A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Nothing can prepare a man for the horrors of war--and as Joey Smith, a damaged Special Forces deserter and now a homeless drug addict, wanders London's bustling streets in complete anonymity--an unexpected discovery will soon help him get back on his feet. Little by little, as Smith struggles to rebuild his shattered life in a stolen identity as an unstoppable Chinese Mafia enforcer, the brutal death of a dear friend will, inevitably, force him to avenge her murder, dragging him deeper and deeper into a dark world of pain, guilt, and suffering. In the end, do God's plans for redemption include "Crazy" Joey, too?Written by
It's been quite a long time, perhaps for the first, that I was engrossed with Jason Statham's movie, not due to the sheer number of cracked skulls, but with his character and the ones around him. Hummingbird is another entity compared to his usual martial arts filled carnage, although his trademark of hurting people certainly didn't disappear. Jason Statham as Joey Jones, takes on a deeper and more emotional role, which with the help of director Stephen Knight, surprisingly works well.
Agata Buzek as Cristina, a love interest role which couldn't be any farther than Jennifer Lopez's in Parker, is an altruistic nun who cares for Joey in his darker times. She is not the typical cinema beauty, yet she is humbly charming. Her acting is impeccable, often giving eerily sympathetic moments that could silence the audience. Statham benefits from her presence as well as he gives more to acting than the majority of his movies. That doesn't mean he will be getting awards soon, but it is a good direction on his part.
Cinematography utilizes London cityscape in a very rustic fashion, it's the opposite from the well-advertised side of the city. Streets and alleyways seem more in touch with reality, nothing grandiose about them, while prettier settings ooze some illusion of eminent cosmetic. With sleek scene transition between them, the movie appears to be very grounded. Story and script are great, despite having a few coincidental twists. It's somewhat a stark contradiction from the grimy visual, a bits of fantasy to escape the harsh prospect. Smart ways to evoke more mature theme is appreciated and it makes Hummingbird more subtly artistic.
Statham's character is a vigilante, a crowd-pleasing broken man whose past never lets him go. He does this part to his best, enough to at least differentiate him from his other tough guy role. However, people who purchase ticket to see Statham delivers knockout punches or staggering kick might be slightly disappointed. The action is brutal and punishing, but there's considerably fewer scenes from what might be expected from his type of movie, although these few are choreographed and done well in a more street brawl kind of way. Having a genuine martial artist couldn't hurt either.
The movie takes some time to get its rhythm, and while it's commendable for Statham to try this new change, he's still rough in acting department. That being said, Hummingbird is clearly superior than most of his movies. It doesn't rely simply on muscle, but it takes the audience to a more private look into these likable characters. I feel that the role of Joey Jones could be played by Jeremy Renner or Tom Cruise. If Jason Statham can continue in roles like this, he'd be bigger than just the guys who beats people up.
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