Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Nothing can prepare a man for the horrors of war--and as Joey Smith, a damaged Special Forces deserter and now a homeless drug addict, wanders London's bustling streets in complete anonymity--an unexpected discovery will soon help him get back on his feet. Little by little, as Smith struggles to rebuild his shattered life in a stolen identity as an unstoppable Chinese Mafia enforcer, the brutal death of a dear friend will, inevitably, force him to avenge her murder, dragging him deeper and deeper into a dark world of pain, guilt, and suffering. In the end, do God's plans for redemption include "Crazy" Joey, too?Written by
Jason Statham plays a homeless war vet here, making 2013 the second year in a row he played a homeless man, after 2012's Safe, where he was a homeless former fighting champion. See more »
On two occasions, in the police radio 'voiceover', Joey Jones is referred to as long-term missing from the 'Defence Department'. There's no such thing in the UK-it's always referred to as the MInistry of Defence. See more »
Sister, I'm Catholic.
I'm not your sister. I'm drunk, and I'm up against the wall.
See more »
Once someone see Jason Statham's name and face on the promotional materials, they will immediately think Hummingbird is another action film where the star runs around the city fighting bad guys. If you came expecting it to be like The Transporter or any typical Statham feature, it would be either disappointing or otherwise surprising. The plot is more of a Neo-Noir drama about a man who lives in the rotten side of society and faces real consequences. The film is unbalanced in handling two of its tones, but the context hits the right note in the end. Hummingbird has a better way to tell the story but it's already a fascinating film to watch.
The story is obviously about redemption, and as a Statham film it should have fistfights to show his enemies who's boss. But instead his character here troubles facing his demons and has to commit crimes to get what he needs. It's a much interesting story about people who have to deal with the unfair reality and beat it off with their skills. It surely has punching but they are used for torture rather than exciting action set pieces, though they may still remind you of a standard action film. The film suffers of balancing between tones. Example is the opening feels totally different from the rest of the movie. It looks like a complete thriller until it randomly jumps to art-house crime drama. Probably, it's a set up for the ones who came for the action by the main actor's existence in the film, but it goes again whenever Joey beats up someone for his job. Maybe the problem is these scenes are not grim enough. They should have shown an uglier depiction of violence.
The best parts are when it simply keeps the characters into their gloomy lives. Letting everyone understand the protagonist's motivation of being a Robin Hood. Jason Statham didn't standout much. His fighting is still impressive, though our familiarity to his moves kind of glosses the scenes that are supposed to be uneasy to watch, but his natural film personality buys the character, giving awareness to the choices he make and guilt he receives. The real talent that shines here is Agata Buzek, who genuinely presents her character's contrasting traits.
Hummingbird is a strange film with a classic kind of story, but it's the sort of strange that is rarely seen in cinema today. It's sort of hard to find the right type of audience to get appealed to this. It was all drama, then suddenly has fighting scenes that are supposed to be dark yet becomes the other way around. In other parts, it has an engaging exploration of the characters' bleak little world. The filmmaking is as magnificent as it needs and the performances are quite gripping. It still deserves a better portrayal of its conflicts and a set of tones that could decently fit together. In the end, it's a worth seeing change from the genre and the main actor.
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Get to know the fractured films of Yorgos Lanthimos, director of Oscar-nominee The Favourite. And join us here for the IMDb LIVE at the Elton John AIDS Foundation Academy Awards Viewing Party, streaming at 7:30 p.m. EST/4:30 p.m. PST on Sunday, Feb. 24.