In early 18th century an African slave boy is chosen by a European Comtesse to be baptized and educated. Reaching adulthood, Angelo achieves prominence and becomes the Viennese court mascot until he decides to secretly marry a white woman.
Set in Kolkata, this is a character-driven psychological drama in which MICHAEL (Naseeruddin Shah), a loyal, hardworking police officer is ordered by his superiors to open fire on a ... See full summary »
Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in... See full summary »
Erik Richter Strand
Nils Jørgen Kaalstad,
Mikkel Bratt Silset,
A former nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by the old man's disturbing past.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert ... See full summary »
Vincent Lindon and Alain Cavalier are pals. Like father and son. They sip port in bars dreaming of a film they might make. Together. Then just once in a while, they don suit and tie. Play ... See full summary »
Drown Your Tears in Wine
Written by Iris, Hans Michael Fink
Performed by Hans Michael Fink, Markus Münzenrieder, Wolfgang Scheiblhofer, Philipp Tröstner, Michael Fink
Mit freundlicher Genehmigung von Iris See more »
First let's say it, "Yikes". This is a minutely-observed, low-keyed, dispassionate movie about the domestic life of a pedophile and the little boy he keeps captive in his basement. (Again, "Yikes"). But it is certainly not without wit, and a kind of wry "fly on the wall" style that keeps one engaged even though the proceedings are kept on a low boil intentionally. (Thank God). The phrase "the banality of evil", comes to mind constantly, and I think it is not entirely coincidental that this is an Austrian film. The lack of histrionics, however, does not mean that the film lacks drama. Certainly not in fact it does create , at times, an almost unbearable tension. It has been compared many times to Haneke's "Funny Games", but in fact I find it far more subversive than that, as the Haneke film depends very much on a Brechtian "alienation" effect, whereby the filmmaker lets his audience know that he is intentionally manipulating them. "Michael" provides no easy "outs", and is, to my mind, a far more disturbing, compelling exercise. Truly a shocker, and extraordinarily well-done. Bravo. (But it is not for the timid).
8 of 9 people found this review helpful.
Was this review helpful to you?
| Report this