Atang leaves the slums of the big city to bury his estranged father in the remote, mountainous village where he was born. Befriended by an orphan herd-boy and stirred by memories of his ...
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Featuring an award winning central performance by Chen Shiang-Chyi, the film focuses on a Taiwanese woman struggling with middle age and early-onset menopause, balancing her repressed desire against conforming to social expectations.
Fourteen-year-old Maria is a fundamentalist Catholic, living her life in a modern fashion, yet her heart belongs to Jesus. She wants to be a saint and go to heaven. No one, not even a nice boy she meets, can stop her in this goal.
Lea van Acken,
Mizuki's husband (Yusuke) drowned at sea three years ago. When he suddenly comes back home, she is not that surprised. Instead, Mizuki is wondering what took him so long. She agrees to let Yusuke take her on a journey.
The young police man Vincent is the best in his class, and denies to be recruited to the special forces. But when the corrupt Milo manages to get a grip on him, his life is turned into a living nightmare.
Helen, who is a priest, is approached by scientist Lisbeth with a desperate plea for help. A young man, who has been sent to a high security psychiatric ward after having killed an old ... See full summary »
Signe Egholm Olsen,
Frederik Christian Johansen
There was little chance, in the year 1971, that Carole, a Paris Spanish teacher and feminist militant, would ever meet Delphine, the daughter of a couple of Limousin farmers. But they did ... See full summary »
Cécile de France,
To understand the future of South Africa and its apartheid past you have to delve into its mining story because mining is at the heart of both the glory and dishonor of the history of the ... See full summary »
Atang leaves the slums of the big city to bury his estranged father in the remote, mountainous village where he was born. Befriended by an orphan herd-boy and stirred by memories of his youth, he falls in love with his childhood friend, Dineo, now a radiant young teacher. Through her, Atang is drawn to the mystical beauty and hardships of the people, and faces his own bittersweet reckoning.Written by
This movie brings front and center what, after clean air, water, and fertile soil, well may be the main issue facing humanity at this time. What role, if any, do our religions, traditions, mythology, tribal wisdom, family culture and relationships, play in modern life?
We're only fooling ourselves when we think we can escape the fundamental problem by imagining that our 'past' - our memories about our experiences and our reactions to them, is objective fact of some kind. But it's not, we don't have the hardware to capture anything like that - those experiences, and especially our judgments about them, are points of view that we've taken that cumulatively shape and color the atmosphere of our lives. They're a personal mythology that both guides us and limits us at the same time. There's a wonderful exchange in the movie where Atang asks his young companion something like - 'What happened to your parents?' The response - 'They were great Basotho warriors. They died defending the kingdom.' Atang mulls over it for a second, and decides, 'Mine went that way too.' We don't know how 'we' got here or really what we're supposed to do. We know our time is limited. We have memories and feelings about our experiences, but little in the way of anything that could be legitimately called objective fact. We decide to interpret our experience in a certain way and it then frames our relationships and forms our personalities.
The movie is one man's evolutionary journey toward personal truth, triggered by his father's death, and what a funny, surprising, heartfelt, and beautiful journey it is.
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