The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.

Director:

Bryan Singer

Writers:

Simon Kinberg (screenplay by), Jane Goldman (story by) | 2 more credits »
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Popularity
899 ( 127)
Nominated for 1 Oscar. Another 16 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hugh Jackman ... Logan / Wolverine
James McAvoy ... Charles Xavier
Michael Fassbender ... Erik Lehnsherr
Jennifer Lawrence ... Raven / Mystique
Halle Berry ... Storm
Nicholas Hoult ... Hank / Beast
Anna Paquin ... Rogue
Elliot Page ... Kitty Pryde (as Ellen Page)
Peter Dinklage ... Dr. Bolivar Trask
Shawn Ashmore ... Bobby / Iceman
Omar Sy ... Bishop
Evan Peters ... Peter / Quicksilver
Josh Helman ... Maj. Bill Stryker
Daniel Cudmore ... Colossus
Bingbing Fan ... Blink
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Storyline

In the future, the mutants and the humans who help them are slaughtered by powerful robots named Sentinels. Professor Xavier, Wolverine, Magneto, Storm, Kitty Pryde, and her friends meet at a monastery in China and Xavier explains that the invincible Sentinels were created using the DNA of Mystique that was captured in 1973 when she tried to assassinate their creator Dr. Bolivar Trask. Xavier tells that their only chance is return to 1973 using Pryde's ability to join Charles Xavier and Erik Lehnsherr to convince Mystique to give up her intention. However, only Wolverine can withstand the damages of the time travel. Will he succeed in stopping Mystique and the Sentinel Program, and save the mutants and their human friends from annihilation? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Every hero, every power will unite. See more »


Motion Picture Rating (MPAA)

Rated PG- 13 for sequences of intense sci-fi violence and action, some suggestive material, nudity and language | See all certifications »

Parents Guide:

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Did You Know?

Trivia

According to John Myhre, the past Sentinel robots were inspired by 1970's molded plastics: "It was the idea of being inspired by 70's product design that helps out. We made them a little fun and stylish, but also a little retro, and the key is, they're not made of metal." See more »

Goofs

(at around 1h 11 mins) When Magneto and Mystique met in the French subway, Victor Hugo station, we can see that it's a kind of a big hub, in the reality, this station is located in a district where very few people use it, even fewer in 1973. See more »

Quotes

[first lines]
Professor X: The future: a dark, desolate world. A world of war, suffering, loss on both sides. Mutants, and the humans who dared to help them, fighting an enemy we cannot defeat. Are we destined down this path, destined to destroy ourselves like so many species before us? Or can we evolve fast enough to change ourselves... change our fate? Is the future truly set?
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Crazy Credits

When the 20th Century Fox logo fades away, the X in the logo stays for a second longer before it also fades away. The "X-Men" score can also be heard near the end of the logo. See more »

Alternate Versions

An alternate version of the film has been released on Blu Ray, DVD and digital formats called "X-Men: Days of Future Past: The Rogue Cut." This edition not only includes Rogue's scenes, but there is additional footage as well. IE more time in the airport. Hank and Raven have a moment together. Also the final mutant stand in the future is altered by Rogue's presence. See more »

Connections

Referenced in Nostalgia Critic: X2: X-Men United (2019) See more »

Soundtracks

Time in a Bottle
Written by Jim Croce
Performed by Jim Croce
Courtesy of Lastrada Entertainment
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User Reviews

 
A stunning achievement – a blockbuster movie packed with at least as much heart as spectacle.
16 May 2014 | by shawneofthedeadSee all my reviews

With its mind-boggling premise and jaw-dropping cast, X-Men: Days Of Future Past blasts into cinemas bearing the weight of great expectations. Surely this mash-up of X-Men past and future has the potential to be the best superhero blockbuster our world will ever see? Well, yes and no.

To be strictly objective, Days Of Future Past can occasionally come off as a little too earnest, its enormous cast of characters getting somewhat lost in the grinding of its narrative gears. But, when it works (which is most of the time), Days Of Future Past comes pretty darn close to nerdvana – this is a smart, rich film that effectively mines its source material (both the movies and Chris Claremont's classic 1981 storyline in the comic books) and its incredible cast for emotion, power and depth.

Flash forward to the bleakest of futures. X-Men we have known – led by perennial frenemies Professor Charles Xavier (Patrick Stewart) and Erik Lensherr/Magneto (Ian McKellen) – are being hunted mercilessly by a horde of intelligent, death-mongering robots known as Sentinels. With little hope for survival, the desperate X-Men decide to send Wolverine (Hugh Jackman) back in time to the 1970s. There, he must find the younger Charles (James McAvoy) and Erik (Michael Fassbender) – several years estranged after the traumatic events of X-Men: First Class – and get them to change the future before it can happen.

Sounds simple enough? Not really. Days Of Future Past frequently threatens to fall foul of its complicated puzzle-box of a narrative, one that involves time travel, quantum physics and a swirling mess of characters, action and motivations. There's Dr. Bolivar Trask (Peter Dinklage), creator of the Sentinel programme, whose assassination in the past by Charles' pseudo-sister Raven (Jennifer Lawrence) brings about the dystopia of the future. There are prison breaks, astral projections, and several grisly mutant deaths. Truthfully, this incredibly ambitious mix of character, plot and spectacle could very easily go horribly wrong.

What's so impressive about director Bryan Singer's return to the franchise is how well he weaves all the disparate threads of his narrative together. This is emphatically not the Singer who gave us mediocre misfires like Superman Returns and Jack The Giant Slayer. Rather, this is the work of the Singer who made his mark with films like X1, X2 and The Usual Suspects, all of which featured a masterful blend of wit and wisdom, character and story.

In Days Of Future Past, Singer skilfully plays on the schism that opened up between Erik and Charles at the end of First Class to add welcome depths of emotion to the high stakes already in play. The deep, difficult relationship between the two men has always been the fulcrum of the series, and Singer allows it to breathe and grow. With the help of McAvoy and Fassbender (not to mention Stewart and McKellen), some of the best actors in the business, the director makes it possible to believe that resentment can give way to forgiveness, and vice versa, often in the blink of an eye. McAvoy, in particular, gives a shudderingly good performance as a man called upon to help others when he's lost his own way.

With such an enormous revolving cast of characters, Singer even manages to give many – though not all – of them their hearts and souls. (Alas, Storm/Ororo, we will never know ye!) Thrust into the unlikely role of mentor to the broken, heartsore Charles, Wolverine must find a different sort of strength and ingenuity within himself. Jackman plays the role beautifully, anchoring the two timelines with charm and gravitas. Though still something of an awkward fit for her part, Lawrence, too, plays Raven's dilemma very well, as she wavers between Charles' offer of hope and Erik's often bloody single-mindedness.

But Days Of Future Past doesn't just mire itself in the toss and tumble of its characters' emotional journeys. Singer throws in a few crackerjack action sequences, opening the film with a heart-stopping massacre that very effectively underscores the dire threat posed by the Sentinels of the future. Crucially, Singer also finds the time and space within the darkest shadows of his story to have a little fun, judiciously tossing quips and sight gags into the mix – particularly in a tour de force prison break sequence, in which the preternaturally speedy Pietro Maximoff (Evan Peters), better known to comic aficionados as Quicksilver, literally runs away with the entire show.

Make no mistake about it, this is a behemoth of a film that won't go down well with everybody. Newbies will almost certainly find themselves lost, bewildered, and perhaps even bored. Singer's tale sprawls in so many directions that, if you're not at least marginally invested in the characters, it could prove to be a trying experience.

But, for everyone else, ranging from casual fans to enthusiasts and obsessives, Singer and screenwriter Simon Kinberg have crafted something truly remarkable. Steeped in history and lore, both of the cinematic and comic-book variety, Days Of Future Past feels like a dark love letter to the spirit of that original band of mutants and the message of hope, tolerance and humanity that has always accompanied their attempts to find their place on Earth.

Most remarkably of all, Days Of Future Past practically radiates a bravery and freshness that you'd never expect from the seventh film in a blockbuster franchise. Instead of playing it safe and sound, Days Of Future Past mashes up past, present and future, sweeping up a lot of what has been taken for granted in the X-Men cinematic universe and, well, chucking it out of the proverbial window. The ending of this film truly opens up an intriguing plethora of narrative possibilities that stretch in any and all directions. On the strength of this outing, that's something to be anticipated, rather than feared.


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Frequently Asked Questions

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Details

Country:

USA | UK | Canada

Language:

English | Vietnamese | French

Release Date:

23 May 2014 (USA) See more »

Also Known As:

X-Men: Days of Future Past See more »

Filming Locations:

Montréal, Québec, Canada See more »

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Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend USA:

$90,823,660, 25 May 2014

Gross USA:

$233,921,534

Cumulative Worldwide Gross:

$746,045,700
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Company Credits

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Technical Specs

Runtime:

| (The Rogue Cut) | (The Rogue Cut)

Color:

Color

Aspect Ratio:

2.39 : 1
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