A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mlission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ...Written by
While showing Parker a mansion in Palm Beach, Leslie inquires if he's married, and Parker tells her that his wife passed away. While Parker could be lying as part of his alias, this could be a reference to the first Parker novel "The Hunter" where Parker's wife commits suicide after he returns from being betrayed and left for dead by his wife and partner. "The Hunter" was previously adapted in John Boorman's Point Blank with Lee Marvin and Brian Helgeland's Payback with Mel Gibson. See more »
When the driver is shot in the right ear (blood everywhere) at about 17:20, the car goes out of control. When the car veers around the tree and goes skidding on two tires (about 17:38), we see the driver's right ear (17:39) - it is now uninjured. See more »
I don't steal from anyone who can't afford it, and I don't hurt anyone who doesn't deserve it.
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Parker, a.k.a. "Every other Jason Statham film ever...but this time with a ten gallon". I won't be going in a detailed review, because if you've seen one Jason Statham flick you've seen every Jason Statham flick. Don't believe me? Here are some common trends I've noticed across his other films also present in this one: 1. Obligatory scene where he runs away from the hospital, minutes after waking up from being shot, beaten and/or mauled by a bear - check. 2. Semi-anonymous protagonist that is just a ridiculous badass for no apparent reason - check. 3. Whatever dubious activities he takes part in are explained to the viewer as honorable in a "everyone gets dirty" kind of way, because you know, JS has a code he adheres to and that automatically makes crime acceptable - check. 4. Women are magnetically compelled to his junk by his mere presence - check. Fast and fancy cars, because. (No I didn't forget the rest of the sentence) - check. 5.Walking around seemingly unfazed with broken appendages, ribs, collar bones, multiple gunshot wounds, knife stabbing wounds and/or bear mace - check.
All and all it's an okayish film, if you've never seen another Jason Statham flick before, but at this point it's just stupid to keep casting him in the same role, in the same film, over and over. It's obvious he's not a brilliant actor, but he has a lot more to offer than what is currently being churned out. Speaking of acting don't get me started on Jeniffer Lopez - her acting is just wince-inducing. Apparently the director thought the same and cast her in the film as a walking butt to centre shots around in the time Jason is off screen, presumably to make JS' male fans feel less awkward and have an excuse about having an erection throughout the movie, because we all know how unsure of themselves "bros" are.
It's a completely forgettable film you will probably regret paying actual real world money to see, because you will feel like you've seen this film at least 4 other times.
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