When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.Written by
Sony Pictures Entertainment
When asked about Gwen's relationship to Peter, Emma Stone told Total Film that: "She saves him more than he saves her. She's incredibly helpful to Spider-Man. He's the muscle, she's the brains." See more »
Several times in the movie, when Peter is hallucinating the vision of Captain Stacy right before him, while wearing his Spider-Man mask, the reflection of Captain Stacy is visible in the eyes of the mask. Since Captain Stacy is obviously not there, it wouldn't make sense for him to be visible in the Spider-Man mask lenses. See more »
People will say I am a monster for what I've done. And maybe they're right. I'd always thought that I'd have more time.
See more »
As part of a cross-promotion with Fox, a clip from 'X-Men: Days of Future Past' was included in the theatrical release of the film, which played during the credits. Said scene was taken out when the film was released to home video. See more »
The German theatrical version plays the German song "Ohne zurück zu sehen" by Tim Bendzko over the end credits. See more »
I can't say I went in to the theater with high hopes. I did enjoy the first installment of this unnecessary reboot, almost anything seemed like a step up from "Spiderman 3", and Garfield felt way more natural than Maguire, and Emma Stone is always welcome. But after seeing the first trailer I thought it seemed like a total mess, and I wasn't convinced by Electro one bit. Unfortunately I was spot on, I hoped to at least get an enjoyable time at the cinema with my friends, but ended up feeling quite uncomfortable and laughing throughout most of the film.
Garfield and Stone has their chemistry and does their best with the incredibly thin script and cheesy one-liners, but their potential quite beautiful scenes together gets lost in the over-full and messy plot. I can't buy an emotional scene that is interrupted by heavy dub-step and a blue electric guy.
Oh Jamie Foxx, how did you go from Django to this? Before he goes all CGI-Electro he tries to play the nerdy unseen scientist (with a worse comb-over than Christian Bale's 'Hustle'-look). As Electro it's hard to say how much is his fault, and what can be blamed on the rest, I'd go with the rest. You don't sympathize with him nor do you believe how fast he becomes this super-villain.
Everything that Dane DeHaan did so well in "Chronicle" just feels unnatural and (maybe not misplaced, but wrong) here. And his character development is way too rushed and quite unnecessary for this film, it just becomes another sub-plot standing in the way of what really matters.
Sally Field does good work as Aunt May, but leaves no lasting mark. Paul Giamatti's Russian criminal is just in the way and only gives a couple of dreadful and laughable scenes. And then there's the mad German scientist named Kafka and I rest my case.
The action and visuals isn't bad, but still doesn't make up for the low "trying to be Marvel"-comedy and horrific soundtrack, a soundtrack that almost itself destroys the film throughout the exhausting 142 minutes. And sometimes it feels like the movie is taking us as an audience to be stupid, with pointers to what is going to happen. I would like to say that you might enjoy it if you just try and see it for what it is, but it's hard, but hopefully possible! It had an interesting start, with a glimpse inside the past and Peter's parents, but it's left underdeveloped, as is almost everything else, to make room for all its action and villains.
It's amazing how the difference between two big-budget superhero-movies can be so huge, if you put this against "Captain America: The Winter Soldier", a great and, opposed to this one, original film.
Oh how I wish that Marc Webb could have continued with a "(500) Days of Summer"-esque movie instead, he could keep the sub-plots starring Garfield, Stone and DeHaan, and it could very well be a great film, and probably not such a waste of talent.
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