Thirty-five year old Jesse Fisher, an admissions officer at a New York City post-secondary institution he who loves English and literature, has somewhat lost his passion in life, which includes recently being unceremoniously dumped by his latest girlfriend, who could no longer be the person to prop him up emotionally. He has a chance to find that passion again when he is invited to the retirement dinner of his second favorite Ohio University college professor, Peter Hoberg, as his time there was when his life held the most passion. Jesse's encounters with five people there may determine if he does find that passion again. They are: Hoberg, who is resisting the notion of retirement; Judith Fairfield, Jesse's favorite professor, although for a different reason than his like of Hoberg; Nat, a free spirit who navigates life at the institution on his own terms; undergraduate student Dean, who Jesse sees as a younger more destructive version of himself; and nineteen year old undergraduate ...Written by
One of the early listings in the final credits is missing an "s" - "First Assitant Camera" See more »
You know, high school to college, it can be a big transition, especially if you're not from the city, so - so we try yo help out with that transition, in a number of ways.
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A film about maturity and growing up and the beauty of words and music.
A very watchable independent rom-com that delves deeper than the usual Hollywood studio version. A film about maturity and growing up and the beauty of words and music.
I particularly liked the intelligence and wit of the script, the use of Classical music and what it can do to you and the highlighting of the difference in location from bustling grey New York to the beautiful quiet greenery of Ohio.
I did find that the main character, written, directed and portrayed by Josh Radnor was too perfect. He was intelligent, sensitive, funny, moralistic and empathetic all rolled up in this cute little package. However, if he had not written it for himself it may not have annoyed me as much. I also found Olsen as the wise beyond her years 19 year old to be rather annoying at certain points, but take out those slightly annoying characteristics, some predictable elements and a pretty awful sub-plot involving Zac Efron and the screenplays words and meaning are too enjoyable to let those things spoil it for you.
Oh and Allison Janney and Richard Jenkins steal every scene they are in.
"nobody thinks they're adult, it's the worlds darkest secret" or words to that affect...
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