A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the scene in Chapter Two where Joe compares her genitalia to automatic doors, some archive footage of leaves blowing towards a set of automatic doors is shown. This footage is from Lars von Trier's Riget (1994). See more »
Even though the film has not indicate the year, the mise en scène places the story in the early 1970s.
Some cars that weren't in the production until the mid-1980s were visible in the parallel parking scene: Rover 800 (production started in 1986), third-generation Audi 100 (1982-1991), Volvo 245 (updated taillamps from 1981 onward), and second-generation Volkswagen Jetta (1984-1992).
The type of external rear-view mirrors and bumpers on Jaguar XJ driven by Jerôme (Shia LeBeouf) indicates a Series III (1979-1992) while the period-correct Jaguar XJ (Series I or II) should have chrome mirrors and bumpers. See more »
Love is blind.
No, no, no. It's worse. Love distort things. Or even worse, love is something you never asked for. The erotic was something that I ask for or even demanded of men. But this idiotic love... I felt humiliated by it. And all the dishonesty that follows.
The erotic is about saying yes. Love appeals to lowest instincts, wrapped up in lies. How do you say yes when you mean no? And vice-versa. I'm ashamed of what I became. But it was beyond my control.
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Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes where [sic] performed by body doubles." See more »
Nymphomaniac Volume I is simply a shameful movie with porn. It tells the story of a woman called "Joe" who was found on the street beaten and rescued by an old man called "Seligman". This film is a rather a porn biography of an insatiable whore who can never stop having sex!.
If you like explicit scenes of a hairy vagina,oral and anal sex,all you have to do is see this movie!.
My point of view about Nymphomaniac Volume I is that it is tasteless and absolutely cheap and watching this kind of movies will make porn seekers horny.
If you enjoy seeing some porn and explicit sex you gotta see this movie!.
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