Cocorico

A light-hearted commedy that plays a lot with stereotypes.

The movie takes a lot of time to come to the point. Especially the introduction drags on for quite some time. The audience probably knows a couple of minutes in advance what's going to happen. The three couples and their relationships towards each other are interesting, but especially the young couple has no real connection and no chemistry. They are just there and are not given much space to act.

I had a few real laughs, especially when it came to the French/German/English jokes, but then again it was all too stereotyped-up. I'd wished for some more originality.

Maybe a fitting movie for a boring Sunday evening, not so much as a cinematic experience. It's just too shallow for that.

The movie is very stereotypical and racist. They make fun of the Portuguese people and of course the role is that of maid and plumber, and the French woman is horrified by her Portuguese roots, as well as the Indian and the others. It always follows the same cliché that only the French are good, which tires the viewer and ends up showing that even today France is not very tolerant of the rest of the world.

It uses offense as a method of humor, which is unethical on the part of the director and I don't even understand why it was in theaters for so long. The good thing about the movie is that in the end, love wins and there is marriage. Although the irony of the parents thinking that France is better remains.

No pun intended - and obviously this has nothing to do with the Ms. Claude movies. I think we have three at this moment? I should know I watched them all - so I am probably just kidding (or am I?). And while the actor who is also known as Ms. Claude (in those other movies), plays a main role here too and is quite ... well he has some issues and racism is one of them. So while there are some similarities there are also differences ... he is of a rich family here. Which also makes him look down upon "common" folk.

The movie does take a while to get going, but we do get a lot of ... well let's just say the French do not take prisoners! Everyone and everything is being dragged through the mud. Political correctness? Well no chance for that here - a lot of cliches, a lot of things used that have a racial undertone to say the least. And I am mincing my words here, because if I wrote some of the things they say in the movie ... my review would get passed.

So you should not be over sensitive to say the least. I don't think "woke" is a bad thing - the director/characters here feel quite differently ... and that is putting it mildly ... it's funny because you laugh? Well you decide ...

This comedy might (well I'm pretty sure) not please the 'woke' generation, you know the ones that get offended by almost everything, but if you have a good sense of humor and are not easily offended by racial stereotypes and clichés you will probably enjoy this French comedy. I like almost every movie with Christian Clavier (from l'équipe du Splendid, a well known bunch of French comedians) so watching Cocorico it was almost a certainty I would like it. Didier Bourdon (better known from Les Inconnus) plays the rival of Christian Clavier and what started as a hopefully new friendship quickly turns into a verbal war between them. Sylvie Testud plays the wife of Didier Bourdon and acts like the queen of England. It's all very funny to follow, you just have to give it some time as the beginning starts slow, but once they get going there is no stopping them. I had a good time watching this French comedy, probably because I'm not woke enough in this ridiculous society that takes everything too seriously. Just relax and enjoy the show.

Spoiler Free Review

The plot revolves around the theme of ethnic heritage and belonging. Although I like the idea of the plot, it could use a more streamlined and meaningful storyline. The film navigates through varying tones - casual, formal, comedic, overly silly, and exaggerated - creating a mixed bag of emotions.

The cinematography and editing, though basic, effectively capture the essence of each moment, balancing clarity with depth. However, I have mixed feelings about the editing. The editing sometimes appears rushed, disrupting the flow with abrupt transitions.

The first act is focused on character introductions, their backgrounds and personalities, yet feels somewhat tedious despite its insightful moments. The narrative pace is decent but lacks enough engagement to keep the interest piqued.

In contrast, the second act introduces a flavorful mix of internal and external drama, injecting curiosity and humor into the storyline. The exploration of characters' concerns over their ethnic heritage unfolds with visual flair and comedic timing, showcasing a range of emotions. Some show ego, worry, relief, and pleasure.

The cast's performances range from average to commendable, with certain scenes showcasing their skills as actors.

Conclusion:

Cocorico is a mixed bag. It's marred by pacing issues and an inconsistent tone that may alienate some viewers. Despite its flaws, the film conveys a meaningful message: the significance of growing up in a culture that shapes one's identity, overshadowing the boundaries of ethnic heritage. My final rating stands at 5/10, reflecting a cinematic experience and overall enjoyment. It shines in the idea of the story but falters in execution.