A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ...Written by
While showing Parker a mansion in Palm Beach, Leslie inquires if he's married, and Parker tells her that his wife passed away. While Parker could be lying as part of his alias, this could be a reference to the first Parker novel "The Hunter" where Parker's wife commits suicide after he returns from being betrayed and left for dead by his wife and partner. "The Hunter" was previously adapted in John Boorman's Point Blank with Lee Marvin and Brian Helgeland's Payback with Mel Gibson. See more »
Parker steals a blued M1911-type pistol from the hunters' motel room and it ends up in his duffel bag. Later, the blued M1911 has been replaced by a nickel-plated M1911, Ross's "best .45" from later in the film. See more »
[after Leslie buys a large cup of coffee]
Hey, you have a cupholder in your car, or you just keep that between your legs?
Well, it's large and black, Jake. Where do you think I like it?
See more »
Of course, similar events - revenge after double-crossing - have been depicted several times and will definitely be depicted in the future as well - but it is the direction and choice of actors that counts. As for Parker, everything is at least okay with those: the director Taylor Hackford is an accredited creator and names like Jason Statham, Nick Nolte, Jennifer Lopez are certain signs of quality and non-boredom. They are pleasant to follow even in less interesting and less veracious scenes.
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
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