Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
In Jakarta, Indonesia, Lieutenant Wahyu organizes the invasion of an apartment building that is the safe house of the powerful and cruel drug lord Tama and his gang. The SWAT team breaks in the building but one lookout sees and warns the gangsters and the police force is trapped on the seventh floor. They learn that Lt. Wahyu has not informed his superiors about the operation. Now the police officers have to fight with limited ammunition against the armed and dangerous gangsters.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Every actor who played a member of the SWAT team went through a training program with KOPASKA to study the techniques used in the force including weapons use and hand signals. See more »
During the execution scene, when the all the rounds in the revolver are supposed to be spent it is placed on the shoulder of the final victim. At this point it's possible to see into two of the chambers, where the tips of unspent ammunition are visible. See more »
They'll come here. They'll tear this place to the ground.
We'll be long gone before they get here.
Then why do you stay?
For the same reason you stayed in that uniform - it just fits.
See more »
The R-rated version is cut in two places; once during the earlier execution scene and again at 48 minutes to reduce a bloody stabbing in the neck. The cut R-rated version was the cut of the film distributed to other countries for theatrical showing. It was later released unrated (and uncut) on DVD and Blu-ray in the USA. See more »
The Raid, a new non-stop cornucopia action film, comes from the most unlikely of sources – Indonesia. But don't let the country of origin fool you. The Raid is jam packed with some of the best action sequences we've seen in years and audiences are sure to walk away with an adrenaline rush punch to the gut that far exceeds their forked (over) entertainment dollar.
Starring a bunch of actors we can guarantee you have never heard of and written and directed by Gareth Evans (another name you are surely not to recognize), The Raid offers big time action sequences chalked full of gunfights, knife fights and enough hand-to-hand combat to rival any movie in recent memory.
The idea behind The Raid is remedial. A group of well armed police officers enter a 15-story apartment complex overflowing with a group of better armed drug dealers and bad guys intent on holding their ground. The police are lead by an over anxious Lieutenant who leads his squad of mostly rookies into the apartment complex where they are quickly over matched and out gunned. Their objective is to find the drug lord who resides on the 15th floor and bring him to justice. Easier said than done.
Bodies on both sides of battle fall to the ground like rounds from a Gatling gun in an Arnold Schwarzenegger movie. The police – those that survived the opening shootout – are split into two groups with Jaka (Joe Taslim) fighting alongside the Lieutenant and a rookie officer, and Rama (Iko Uwais) who tries to protect an injured officer while battling the hordes of oncoming baddies.
What ensues over the course of the next 80-minutes is a rip-roarin' blast of gratuitous bloodletting. The gun battles are more intense than the bank robbery scene in Michael Mann's Heat, the apartment hallway battles make the scene in Oldboy look like a Pixar film and the cops are as overmatched as U.S. Army Rangers were against an entire Somalian town Black Hawk Down.
Director Gareth Evans clearly wants you to leave your brains at the door and celebrate in violent beatings and fight sequences that were stylishly choreographed and continue with such relentless regularity that you almost want to pause the projector to catch your breath before the next group of bare-fisted bruisers hit the screen. Our two main leads take more body blows than John McClane did in all four Die Hard films and their resilience and ability to be beaten to a pulp and yet have the ability and the strength to continue fighting is beyond this reviewer's comprehension.
If there was but one small issue we had with the film it was that everyone who lived in the apartment complex had the fighting skills of an UFC righter or karate expert. Young, small, big or tall, they hall knew how to deliver a multiple high-kicks or at least take one and get right back up for more.
There is a small twist in the film that is clearly evident a reel before the actual reveal on screen, but it hardly takes away from the fun filled excitement leading up to the plot turn.
The sum of all its parts makes The Raid a must-see for anyone appreciative of non-stop battles where machetes are luxury and where a broken fluorescent tube can send a packed theatre into jubilant applause. It may lack the sophistication of The Departed, but it catered to an audience that couldn't get enough by the half-way mark and then was left gasping for air like a prized fighter in the 12th round towards its conclusion.
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