Se trata de una historia de amor que transcurre entre 1924 y 1954 a la orilla del Mar Caribe donde descubrimos el universo del gran artista plástico venezolano Armando Reverón, su relación ... See full synopsis »


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Credited cast:
Luigi Sciamanna ... Armando Reverón
Sheila Monterola ... Juanita Ríos
... Nicolás Ferdinandov (as Luis Fernández)
Antonio Delli ... Alfredo Boulton
Rest of cast listed alphabetically:
Diana Volpe


Se trata de una historia de amor que transcurre entre 1924 y 1954 a la orilla del Mar Caribe donde descubrimos el universo del gran artista plástico venezolano Armando Reverón, su relación con Juanita su musa e inseparable compañera, los amigos que los frecuentan, la construcción y recreación de los objetos que forman su mundo, su obsesión por la luz del trópico que lo enceguece. Veremos el desarrollo de su enfermedad mental y el universo lúdico, afectivo y doloroso dentro de ese espacio mágico denominado El Castillete.

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Release Date:

27 May 2011 (Venezuela)  »

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Did You Know?


The title of the film is similar to the way Armando Reverón signed his art works, with the accent inverted, "Reveròn". See more »

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User Reviews

Two artists meet
12 October 2011 | by See all my reviews

In the film work of Diego Rísquez there are two main phases that illustrate his approach to cinema. His early work is dominated by experimentation, the use of alternative formats as Super 8, and narratives that do not conform to the traditional story telling techniques. Then there is his mature work, that includes as of today three features dedicated to personalities of the history of Venezuela: Manuela Sáenz, Francisco de Miranda and -in this case- painter Armando Reverón (or Reveròn, as he signed his works), an artist who offers the filmmaker the possibility of combining all his concerns. Being an artist himself, Rísquez had been attracted before to Reverón, being the subject of one of his first short films. Now, he concentrates on the last years of his life, since he met his wife, Juanita, to his untimely death in the 1950s. There were many moments in Reverón's later life that begged for visual illustrations, and Rísquez took advantage of them with a plethora of images that show the painter's passion for Juanita, for his surroundings and for his art, that evoke his time and circle of friends. Although there are times, as when friends discuss politics, that affect the global effect, these are minor complaints. With sensual songs, lavish cinematography by Cezary Jaworski that echoes Reveron's paintings, and very good performances by Luigi Sciamanna (as Reverón), Sheila Monterola (as Juanita, beautifully illustrating "a maraca smile") and Luis Fernández (as Nikolai Ferdinandov), "Reveròn" is a very good film that I highly recommend.

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