A group of eccentric assassins are fed up with Gunther, the world's greatest hitman, and decide to kill him, but their plan turns into a series of bungled encounters as Gunther seems to always be one step ahead.
Dave 'Squatch' Ward,
After a couple of weeks seeking out his teenage daughter Maggie, Wade finds her in the quarantine wing of a hospital. Maggie has been infected by a lethal outbreak that transforms the victim into a zombie. Wade's friend Dr. Vern Kaplan releases Maggie to spend her last days with Wade and her family. Her stepmother Caroline asks Wade to take their little kids to her sister's house to keep them safe. While Maggie is slowly transformed, Wade stays with her protecting Maggie. But Dr. Vern warns him that the moment that he will have to take an ultimate decision is closer.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The daisies on Maggie's mother's grave are obviously a reference to the main character's name considering that the French word for "daisy" is "marguerite". See more »
Early on Maggie cuts off a finger on her left hand as the infection spreads. Later when she goes to visit Trent, she braces her left hand against the wall walking up stairs and we see her hand is healthy and intact, with no finger missing. See more »
[leaving a message]
Dad, I've gone to the city. Please don't come for me. There's a curfew here. Just... just keep them safe. I'm sorry. I love you.
See more »
Veteran star Arnold Schwarzenegger shows some real depth and emotion in this decent horror drama that stresses something not always seen in a zombie feature film: the human element. Arnold plays Wade Vogel, a farmer struggling to cope with a fairly apocalyptic future. Many people are succumbing to what the makers of this film call "Necroambulist Virus"; in other words, zombification. Among them is Wades' teen aged daughter Maggie (Abigail Breslin). He is determined to spend all the quality time with her that he can, while she can still appreciate it.
"The turn" into a zombie is a slow and drawn out process in this narrative, written by John Scott 3 and directed by Henry Hobson. It's painful for the loved ones of the victims to have to watch as the humanity steadily drains away. The story can be seen as a metaphor for any number of diseases, or even just the aging process itself. Ultimately, it's a yarn about learning to let go, which people like Wade find very hard to do. Some of his neighbors will go so far as to run contrary to common sense or the afflicted persons' best interests.
Suffice it to say, this is for people who want to see Arnold take on a different kind of challenge. It is nice, after all this time, to see him take more chances and grow as an actor. This isn't for fans who want to see him do bad ass things, which are few and far between. You don't even see very many zombies, or much gore, for that matter.
Set in the Midwest, but shot in Louisiana, this makes decent use of its locations, has a fine music score by David Wingo, and an appropriately drab picture quality.
Arnold does a creditable job as the star. Breslin does elicit quite a bit of sympathy. Joely Richardson rounds out the trio of Hollywood names as Wades' second wife, who is able to accept things that Wade cannot.
Arnold was also one of the many producers on this thing.
Seven out of 10.
14 of 14 people found this review helpful.
Was this review helpful to you?
| Report this