This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desdemona in Othello. But what will become of the male actor she once worked for and eventually replaced?
A drama exploring the romantic past and emotional present of Ann Lord (Vanessa Redgrave) and her daughters, Constance Haverford (Natasha Richardson) and Nina Mars (Toni Collette). As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life fifty years ago, when she was a young woman. Harris Arden (Patrick Wilson) is the man Ann loves in the 1950s ... See full summary »
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Ian MacAllister McDonald
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Sixteen-year-old Lucy is a tomboy. She gets on well with her father but is frequently separated from him for months on end when he goes to work in Canada. Her relationship with her mother is easy-going and she takes care of most things around the house. She tunes into her sexuality and her not so 'stable' family dynamics. She develops a relationship with her best friend Kenny and starts to realize that her parents' marriage is not as solid as she had previously imagined. She notices that her father's extended stays away from the family are not typical, and that her mother does not pine for her father as much as she herself does.Written by
At the beginning of the movie, when Lucy and Lainee eats at the diner, Lainee puts the ketchup bottle back on the table twice. See more »
[Lainee has just given Lucy the car for the day]
Wait, how are you going to get home?
If I can't get a ride in this outfit, I deserve to walk.
See more »
I Want the Sky
Written and Performed by Lucy Schwartz
Courtesy of Fortunate Fool Records by arrangement with District Music See more »
A film about people
On the surface this seems like a simple, predictable film. It doesn't have a grand storyline nor does the plot build up to a single defining moment.
Essentially, this is a film about flawed characters who make flawed choices. They don't always say the right thing or solve all of their problems. They are simply human.
Danes is wonderful as the now 'grown up' teen mother, struggling with her own identity crisis as her daughter - the same age as her mother was when she was born - is too exploring her sexuality and considering her future. Bolger plays the role with enough restraint to avoid the teenager stereotype, whilst Marsden, although his scenes are brief, is so believable as the absent father.
I can see where this film could be seen as shallow and it's true that there are a few stronger issues that are touched on but not really developed (consent, domestic violence to name a few). However, in a way I appreciated how the plot continued on without delving into the complexities and our characters continued to make the impulsive and flawed decisions that make them as human and realistic as you or me - shaped by these things that have happened to them, but not defined.
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