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We'll Take Manhattan (2012)

A look at the love affair between 1960s supermodel Jean Shrimpton and photographer David Bailey.

Director:

John McKay

Writer:

John McKay
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Cast

Cast overview, first billed only:
Sascha Bailey Sascha Bailey ... Studio Assistant
Frances Barber ... Diana Vreeland
Aneurin Barnard ... David Bailey
Fiona Button ... Lavinia
Anna Chancellor ... Lucie Clayton
Allan Corduner ... Alex Liberman
Clemmie Dugdale ... Chrissie Shrimpton
Karen Gillan ... Jean Shrimpton
Robert Glenister ... Ted Shrimpton
Louise Gold Louise Gold ... Ailsa Garland
Alex Jennings ... John Parsons
Dominic Le Moignan ... Vogue Art Junior
Natasha Little ... Peggy Shrimpton
Joseph May ... Larry Schwartz
Helen McCrory ... Lady Clare Rendlesham
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Storyline

In 1962 budding young photographer David Bailey gets a fifteen guinea contract working for 'Vogue' magazine. For his first shoot,an Acrylan advert,he picks inexperienced teenage model Jean Shrimpton,who has left home to escape a bullying father and moves in with Bailey,despite his having a wife. When the magazine launches its Young Ideas feature,to capture a youth readership, Bailey and Jean are sent on a photo shoot to New York with the magazine's fashion editor Lady Clare Rendlesham. Lady Clare is incensed when Bailey defies her orders and shoots impressively unorthodox photos of his nervous muse,demanding his removal from the magazine. Vogue editor Ailsa Garland,however,recognises the innovative nature of Bailey's work and over-rules Lady Clare,giving rise to one of the most famous partnerships of the Swinging Sixties. Written by don @ minifie-1

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

3 March 2012 (USA) See more »

Also Known As:

Me vallutame Manhattani See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Karen Gillan and Frances Barber previously appeared together in the 6th series of "Doctor Who". See more »

Crazy Credits

Opening caption: "In 1962, no one had heard of the Beatles. No one expected to be famous, who was not born rich or titled. And there was no such thing as youth culture. But then David Bailey and Jean Shrimpton went to New York". See more »

Connections

Featured in The Wright Stuff: Episode #17.15 (2012) See more »

Soundtracks

Saturday Dance
(uncredited)
Performed by The Shadows
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Frequently Asked Questions

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User Reviews

 
Flash Harry and the girl
25 February 2012 | by jc-osmsSee all my reviews

This dramatisation of the epochal David Bailey / Jean Shrimpton photo-shoot in New York, January 1962 made for an entertaining if occasionally shallow viewing. Presented very much as a confrontation between rebellious youth and fusty conservatism (in the person of their accompanying chaperon, the tyrannical, but brittle and of course much older Lady Rendlesham), Bailey and Shrimpton are portrayed as the advance guard of the whole Swinging 60's movement, a point rather unsubtly made with its references to the Beatles and Mary Quant just before the end.

Whether Bailey's contribution to photography was quite as seismic as the Beatles on music or Quant on fashion is open to debate but as a light, amusing and easy on the eye entertainment, it worked well I thought. Bailey's famous pictures are well recreated, much to the righteous indignation of behind-the-times Rendlesham, and while there's not much more to the piece than their various contretemps, interspersed with Shrimpton's occasional vulnerability, precocity and gaucheness, one has to respect the difficulty in making the fashion world a gripping dramatic undertaking.

The acting of the three leads was very good, Aneurin Bernard especially good as the saturnine, Cockney-on-the-make, "don't call me David" Bailey, Helen McCrory equally so as the ever-so posh Lady Rendlesham and if Karen Gillan sometimes seems too old for the 18 that the real Shrimpton was at the time, she comes through in the end as her character develops some maturity and wisdom. I don't have much of an opinion of the fashion world but saw from this how the whole "supermodel" phenomenon of recent times got its start. Whether that was something I desperately needed to know, I'm not sure but the production did satisfy my curiosity in British popular culture in the 60's and was also one of the rare programmes my wife and I could sit and watch together with equal interest and yes, enjoyment


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