For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition. What started as simple instructions has now turned into a deadly cat-and-mouse game - with large guns pointed at everyone.Written by
The end credits show a copyright date of 2005, however it wasn't released until 2011. See more »
When the BMW driver picks up Kara she says how she had to fill up the car with gas. Not much later the car is again getting gas but the instructions were for a drive to a cafe 40 miles out of town. A 325 BMW would not burn that much fuel, or would it. See more »
It's sad, isn't it? I've been working with you seven years. Seven years. I always liked you. I Always looked after you. But I never trusted you.
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Quentin Tarrintino. There, I said it. I got it out the way straight away. It's just you can't really talk about Catch 44 without mentioning the man in some way. Catch 44 is so 'Pulp Fiction inspired' that you'll be expecting Samuel L Jackson to pop up in a gimp mask at any time.
Instead of a predominantly male cast, Catch 44 centres on three female drug smugglers and what happens when one of their (supposedly routine) drop-offs goes very wrong. That's about the extent of the plot. I've read in other reviews phrases like 'the film stretches a single scene out for the entire ninety minutes.' And they're not far off it.
The whole film is - technically - set in a diner (the location for the illegal exchange). What other parts of the film come in flashbacks and repeats of the initial scene, over and over again. This has picked up more than a little criticism from some as being repetitive and annoying.
I didn't think it was that bad. Granted, Catch 44 is no Pulp Fiction, but I found it entertaining enough to watch for an hour and a half. One thing you should know is that Bruce Willis (despite featuring heavily on all major advertising) is in it for about ten minutes. The story is mainly about the girls. Forest Whitaker does his best to inject some much-needed characterisation, but really, the lack of any forward momentum is the film's major downfall.
My advice: know what you're getting. This is no masterpiece, but it's not quite as bad as some of the reviews make it out to be. It just could have been a lot better, based on the star-power that seemed to be attached to the project.
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