A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
Wallace Avery hates his job. His ex-wife and son hate him, and he's blown his one shot at living his dream. Not wanting to face all this, he stages his own death and buys himself a new identity as Arthur Newman. However, Arthur's road trip towards anew life is interrupted by the arrival of the beautiful but fragile Mike, who is also trying to leave her past behind. Drawn to one another, these two damaged souls begin to connect as they break into empty homes and take on the identities of the absent owners: elderly newlyweds, a high-roller and his Russian lady, among others. Through this process, Arthur and Mike discover that what they love most about each other are the identities they left at home, and their real journey, that of healing, begins.Written by
Written and Performed by Josh Lit
Courtesy of The Brothers Lit See more »
Terre Not Quite So Haute
This road movie, featuring solid performances from its main players, doesn't seem to know where it's going. While "Arthur Newman" presents many quirky or compelling tableaux, I was rather frustrated by the filmmaker's (Dante Ariola) detours and dead ends. Or perhaps it was writer Becky Johnston's tepid story that ran out of fuel.
Frankly, I didn't care one way or another if the main characters ever resolved their respective conflicts, and after the first thirty minutes I felt like I was simply watching the same scene over and over again, like an endless roundabout. I was so uninvolved in the relationship(s) that it felt like nothing of any real substance was truly at stake or on the line.
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