Operation Mincemeat (2021)
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- PG-13
- 2h 8min
- Drama, War
- 11 May 2022 (USA)
- Movie
During WWII, two intelligence officers use a corpse and false papers to outwit German troops.
Director:
Writers:
Awards:
- 2 nominations.
- See more »
Reviews:
Photos and Videos
Cast
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Rufus Wright | ... |
Lt. Bill Jewell
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| Matthew Macfadyen | ... |
Charles Cholmondeley
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| Ruby Bentall | ... |
Connie Bukes
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| Charlotte Hamblin | ... |
Patricia Trehearne
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| Colin Firth | ... |
Ewen Montagu
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| Johnny Flynn | ... |
Ian Fleming
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| Lorne MacFadyen | ... |
Sgt. Roger Dearborn / Glyndwr Michael
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| Penelope Wilton | ... |
Hester Leggett
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| Mark Gatiss | ... |
Ivor Montagu
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Caspar Jennings | ... |
Jeremy Montagu
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| Hattie Morahan | ... |
Iris Montagu
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| Kelly Macdonald | ... |
Jean Leslie
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Dolly Gadsdon | ... |
Jennifer Montagu
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| Simon Russell Beale | ... |
Winston Churchill
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Michael Bott | ... |
Frank Sawyer (Churchill Butler)
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| Jason Isaacs | ... |
Admiral John Godfrey
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| Alex Jennings | ... |
John Masterman
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Ellie Haddington | ... |
Hilda Georgina Cholmondeley
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Paul Lancaster | ... |
Coroner Pinfield
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| Simon Rouse | ... |
Coroner Birtwistle
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| Paul Ritter | ... |
Bentley Purchase
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| Amy Marston | ... |
Nurse Tate
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| Jonjo O'Neill | ... |
Teddy
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Gabrielle Creevy | ... |
Doris Michael
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| Nicholas Rowe | ... |
Capt. David Ainsworth
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| Will Keen | ... |
Salvador Gomez-Beare
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| Alexander Beyer | ... |
Karl Kuhlenthal
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| Markus von Lingen | ... |
Adolf Clauss
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| Nico Birnbaum | ... |
Colonel Alexis von Roenne
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| James Fleet | ... |
Charles Fraser-Smith
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| Mark Bonnar | ... |
Jock Horsfall
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| Javier Godino | ... |
Judge Pascual Del Pobil
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| Pedro Casablanc | ... |
Dr. Del Torno
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| Laura Morgan | ... |
Margaret Thomas (British Secretary)
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Miguel Guardiola | ... |
Priest
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| Pep Tosar | ... |
Admiral Moreno
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Alba Brunet | ... |
Ana Flores
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| Óscar Zafra | ... |
Colonel Cerruti
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| Rest of cast listed alphabetically: | |||
| Lin Gallagher | ... |
Self - Audio Description (voice)
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Jeremy Azis | ... |
Gargoyle Club member 22 (uncredited)
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Tom Barnett | ... |
British Soldier (uncredited)
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| Pierre Bergman | ... |
Twenty Committee (uncredited)
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Brett Boro | ... |
Matt (uncredited)
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Christine Callaghan | ... |
Passerby (uncredited)
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Helena Collins O'Connor | ... |
Naval Officer (uncredited)
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Allan Cook | ... |
Waiter (uncredited)
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Stuart Cooke | ... |
RAF Officer (uncredited)
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| Graham Curry | ... |
Robert Cholmondeley (uncredited)
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Liam Edwards | ... |
Soldier (uncredited)
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Stephane Fichet | ... |
Theatregoer (uncredited)
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Tom Ford | ... |
Extra (uncredited)
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William Guiness | ... |
Twenty Committee (uncredited)
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| Lex Lamprey | ... |
Naval Officer (uncredited)
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| Jamie Langlands | ... |
Intelligence Officer (uncredited)
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| Steve Langley | ... |
Dancer - Gargoyle Club (uncredited)
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| Sarah Lockett | ... |
Room 13 Girl (uncredited)
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| Martyn Mayger | ... |
Gargoyle Club member (uncredited)
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Sigmund Oakeshott | ... |
OKW Adjutant (uncredited)
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| Richard Price | ... |
RU Passerby (uncredited)
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| Chris Wilson | ... |
RAF Air Commodore (uncredited)
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Elizabeth Rose Wilson | ... |
Secretary (uncredited)
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Directed by
| John Madden | ... | (directed by) |
Written by
| Michelle Ashford | ... | (screenplay) |
| Ben Macintyre | ... | (book) |
Produced by
| Katherine Bridle | ... | associate producer |
| Iain Canning | ... | producer (p.g.a.) |
| Charles S. Cohen | ... | producer |
| Nicky Earnshaw | ... | co-producer |
| Simon Gillis | ... | executive producer |
| Peter Heslop | ... | co-producer |
| Christian McLaughlin | ... | executive producer |
| Emile Sherman | ... | producer (p.g.a.) |
| Kris Thykier | ... | producer (p.g.a.) |
Music by
| Thomas Newman | ||
Cinematography by
| Sebastian Blenkov | ... | director of photography |
Film Editing by
| Victoria Boydell | ||
Editorial Department
| John Bush | ... | senior dailies producer |
| Sara Buxton | ... | assistant colourist |
| Joshua Callis-Smith | ... | workflow supervisor |
| Simon Chubbock | ... | lab supervisor |
| Zoe Cousins | ... | digital film bureau |
| Sinéad Cronin | ... | on-line editor |
| Elena Dedear | ... | assistant digital intermediate producer |
| Karolina Dziwinska | ... | digital intermediate producer |
| Rob Farris | ... | digital intermediate head of production |
| Lawrence Hook | ... | digital intermediate technical supervisor |
| Emma Liu | ... | assistant digital intermediate producer |
| Alfie McDonald | ... | digital film bureau |
| Alexandra Montgomery | ... | contractual delivery coordinator |
| Alexander Phillips | ... | digital intermediate assistant |
| Rob Redford | ... | first assistant editor |
| Finlay Reid | ... | assistant colourist |
| Daniel Rosenberg | ... | junior lab operator |
| Valentina Rutigliano | ... | on-line editor |
| Evangeline White | ... | digital film bureau |
| Russell White | ... | digital online editor |
| Andy Dickinson | ... | digital lab supervisor (uncredited) |
Casting By
| Rafael Guadamuro | ... | (spain casting) |
| Jina Jay | ||
| Tonucha Vidal | ... | casting director: Spain |
Production Design by
| John Paul Kelly | ||
Art Direction by
| Tom Coates | ||
| Keith Slote | ... | supervising art director |
Set Decoration by
| Núria Guardia | ... | (Span Unit) |
| Linda Wilson | ||
Costume Design by
| Andrea Flesch | ||
Makeup Department
| Christina Baker | ... | hair stylist |
| Charlie Butler | ... | crowd and makeup trainee |
| Pilar Camacho Paulino | ... | key makeup artist |
| Chris Fitzpatrick | ... | prosthetics supervisor |
| Robert Frampton | ... | hair stylist / makeup artist |
| Marina E. Gómez | ... | Hair & Makeup |
| Martine Jones | ... | crowd hair and makeup artist |
| Deb Kenton | ... | crowd hair & make up supervisor |
| Ria Knoll | ... | junior hair stylist / junior makeup artist |
| Denise Kum | ... | hair designer / makeup designer / prosthetics designer |
| Jason Lawrence | ... | crowd hair stylist |
| Christopher Mann | ... | crowd barber |
| Kirsty Martin | ... | crowd hair stylist: dailies / crowd makeup artist: dailies |
| Bea Millas | ... | Daily Crowd Hair & Makeup Artist / spain crew |
| Nicola Sacks | ... | daily crowd hair and makeup trainee |
| Thalia Sparrow | ... | junior hair stylist: core crowd / junior makeup artist: core crowd |
| Anastasia Storey | ... | hair stylist trainee: core crowd / makeup artist trainee: core crowd |
| Julia Vernon | ... | crowd hair and makeup supervisor |
| Pippa Woods | ... | hair stylist / makeup artist |
| Herbie Calder | ... | Junior Hair & Makeup Artist (uncredited) |
| Sara Fagan | ... | crowd junior hair stylist: dailies (uncredited) / crowd junior makeup artist: dailies (uncredited) |
Production Management
| Polly Duval | ... | post-production supervisor |
| Lucia Fernandez Lobera | ... | assistant production manager: Spain Unit |
| Monique Mussell | ... | unit production manager |
| David Ramon Ballart | ... | unit production manager: Spain |
Second Unit Director or Assistant Director
| George Cunningham | ... | set pa (as George Merrick-Cunningham) |
| Alex Esteve | ... | second unit director |
| Adam Foster | ... | crowd second assistant director |
| Claire Frayn | ... | third assistant director |
| Olivia Lloyd | ... | key second assistant director |
| Mélanie Martínez | ... | Third Assistant director: Spain |
| Beatriz Mateos | ... | Assistant director: Spain Unit |
| Ike Newman | ... | third assistant director: crowd |
| Deborah Saban | ... | first assistant director |
| Simon White | ... | key set production assistant |
| Ella Wood | ... | base production assistant |
Art Department
| Mark Adams | ... | h.o.d. painter / painter |
| David Ahern | ... | assistant graphic designer |
| Davíð Örn Arnarson | ... | dressing props |
| Naomi Bailey | ... | art department assistant |
| Kepa Ballesteros | ... | driver set dec |
| Marc Bee | ... | carpenter |
| Sarah Bick | ... | production buyer |
| Paul Bowring | ... | construction manager |
| Dan Crawshaw | ... | standby props |
| Currofito | ... | set dresser |
| Lucy Earthroll | ... | art department work experience |
| Judit Ferrer | ... | art department coordinator Spain |
| Nahía Fito | ... | set dresser |
| Pip Fox | ... | chargehand standby props |
| Shane Harford | ... | chargehand dresser |
| Rohan Harris | ... | scenic artist |
| Sophie Harris | ... | assistant production buyer |
| Jason Hopperton | ... | chargehand dresser: props / props chargehand dresser |
| Douglas Ingram | ... | storyboard artist |
| Mark Jones | ... | dressing prop |
| Juan Martín García | ... | carpenter |
| Kerry-Ellen Maxwell | ... | stand-by art director |
| Kay Mitchell | ... | assistant set decorator |
| Philippa Mumford | ... | assistant art director |
| India Paparestis-Stacey | ... | art department work experience |
| Joanna Pratt | ... | lead graphic designer |
| Mike Rawlings | ... | Prop Storeman |
| Richard Robinson | ... | dressing props |
| Glen Rowden | ... | props |
| Chris Stephenson | ... | draughtsman |
| Aria Taylor | ... | assistant graphic designer: dailies |
| Andy Wojciechowski | ... | carpenter |
| Sophie Earthroll | ... | petty cash buyer (uncredited) |
| Dan Lewis | ... | Daily Props (uncredited) |
| Adam Sutcliffe | ... | Daily Props (uncredited) |
Sound Department
| Jaime Bresca | ... | second assistant sound |
| Tim Cavagin | ... | re-recording mixer |
| Jordan Feemster | ... | second assistant sound |
| Oliver Ferris | ... | foley artist |
| Sue Harding | ... | foley artist |
| Sophia Hardman | ... | foley editor |
| Phil Lee | ... | sound effects editor |
| Peter Lindsay | ... | production sound mixer |
| Sally Lynn | ... | ADR Coordinator |
| Adam Mendez | ... | foley mixer |
| Kate Morath | ... | first assistant sound |
| Andy Shelley | ... | Supervising Dialogue ADR Editor |
| Antonio Sánchez Peñalba | ... | sound recordist: second unit |
| Dan Turner | ... | mix technician |
| Max Walsh | ... | re-recording mixer |
| Ian Wilson | ... | Supervising Sound Editor/Designer |
Special Effects by
| Matthew Beckwith | ... | special effects technician |
| Ryan Crew | ... | pyrotechnician: special effects |
| Jack Alex Davey | ... | Special Effects Trainee |
| Simon Davey | ... | Special Effects floor supervisor |
| Kane Dimmer | ... | special effects technician |
| Paul Dimmer | ... | special effects supervisor |
| Tom Goodman | ... | explosives engineer |
| Matt Lewis | ... | lead senior sfx technician. / lead senior special effects technician |
| Nick Smith | ... | special effects technician |
| Mark White | ... | senior special effects technician |
Visual Effects by
| Elisabeth Chlebiej | ... | visual effects coordinator (as Elisabeth Kudela) |
| Tiago Faria | ... | digital compositor |
| Adam Glasman | ... | digital colourist |
| Jacob Green | ... | on-set data wrangler |
| Alexander Ha | ... | 3d artist |
| Rob Hopper | ... | head of cg |
| Simon Hughes | ... | visual effects supervisor/creative director |
| Isabella Ippolito | ... | Render Wrangler TD |
| Zafar Janjua | ... | visual effects producer |
| Timothy P. Jones | ... | digital film bureau |
| Taskin Kenan | ... | on-set visual effects supervisor |
| George Kolyras | ... | visual effects line producer |
| Matthew Lawrence | ... | title production |
| Dom Maidlow | ... | visual effects artist |
| Callum Mcnulty | ... | digital compositor |
| Thomas Mortelette | ... | roto artist |
| Noel O'Malley | ... | Lead CG artist: Union VFX |
| Jane Paton | ... | digital compositor |
| Jack Quiben | ... | visual effects editor (as Quiben Jack) / visual effects editor |
| Hannah Sornay | ... | digital compositor |
| Noga Alon Stein | ... | visual effects producer |
| Jack Stevens | ... | digital matte painter |
| Connor Tong | ... | lead rotoscope artist: Union Visual Effects |
| Sanket Vetam | ... | Vfx Roto Artist |
| Dan Victoire | ... | digital compositor |
| Jonathan Jean-Marie Wannyn | ... | digital matte painter |
| Nicholas Zissimos | ... | lead compositor |
Stunts
| Paul Bailey | ... | stunt driver |
| Andrew Burford | ... | stunt performer |
| Marvin Campbell | ... | assistant stunt coordinator |
| Levan Doran | ... | stunt performer |
| Matthew Enubuje | ... | stunt performer |
| Sarah Franzl | ... | stunt coordinator |
| Evangelos Grecos | ... | stunt performer |
| Justin Pearson | ... | stunt double |
| Adam Smith | ... | stunt performer |
| César Solar | ... | stunt coordinator |
| Alberto Sánchez | ... | stunt driver |
| Calvin Warrington-Heasman | ... | stunt previz |
Camera and Electrical Department
| José Manuel Aguilar García | ... | grip: Spain unit |
| Anthony Bagley | ... | digital imaging technician |
| Aaron Bartlett | ... | electrician |
| Nathanael Bauer | ... | electrician: desk operator |
| Scott Bryan | ... | dailies rigger / electrical rigger |
| Joe Burns | ... | digital imaging technician assistant / video assistant |
| Lucas Campain | ... | camera trainee |
| Robbie Chapman | ... | second assistant camera: 'a' camera |
| Nicholas Clarke | ... | electrician |
| Mark Clayton | ... | gaffer |
| Sarah Collins | ... | second assistant camera: 'b' camera |
| Richard Cornelius | ... | ronin 2 operator: dailies |
| Guillermo de la Dehesa | ... | best boy: Spain Unit |
| Jon Euesden | ... | rigging electrician |
| John Ferguson | ... | steadicam and b camera operator |
| Isaac G. Perez | ... | digital imaging technician trainee: dailies / video assist trainee: dailies |
| Jon Garwes | ... | first assistant camera |
| Will Gething | ... | second assistant camera: "c" camera |
| Scot Gill | ... | hod rigger |
| Anthony Goulding | ... | rigging best boy |
| Richard Harrowing | ... | electrician |
| Rowan Haughey | ... | HOD Practical Electrician |
| Amanda Holland | ... | video assist: splinter unit (as Amanda Jane Holland) |
| Álvaro Hurtado Martínez | ... | rigger/electrician (as Álvaro Hurtado) |
| Matt Jackman Smith | ... | electrician |
| Robert Jackson | ... | practical electrician |
| Demetri Jagger | ... | video operator |
| Mark Joiner | ... | rig electrician |
| Ben Keeling | ... | camera trainee: additional photography |
| Peter Keith | ... | aerial cinematographer |
| Giles Keyte | ... | still photographer |
| Bruno Martins | ... | additional photography |
| Matthew McCabe | ... | grip trainee |
| Seán McDermott | ... | focus puller: "c" camera |
| Joshua Morgan-Green | ... | b camera grip |
| Ronan Murphy | ... | key grip |
| Derrick Peters | ... | camera operator: "c" camera |
| Iwan Prys Reynolds | ... | focus puller: 'a' camera |
| Mark Richards | ... | supervisor electrical rigger |
| Daniel Seager | ... | practical electrician |
| Daniel Shanahan | ... | rigger |
| William Sheffield | ... | electrician |
| Maggie Stanaszek | ... | camera trainee |
| James Summers | ... | rigging gaffer: credited |
| Joaquín 'Kino' Sánchez | ... | gaffer: Spain Unit |
| Christian Trujillo | ... | rigging electrician (as Chris Trujillo) |
| Antonio Álvarez Valero | ... | electrician |
| Robert Viglasky | ... | additional still photographer |
| Vicente Vázquez | ... | electrician |
| Greg Whitbrook | ... | lighting technician |
Casting Department
| Olivia Brittain | ... | casting associate |
| Andrés Cuenca | ... | casting associate: spain |
| Catherine Garlick | ... | casting assistant |
| Ana Guadamuro | ... | casting coordinator |
| Rebecca Rossmaur | ... | casting assistant |
Costume and Wardrobe Department
| Marianna Bourmpoula | ... | set costumer |
| Claudia Bradbury | ... | alterations assistant |
| Zoe Brown | ... | costume trainee |
| Angel Concepcion | ... | costumer |
| Jessica Currie | ... | stand-by costumer: principals |
| Hollie Danby | ... | costume assistant / set costumer |
| Diana de Mol | ... | costume truck supervisor |
| Bryde Gordon | ... | crowd costume assistant |
| Adem Aydin Grace | ... | set costumer |
| Marta 'Margo' Gómez Vidal | ... | costume assistant |
| Hilary Hughes | ... | crowd costumer: dailies |
| Katie Jones | ... | set costumer |
| Julia Knight | ... | set costumer |
| Flora Kovacs | ... | assistant costume designer |
| Heather Leat | ... | costume supervisor |
| Jessica Lennon | ... | Principle costume standby / principle costume standby |
| Alison Lyons | ... | costumer: dailies |
| Sarah June Mills | ... | costumer |
| Elena Núñez | ... | principals costume standby |
| Isabela Pérez | ... | costume assistant |
| Hannah Elizabeth Richards | ... | costume assistant |
| Lula Schofield | ... | Crowd Trainee Daily |
| Cristina Soru | ... | buyer |
| Kathryn Sutcliffe | ... | Crowd costume fitter |
| Tamsin Thorne | ... | costume assistant: daily |
Location Management
| Lily Alessandroni | ... | location marshal (as Elizabeth Alessandroni) / location marshal |
| Nicolás Kico Aráez | ... | location manager (as Nicolas Araez Guzman) |
| Pedro 'Tate' Aráez | ... | location manager |
| Dillon Beagley | ... | assistant unit manager |
| Alex Bird | ... | location marshal |
| Oliver Bradbury | ... | assistant location manager |
| Ed Burrell | ... | unit manager |
| Zak Chouay | ... | location marshal |
| Florence Cleverdon | ... | assistant location manager |
| Carla Copia | ... | location marshal |
| Joel FitzPatrick | ... | location assistant |
| Alexis Herrmann | ... | location production assistant |
| Abby Hinsley | ... | location marshal (as Jonny Hinsley) |
| Roberto Kouyoumdjian | ... | locations |
| Mattheus Makowsky | ... | assistant location manager / location unit manager: Spanish Unit |
| Ben Mangham | ... | location manager |
| Francesca Marago | ... | location coordinator re-shoots |
| Marcus Mills | ... | location marshal |
| Jesús Moreno Domínguez | ... | assistant location manager |
| Stephen Parker | ... | location scout |
| Will Poole | ... | location marshal |
| Ashleigh Powell | ... | location marshal |
| Adam Richards | ... | supervising location manager |
| Hannah Sapira | ... | location marshal |
| Charlie Somers | ... | supervising location manager: re-shoots |
| James Troake | ... | location marshal |
| Omar Alboukharey | ... | location marshal (uncredited) |
| Steven Price Brown | ... | location marshal (uncredited) |
Music Department
| Daniel Bhattacharya | ... | musician |
| Peter Clarke | ... | music editor |
| Richard Cookson | ... | musician: viola |
| Neil Dawes | ... | score assistant engineer |
| Marta Maria Di Nozzi | ... | additional assistant engineer |
| George Doering | ... | musician |
| Moises Ignacio Garcia | ... | assistant engineer |
| Larry Mah | ... | music editor |
| Shinnosuke Miyazawa | ... | score mixer / supervising music editor |
| Tom Pigott Smith | ... | musician |
| J.A.C. Redford | ... | orchestrator |
| Tim Rodier | ... | music preparation |
| Kle Savidge | ... | music supervisor |
| John Ashton Thomas | ... | conductor |
| Steve Mair | ... | musician: double bass (uncredited) |
| Laurence Ungless | ... | musician: double bass (uncredited) |
| Allen Walley | ... | musician: double bass (uncredited) |
| Bruce White | ... | Viola (uncredited) |
Script and Continuity Department
| Kim Armitage | ... | script supervisor |
| Maddison Marieges Moore | ... | script supervisor: splinter unit |
Transportation Department
| Julio Arenas | ... | driver / lights truck |
| Silvia López Beltrán | ... | luton driver: Spain (as Silvia Lopez Beltran) |
| Maria Carrillo | ... | picture car coordinator (creditOnly) |
| Pani Constantinides | ... | driver: cast / unit driver |
| Carolina Cosmen | ... | transportation coordinator |
| Jamie Gardner | ... | unit driver |
| Michael Geary | ... | picture car coordinator |
| John Gill | ... | unit driver |
| Denis Gilmore | ... | unit driver |
| Alvaro Laguna | ... | driver |
| Patricia Muñoz Gallardo | ... | driver |
| Pepe Prado | ... | transport manager |
| Emma Savin | ... | 4x4 driver |
| Darren Thackeray | ... | transportation captain |
| Vero Wintxita | ... | driver |
| Oti Yebra | ... | driver |
Additional Crew
| Hannah Adey | ... | production secretary |
| Darby Allen | ... | cast security |
| Shuku Anderson | ... | assistant production coordinator |
| Jon Baker | ... | armorer supervisor |
| Dougal Cadiou | ... | post production accountant |
| Marina Caldentey | ... | production coordinator: Spain Unit |
| Laurence Cooper | ... | production coordinator: See-Saw Films |
| Phil Costello | ... | construction medic |
| Lucia Criado Rosas | ... | production assistant |
| Alex Critchley | ... | set production assistant |
| Emma Davie | ... | unit publicist |
| Callum Dawson | ... | Crowd production assistant |
| Helen de Winter | ... | completion guarantor |
| Augustin Dukes | ... | production coordinator |
| Ian Edwards | ... | armorer |
| Nathan Adam Elemen | ... | production assistant |
| Tony Finnigan | ... | armorer |
| Jose Fluxa | ... | health and safety advisor |
| Matthew Fyson | ... | armoury coordinator |
| Núria Guardia | ... | set decorator: Spanish unit |
| Aoife Hayes | ... | development coordinator see-saw films |
| Jamie Hook | ... | construction medic |
| Jessica Hudson | ... | legal services: Sheridans |
| Sam Joly | ... | head of marketing and publicity: See-Saw Films (as Samantha Joly) |
| Peter La Terriere | ... | completion guarantor executive |
| Demian Lovett | ... | crowd production assistant |
| Rocío López | ... | stand-in/set pa (as Rocio Lopez) |
| Ben Macintyre | ... | consultant |
| Amilia Matthews | ... | publicist |
| Malcolm Pearce | ... | health & safety officer: additional photography |
| Martin Poultney | ... | Commercial Manager Goldcrest Post Production |
| Patricia Quintero | ... | truck loader |
| Quinny Sacks | ... | choreographer |
| Dominique Summers | ... | assistant: Mr Thykier |
| Nicki Sung | ... | assistant: Mr Madden |
| Javier Sáez | ... | controller |
| Hester Wolton | ... | set assistant: Mr Madden |
| Stuart Woodward | ... | production finance |
| Layla Zhang | ... | financial controller: See-Saw Films |
Thanks
| Chris Andrews | ... | the director and producers would like to thank |
| Belén Carrasco | ... | thanks: Malaga Film Office |
| Jenne Casarotto | ... | the director and producers would like to thank |
| Clo Cohen | ... | the director and producers would like to thank |
| Gloria Cohen | ... | the director and producers would like to thank |
| Elliott Daniels | ... | thanks to: Metropolitan Police Film Unit |
| Francisco de la Torre | ... | thanks: mayor of Malaga |
| Stephen Dixon | ... | thanks to: Metropolitan Police Film Unit |
| St John Donald | ... | the director and producers would like to thank |
| Monique Esclavissat | ... | the director and producers would like to thank |
| Tara Finegan | ... | the director and producers would like to thank |
| Michael Gorfaine | ... | the director and producers would like to thank |
| Tristan Hillgarth | ... | the director and producers would like to thank |
| Christian Hodell | ... | the director and producers would like to thank |
| Sebastián James | ... | thanks |
| Monique Kairouz | ... | the director and producers would like to thank |
| Kit Kowol | ... | thanks (as Dr Kit Kowol) |
| Paul Lyon-Maris | ... | the director and producers would like to thank |
| Claire Maroussas | ... | the director and producers would like to thank |
| Jennifer Montagu | ... | the director and producers would like to thank |
| Jeremy Montagu | ... | the director and producers would like to thank |
| Rachel Montagu | ... | the director and producers would like to thank |
| Sarah Montagu | ... | the director and producers would like to thank |
| Sinead Moran | ... | thanks |
| Helen Normoyle | ... | thanks |
| Giacomo Palazzo | ... | the director and producers would like to thank |
| Michelle Pearce | ... | acknowledgement |
| Honor Priestley | ... | the director and producers would like to thank |
| Paul Ritter | ... | in memory of |
| Federica Sainte-Rose | ... | the director and producers would like to thank |
| Caroline Sherman | ... | the director and producers would like to thank |
| Brian Siberell | ... | the director and producers would like to thank |
| Caroline Smith | ... | thanks |
| Patrick Strafford | ... | the director and producers would like to thank |
| Roeg Sutherland | ... | the director and producers would like to thank |
| Brian Swardstrom | ... | the director and producers would like to thank |
| Lucie Tamlyn | ... | thanks |
| Paul Tamlyn | ... | thanks |
| Arthur Thykier | ... | the director and producers would like to thank |
| Sarah Timberman | ... | the director and producers would like to thank |
| Ben Townley-Canning | ... | the director and producers would like to thank |
| Juan Antonio Vigar | ... | thanks: Malaga Film Office |
| Alex von Tunzelmann | ... | the director and producers would like to thank |
| Belle Wolfe | ... | the director and producers would like to thank |
Production Companies
Distributors
- Ascot Elite Entertainment Group (2022) (Switzerland) (theatrical)
- Paradiz (2022) (Russia) (theatrical)
- Shaw Organisation (2022) (Singapore) (theatrical)
- Tanweer Alliances (2022) (Greece) (theatrical)
- Warner Bros. Holland (2022) (Netherlands) (theatrical)
- Warner Bros. Pictures Germany (2022) (Germany) (theatrical)
- Warner Bros. Pictures (2022) (United Kingdom) (theatrical)
- Warner Bros. (2022) (France) (theatrical)
- Joy n Cinema (2022) (Korea)
- NOS Audiovisuais (2022) (Portugal)
- Netflix (2022) (Brazil) (video) (VOD)
- Netflix (2022) (United States) (video) (VOD)
- Warner Bros. Home Entertainment (2022) (Netherlands) (Blu-ray)
- Warner Bros. Home Entertainment (2022) (Netherlands) (DVD)
Special Effects
- Union Visual Effects (visual effects)
Other Companies
- A Film Location Company (location services)
- ARRI Rental (camera and grip equipment provided by)
- Above the Line Set Assistance & Security (security)
- Aluzine Rentals (grip and lighting equipment)
- Cinelab London (film lab services)
- Freeway CAM B.V. (collection account management)
- HireWorks (post-production facilities)
- Lakeshore Records (soundtrack)
- Moneypenny (payroll)
- Moving Picture Logistics (swing drivers supplied by)
- Panalux (lighting)
- Scallywag Travel (travel agent)
- Setkeeper (pre-production software)
- Team Engine (production software provided by)
- Universal Extras (extras casting)
Storyline
| Plot Summary |
In the context of WW2 narratives, the story of Operation Mincemeat is unique a bizarre and seductive cinematic blend of high-level espionage and ingenious fiction, where the stakes could hardly be higher. Michelle Ashford's script fuses multiple strands and moods: tense, romantic, thrilling, unexpectedly funny, and endlessly surprising. It tells a richly human story of the soldiers we seldom see, who fight a different kind of war in shadows and deception, haunted by the knowledge that certainty and guarantee of success are nowhere to be found. |
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| Taglines | Deception. The Greatest Weapon in War. See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The story of Operation Mincemeat was previously told in the film The Man Who Never Was (1956) based on the 1953 book of the same name by Ewen Montagu. See more » |
| Goofs | The main characters refer to "Bletchley Park" several times. In fact, during the war, Bletchley Park was known as "Station X" to hide what it was, where it was, and what work was done there. Its work was so highly classified even those within Station X knew little of what their work colleagues were engaged in. Montagu and Cholmondeley would never have known what happened there. See more » |
| Movie Connections | References Confessions of a Nazi Spy (1939). See more » |
| Quotes |
Ewen Montagu:
But the real tribute tonight goes to Iris, my brilliant wife, who in the morning sails to less troubled shores with our nestlings in tow. Iris is wiser than Solomon, stronger than Samson, and more patient than Job. But she has to be. She's married to me. See more » |