Three years ago, in real-life, Hama Ali, a charismatic actor from Iraq famous locally for his performance as Iraq's version of Superman, met Ayca on a film-set. He and Ayca, a fiery actress... See full summary »
Hama Ali Kahn,
About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
This is the story of two women on opposite ends of a life-time, a very young, curious Jiyan and her life-weary but resistant grandmother Berfe, in order to save the person who links them to each other.
The commissioner tells the teacher, who had been imprisoned for the past 6 months for no apparent reason, that they will allow him to meet with his wife even though conjugal visits are ... See full summary »
A woman lets a harmless looking fortune teller into her house. The fortune teller is clearly gifted, but it turns out she had no intention of just telling fortunes... And soon the woman ... See full summary »
Müzeyyen is a young woman who lives a drug-fuelled, chaotic life outside the norms of society. Her brother Ali interrupts his own successful, bourgeois life in Bolu, and goes to Antalya to ... See full summary »
A Portmanteau Film Offering Various Outsiders' Perspectives on Istanbul
At first glance, UNUTMA BENI ISTANBUL would seem to be drawing on several of the familiar tropes - both visual and literary - that are used to describe Istanbul's uniqueness: the winding streets, the little shops, the boats traveling across the Bosphorus, the tea-houses packed with inhabitants watching the world go by. It is only when we look at the identities of the filmmakers responsible for the seven short films that comprise this work that we understand its true political significance. They are Serbian, Greek, Hebrew, and Bosnian; and they look to Istanbul as a way of addressing their own particular conflicts, both ancient and modern: the Bosnian-Serb War, Greek-Turkish issues, the Arab-Israeli territorial and ethnic dispute. For them Istanbul provides a melting-pot of cultures and identities that might not help them to resolve their particular conflicts, but at least helps them to address the issues involved. Its particular history of tolerance and cultural pluralism, dating back centuries, provides a model example that other cultures might do well to follow. Inevitably there are some films within this portmanteau that are better than others: I especially liked OTELO, a short piece about an actress learning the true significance of Shakespeare's play by rehearsing with a Turkish barista. But perhaps the true significance of this film lies in the way filmmakers and other creative personnel in countries around Turkey (many of whom were in the old Ottoman Empire) have collaborated with one another to produce a brave and ultimately enlightening piece of work.
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