A high school senior instigates a social pecking order revolution after finding out that she has been labeled the DUFF - Designated Ugly Fat Friend - by her prettier, more popular counterparts.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
After an all-night adventure, Quentin's lifelong crush, Margo, disappears, leaving behind clues that Quentin and his friends follow on the journey of a lifetime.
Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.
Director:
Greg Berlanti
Stars:
Nick Robinson,
Jennifer Garner,
Josh Duhamel
Life changes in an instant for young Mia Hall after a car accident puts her in a coma. During an out-of-body experience, she must decide whether to wake up and live a life far different than she had imagined. The choice is hers if she can go on.
Everyone knows that growing up is hard, and life is no easier for high school junior Nadine (Hailee Steinfeld), who is already at peak awkwardness when her all-star older brother Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). All at once, Nadine feels more alone than ever, until the unexpected friendship of a thoughtful boy (Hayden Szeto) gives her a glimmer of hope that things just might not be so terrible after all.Written by
STX Entertainment
Kelly Fremon Craig sent the original script, then titled "Besties" to James L. Brooks. Brooks agreed to produce the film, but in one of their first meetings, Brooks told her, "The most important thing you have to figure out is what you want to say about life in this story", a piece of advice that would help her refocus the plot and add dramatic elements. See more »
Goofs
After the movie premiere, the flowers that Krista hands to Erwin are different in the long shot than in the close up, including one looking broken and drooping down. See more »
Quotes
[first lines]
Nadine:
Look I don't wanna take up a ton of your time, but I'm gonna kill myself. I just thought someone should know. I don't really know how this works. I'm probably gonna jump off an overpass in front of a semi, so... Or U-Haul, maybe, just not a bus. I'm not gonna be a dick and make people watch, but it has to be big; it's gotta be so big that it just...
[snaps her fingers]
Nadine:
Done; kills me. Lights out. 'Cause if it just maims me, and I'm like...
[imitates differently abled person]
Nadine:
Well ...
[...] See more »
Am I Wrong
Written by Anderson Paak (as Brandon Paak Anderson), David Pimentel, Ivan Jackson Rosenberg
Performed by Anderson Paak (as Anderson .Paak) feat. Schoolboy Q
Courtesy of OBE / Steel Wool / Art Club / Empire / Apple Music See more »
I can't say that I expected to see this movie opening weekend, or at all for that matter. But I'm glad I did. The Edge of Seventeen is an awkwardly charming coming of age tale that flirts in the same vein as some classic John Hughes 80's flicks.
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10
45 of 69 people found this review helpful.
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I can't say that I expected to see this movie opening weekend, or at all for that matter. But I'm glad I did. The Edge of Seventeen is an awkwardly charming coming of age tale that flirts in the same vein as some classic John Hughes 80's flicks.
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10