde ... Sue Snell
Portia Doubleday ... Chris Hargensen
Zoë Belkin ... Tina
Samantha Weinstein ... Heather
Karissa Strain ... Nicki
Katie Strain ... Lizzy
Ansel Elgort ... Tommy Ross
Demetrius Joyette ... George Dawson
Judy Greer ... Ms. Desjardin
Barry Shabaka Henley ... Principal Morton
Arlene Mazerolle ... Miss Helen Finch
Evan Gilchrist Evan Gilchrist ... Greg Delois
Eddie Max Huband Eddie Max Huband ... Harry Trenant (as Eddie Huband)
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Storyline

The outcast teenager Carrie White is bullied by her classmates at high school. Her mother, Margaret White, is a pious and paranoid woman that sees sin everywhere and the need of self-inflicting punishment. When Carrie has her first period, she does not understand what is happening to her and her classmates humiliate her in the changing room. The spiteful Chris Hargensen videotapes Carrie with her cell phone and posts it on the Internet. Their teacher Ms. Desjardin punishes the students, but when Chris challenges her, she is suspended and consequently is banned from the prom. Meanwhile, Carrie discovers that she has telekinesis and learns how to control her ability. Sue Snell, one of the girls that tormented Carrie, feels bad and asks her boyfriend Tommy Ross to invite Carrie to go with him to the prom to make up for what she did to Carrie. But Chris and her boyfriend Billy Nolan plot an evil prank with her friends to seek vengeance for Carrie. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The power never dies. See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated R for bloody violence, disturbing images, language and some sexual content. | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

18 October 2013 (USA) See more »

Also Known As:

Carrie, la vengeance See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$17,000,000, 20 October 2013, Wide Release

Gross USA:

$35,266,619

Cumulative Worldwide Gross:

$84,790,678
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kimberly Peirce took a page out of King's novel when it came to the film's tone, as she wanted to balance the horror with humor. See more »

Goofs

When Tommy collapses on the stage, he is facing Carrie, but when Carrie tries to cradle Tommy, he is facing the backdrop. See more »

Quotes

[first lines]
Margaret White: [long bellowing cry from behind the door] Help me!
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Connections

Referenced in The Tonight Show with Jay Leno: Episode #22.10 (2013) See more »

Soundtracks

Young Blood
Written by Thom Powers, Aaron Short and Alisa Xayalith
Performed by The Naked and Famous
Courtesy of Polydor Ltd./Republic Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Unnecessary Remake
20 October 2013 | by zenstation13See all my reviews

This movie is hardly a scene-by-scene account of Brian De Palma brilliantly 'Carrie'. Yes, it impossible not to compare any remake to its original version, especially when the original is considered a classic. It is sad that with these days' shortage of originality, even a seemingly talented director such as Kimberly Peirce, succumbs to the commercial appeal of movie-making in the sole interest of monetary gain resulting in watered-down quality. Well, I'm not even sure if this movie will make its money back, given the mediocrity in all aspects of its quality. But then again, there are a lot of junks out there that make tons of money. All the efforts for the reimagining, whether it be an attempt to create a franchise or sequel or to modernize the narrative has totally undermined the essence of this otherwise compelling story. The destructiveness of social isolation, religious fanaticism, BULLYING, to name a few, underlined in Stephen King's novel were in no way conveyed effectively in this movie. There is a lack of connection in Moretz's performance and  she is unconvincing as a socially deprived and awkward girl. Julianna Moore as always delivers a competent performance.  But she can only carry the movie so far. As talented as Moretz is, she is a miscast for this movie.  As such, the movie is moderately entertaining at best.


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