In Rome, the America tourist Hayley meets the local lawyer Michelangelo on the street and soon they fall in love with each other. Hayley's parents, the psychiatrist Phyllis and the retired music producer Jerry, travel to Rome to meet Michelangelo and his parents. When Jerry listens to Michelangelo's father Giancarlo singing opera in the shower, he is convinced that he is a talented opera singer. But there is a problem: Giancarlo can only sing in the shower. The couple Antonio and Milly travel to Rome to meet Antonio's relatives that belong to the high society. Milly goes to the hairdresser while Antonio waits for her in the room. Milly gets lost in Rome and the prostitute Anna mistakenly goes to Antonio's room. Out of the blue, his relatives arrive in the room and they believe Anna is Antonio's wife. Meanwhile the shy Milly meets her favorite actor Luca Salta (Antonio Albanese) and goes to his hotel room "to discuss about movies". One day, the middle-class clerk Leopoldo becomes a ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As of May 2018, this is the last live appearance of Woody Allen in a movie directed by him (in Café Society (2016) he takes part only as a narrator behind the camera). See more »
When Leopoldo leaves his house to go to work, he walks to his car and the front wheels are pointing to the right. He leaves the car there. When he comes home, the car's wheels are turned to the left. See more »
Sorry, I don't speak English very well. I'm from Roma. My job, as you can see, is to see that the traffic move. I stand up here, an I see everything. All people. I see life. In this city, all is a story.
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When I saw that a new Woody Allen film was out entitled To Rome With Love, I was thrilled, both because I usually enjoy his films, and because I am going to Rome for the first time in a couple of months. Well, what a letdown it was. Presenting the stories of a few couples and/or families and friends, the film seemed to be an attempt at Woody's usual m.o.'s, i.e., comedy, and his philosophical takes and questions on the things that matter to him, mainly male/female relationships, art/creativity, and life/death. While most of his films succeed in conveying both comic and philosophic perspectives on these issues, To Rome With Love did not. It came off as being a superficial, lightweight attempt at all of the above. In my opinion, some of the humor bordered on slapstick, and much of the script was predictable. I'm sorry to have to say all this as I was hoping for so much more. Maybe the next one will happen. Oh, and BTW, I think Woody should give up acting. At least in this film, he added nothing, and perhaps, detracted from it. The character he plays is hackneyed, worn out, and predictable. Better to have someone else play him, as in Midnight in Paris, which was so wonderful.
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