A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.
- Awards
- 17 wins & 30 nominations total
Charlie G. Hawkins
- Young Lad 2 on Train
- (as Charlie Hawkins)
- Director
- Writer
- All cast & crew
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Featured reviews
10adix00
I was amazed to see that there was not a clear 10 rating for this movie . This will be the first . From my point of view, after watching many movies directed by Lars Von Trier, this might be the best one . It is several levels above other movies which will take dozens of prizes and acclamation . The first layer which attracts people is sex , but this is only the fly (see first chapter in the movie) which will try to catch u to see the rest. Sex is only a means to open the box full with human feelings like solitude, emptiness, self hatred, egoism all seasoned with a lot of irony and links to music , poets and manners like eating pastry with a fork . I like to believe all this details are close to Lars Von Trier and like Tarkovky's library they represent a part of his life and feelings
In the end, I consider a piece of work (book , music , movie) a masterpiece when the author puts his feeling inside , when he "writes it with blood". I think here LVT gives us his soul and that makes the difference between a good movie and a 1 in a thousand movies .
In the end, I consider a piece of work (book , music , movie) a masterpiece when the author puts his feeling inside , when he "writes it with blood". I think here LVT gives us his soul and that makes the difference between a good movie and a 1 in a thousand movies .
I thought this movie was absolutely superb.
I am quite surprised by the number of very, very negative comments written about this movie when I came on here directly after having seen the two-parter at the cinema. I think perhaps that these people should not have seen this movie. I do think that people should be acutely aware of their own taste, standards and limits when watching movies and those who saw this as 'pornography' were mistaken. Their judgment appears to stem from a prudish incapability to see past the graphical sexual scenes. The film has a very solid plot, by which I mean, it is a film that begins with its end and details the pathways in which the protagonist ended up in that situation and the path of her normatively perverse sexuality.
I agree that there are definitely scenes in the movie which were hard to stomach - but come on, this is Lars Von Trier - what the hell were you expecting? But the scenes all had a point and purpose.
If you are of a delicate nature then this film is not for you. If you are a prude then this film is not for you. If you are uncomfortable with dark subject matter then this film is not for you. But for everyone else (provided that you are of the legally required age of eighteen), this movie is a witty, funny, imaginative, clever and unique exploration in the the proclivities of the human psyche and in years to come, I will look back on this movie fondly and reflect on its progressiveness in exploring subject matter that we are often to bashful to face and yet perhaps should. From me, it comes highly recommended.
I am quite surprised by the number of very, very negative comments written about this movie when I came on here directly after having seen the two-parter at the cinema. I think perhaps that these people should not have seen this movie. I do think that people should be acutely aware of their own taste, standards and limits when watching movies and those who saw this as 'pornography' were mistaken. Their judgment appears to stem from a prudish incapability to see past the graphical sexual scenes. The film has a very solid plot, by which I mean, it is a film that begins with its end and details the pathways in which the protagonist ended up in that situation and the path of her normatively perverse sexuality.
I agree that there are definitely scenes in the movie which were hard to stomach - but come on, this is Lars Von Trier - what the hell were you expecting? But the scenes all had a point and purpose.
If you are of a delicate nature then this film is not for you. If you are a prude then this film is not for you. If you are uncomfortable with dark subject matter then this film is not for you. But for everyone else (provided that you are of the legally required age of eighteen), this movie is a witty, funny, imaginative, clever and unique exploration in the the proclivities of the human psyche and in years to come, I will look back on this movie fondly and reflect on its progressiveness in exploring subject matter that we are often to bashful to face and yet perhaps should. From me, it comes highly recommended.
All the one star reviews on this website that are calling the film a "porn documentary" are obviously written by a group of religious nuts offended by intellectualism and sexuality. Ignore them.
Von Trier has crafted what may be his magnum opus. He goes further into his often explored themes of suffering, femininity and the breaking of social norms. Indeed, this may be one of the most intense inquisitions into the female mind ever put to film. And it has a refreshingly feminist, sex positive tonal undercurrent. The drama really gets going in the second volume which I enjoyed much more than the first. Incredible acting from all involved but Jamie Bell, Charlotte Gainsbourg and Uma Thurman especially. For anyone cultured there is nothing outrageous or controversial here, just a solid thought provoking film from a master of the art form.
Von Trier has crafted what may be his magnum opus. He goes further into his often explored themes of suffering, femininity and the breaking of social norms. Indeed, this may be one of the most intense inquisitions into the female mind ever put to film. And it has a refreshingly feminist, sex positive tonal undercurrent. The drama really gets going in the second volume which I enjoyed much more than the first. Incredible acting from all involved but Jamie Bell, Charlotte Gainsbourg and Uma Thurman especially. For anyone cultured there is nothing outrageous or controversial here, just a solid thought provoking film from a master of the art form.
10dtane10
This is the best movie I've seen from Lars Von Trier. Brilliantly constructed, well directed, with lot of imagination and using many techniques (although I'm not a specialist). I include in my review the volume II as well. After watching the first one, yesterday, didn't have patience for see the second part. The idea of a Sheherezada tail, nowadays, makes the background. I loved the way the chapters telling Joe's life are separated by the intermezzos: her dialogs with Seligman, his erudition, her intelligence shadowed only by the all pervasive guilt feeling... I found the explicit key of the movie in the second part... in one of their dialogs. I try to remember it, it might not be 100% accurate: "Do you know what is characterizing our age? - Hypocrisy! People who tell beautiful lies are acclaimed and accepted, they form the majority; the few ones who tell the truth, often uncomfortable, are rejected!" Von Trier plays with two opposite characters: a nymphomaniac (probably more a being desperate to understand life meaning and get out of the beaten track than anything else), who never finds happiness in her search, so she goes further and further, and a 60 years old virgin who lives alone and finds his happiness in books. He plays as well with religion, with the concepts of purity and sin, with plenty of symbols amassed cleverly together. He shows us, in fact, our obsession with sex, with human bodies, with chair, making fun of the ones who will refuse his movie, scandalized. In our world which sells mainly with the help of sex, rejecting this movie is a huge hypocrisy. The only disappointment for me was the end of the second part... I don't see why he chose it, but probably will find later on the answer.
Lets be clear, I am not especially a fan of Von Trier's work, either I am an artistic cinephile. But lately I am looking a bit further then the mainstream movies, which can be as well very good. That's why I was interested in seeing Nymphomaniac, in the same way that I saw Shame with Fassbender. These movies are not comparable due to the different objective, but treat the same problem experienced by a man or a woman. It is difficult to review the first part of a movie, which exists of 2 parts making 4 hours together. Even then, it is the censored version, NOT due to the sex scenes, but rather for the length of 5:30 hours, which is not THAT standard in theaters. I am sure I will go for the second part and I am as well sure that it will of the same level or better. Therefor the rate of 8/10. It is for sure not porno, even not erotic. Not be mistaken in that. There is no excitement possible. All sex scenes are more or less mechanical, short duration and treated as if it was a documentary. In fact, the movie is like a documentary, where a father type figure Seligman ( Skarsgard ) is the interviewer of the nymphomaniac Joe ( Gainsbourg ) in a way that she can tell her history from when she was 8 years old and onwards. The discussions between Joe and Seligman are metaphors between her sexual behavior and for example fly-fishing, music, etc
and they are sometimes quiet comic. So a laugh is possible. But don't be mistaken, this is a drama. We see how Joe's sexual life conditions her from child onwards, as well as all involved "partners". She is someone who does not feel anything and will do everything to satisfy herself independent of the pain that she will cause around her. A good example is the Miss H chapter, where an astonishing Thurman enters the screen. The situation caused could be like a Veaudeville one, but here it develops as a dramatic absurd situation. Different moods are created, sometimes you feel pity for Joe, then unbelief like with the train adventure, very dramatical situations like Miss H or the with her father causes sadness and anger, even a tip of the love issue
a different movie to see. If I have to mention a negative topic, then it is the cold atmosphere in the movie with only the Seligman metaphors and the sex life of Joe, not more. But don't misunderstand this, it is quiet a lot to handle. And even more, if you have 15 partners a day I suppose there is not that much time for other things to do then having a walk in the park like she does. Stacy Martin is the star of this part, as well as the discussions by Starsgard. Finally, I am certainly going for the second part of this movie. It is a very tricky subject to bring it on the big screen and Von Trier has had the guts to do it. The result is fine, a drama, a documentary about an illness ( as far it is an illness and when it is considered as one ), not a porno or sex movie like we understand it, showing us how it conditions a complete life and sometimes with a comic hint. Of course there is nudity and sex scenes in the movie, a warning for those who have problems with that ...
Storyline
Did you know
- TriviaShia LaBeouf was asked to send pictures of his penis in order to obtain his role. He subsequently decided to send in personal tapes of him and his girlfriend having sex in order to convince Lars von Trier to cast him.
- GoofsThe train carriage where the two girls pick up strangers is German, but the ticket collector is wearing a British Railways uniform from the 1970s.
- Crazy creditsNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes where [sic] performed by body doubles."
- Alternate versionsThe director's cut adds roughly 28 minutes of footage, expanding some of the subplots.
- ConnectionsFeatured in Film '72: Episode dated 19 February 2014 (2014)
- SoundtracksFühre mich
Performed by Rammstein
Written by Oliver Riedel, Christoph Schneider (as Christoph Doom Schneider), Richard Kruspe (as Richard Z Kruspe), Paul Landers, Till Lindemann and Flake Lorenz (as Doktor Christian Lorenz)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Ninfomanía (vol. 1)
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,700,000 (estimated)
- Gross US & Canada
- $785,896
- Opening weekend US & Canada
- $158,369
- Mar 23, 2014
- Gross worldwide
- $13,269,941
- Runtime1 hour 57 minutes
- Color
- Aspect ratio
- 2.35 : 1
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