Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.
Thérèse grows up with her aunt and cousin. Around 1860 the aunt decides they move to Paris and that her son and Thérèse get married. The joy- and loveless life changes when her husband brings a friend home. The affair turns ugly for all.
A daughter's idyllic life is turned upside-down by immense tragedy. As she grows older, her cynicism and apathy towards her new reality is challenged by a reminder from the past that sets her on a pilgrimage which will define her.
Thirty-five year old Jesse Fisher, an admissions officer at a New York City post-secondary institution he who loves English and literature, has somewhat lost his passion in life, which includes recently being unceremoniously dumped by his latest girlfriend, who could no longer be the person to prop him up emotionally. He has a chance to find that passion again when he is invited to the retirement dinner of his second favorite Ohio University college professor, Peter Hoberg, as his time there was when his life held the most passion. Jesse's encounters with five people there may determine if he does find that passion again. They are: Hoberg, who is resisting the notion of retirement; Judith Fairfield, Jesse's favorite professor, although for a different reason than his like of Hoberg; Nat, a free spirit who navigates life at the institution on his own terms; undergraduate student Dean, who Jesse sees as a younger more destructive version of himself; and nineteen year old undergraduate ...Written by
In the film's opening Radnor's character is reading God of Small Things, whose plot also deals with the 'laws of love', and what happens to those who break these rules - paralleling the characters of the film. See more »
When listing the music tracks at the final credits, "Mediation" by Jules Massenet is written. It should be "Meditation". See more »
You know, high school to college, it can be a big transition, especially if you're not from the city, so - so we try yo help out with that transition, in a number of ways.
See more »
Piano Concerto No. 5: 2nd Movement
Music by Ludwig van Beethoven
Arranged by Keith Blainville
Performed by The Blainville Symphony Orchestra'
Courtesy of Focus Music Ltd.
By arrangement with 5 Alarm Music See more »
I just watched "Liberal Arts" tonight and I loved it. If you have been to college, and had the complex bright future/bleak future talk with yourself, you will understand this movie.
To me college was about hope, but it was also about facing the real reality of life, and after college is when the real work begins, more emotional growth than anything. I loved Josh's Radner's character, he was a little lost, and kind of reaching back to days of old hoping to re-kindle some of that passion and drive he once had when he was in college. Elizabeth Olsen's character was great as well, she had the I'm-too-mature-for-my-age-group sort of attitude, that proved just how young she really was. The rest of the cast was fabulous, Richard Jenkins, who I have alway's loved, and Allison Janey, who surprisingly was not the usual character you see with her. This is a movie you take friends to, and then go out for coffee and have a great conversation.
28 of 40 people found this review helpful.
Was this review helpful to you?
| Report this