Critic Reviews

75

Metascore

Based on 44 critic reviews provided by Metacritic.com
90
If the characters’ quandaries at times feel overly circumscribed, they’re also advanced with a bracing emotional directness, devoid of either cynicism or sentimentalism, that touches genuine chords of feeling over the course of the film’s fleet 130-minute running time.
90
While it's more dramatically diffuse than the reboot and lacks a definitive villain, the new film is shot through with a stirring reverence for the Marvel Comics characters and their universe.
83
It feels like the single most successful attempt to pull the shape of one of the beloved comic stories into the film world. It also feels like Bryan Singer has finally figured out how to shoot an action scene where the X-Men actually look and feel like the X-Men, and where the fantastic is handled the right way.
80
Empire
With so much going on, and such a ferocious pace, several parts of the story feel undernourished... But what we do get here is largely fantastic.
80
Singer has refreshed the series with blasts of his original entries’ X-factors: vim, levity, clarity and a sincere, soulful grip on the emotional stakes involved.
67
While there are fun moments and a continuation of the franchise's main idea — Professor X's peace, love and understanding vs. Magneto's fight the power — Days of Future Past ends up feeling more exhausting than exuberant.
60
The Guardian
Non-devotees might well give up, but director Bryan Singer always has a neat special effect, a well-timed gag or an action set piece around the corner, whipping up the action towards a symphonic climax.
60
Impressive for the most part without being awe-inspiring, the film's two timelines converge in a much more satisfying and thrilling ways towards the end, where the emotional stakes are considerably upped.
50
Village Voice
Future Past starts fast and never slows down. There's not a line of dialogue that isn't exposition... What fun there is slips in through director Bryan Singer's visuals.
40
The Telegraph
The film squanders both of its casts, reeling from one fumbled set-piece to the next. It seems to have been constructed in a stupor, and you watch in a daze of future past.

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