6.4/10
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Alpeis (2011)

Not Rated | | Drama | 27 October 2011 (Greece)
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A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.

Director:

Yorgos Lanthimos

Writers:

Efthymis Filippou (screenplay), Yorgos Lanthimos (screenplay)
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Popularity
4,191 ( 179)
5 wins & 5 nominations. See more awards »

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Stars: Lakis Lazopoulos, Antonis Kafetzopoulos, Vera Krouska
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Cast

Credited cast:
Angeliki Papoulia ... Nurse
Aris Servetalis ... Stretcher-bearer
Johnny Vekris ... Coach
Ariane Labed ... Gymnast
Rest of cast listed alphabetically:
Sofia Aivathiadou Sofia Aivathiadou
Efstathia Angeli Efstathia Angeli
Ilias Antzoulatos Ilias Antzoulatos
Giorgos Athanasopoulos Giorgos Athanasopoulos
Tasos Bahouros Tasos Bahouros
Dimitris Bosinakos Dimitris Bosinakos
Niki Diagoupi Niki Diagoupi
Giorgos Diamantis Giorgos Diamantis
Efthymis Filippou Efthymis Filippou ... Lamp Shop Owner
Labros Filippou
Dimitris Fryliggos Dimitris Fryliggos
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Storyline

A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.

Plot Summary | Plot Synopsis

Taglines:

When the end is here the Alps are near.

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

Greece | USA | France | Canada

Language:

Greek | English

Release Date:

27 October 2011 (Greece) See more »

Also Known As:

Alps See more »

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Box Office

Opening Weekend USA:

$2,628, 15 July 2012, Limited Release

Gross USA:

$5,981, 29 July 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The 15 Rules of the Alps: An Alps member: 1. Must declare in advance the things he or she is unwilling to do by filling out Form 1 (e.g. kissing, lifting weights, travelling, etc.). 2. Must also declare in advance the things he or she is good at by filling out Form 2 (e.g. dancing, waterskiing, discussing, etc.). 3. Must have some basic knowledge of psychology and sociology. 4. Is obliged to support, under all circumstances, the interests of the Alps group. 5. Must respect other Alps members. 6. Has the right to change their nickname only twice. They cannot choose a nickname belonging to another Alps member. The nickname must strictly be the name of a mountain in the Alps, and not something general or irrelevant (e.g. Blonde, Master, Dragon, etc.). 7. Can never talk about Alps activities with non-Alps members. 8. Is obliged to take the Gymnastics Club Test, if necessary. 9. Must be over 14 years of age. 10. Should always be smart, clean, punctual, and in complete control. 11. Must never get emotionally involved with clients, or have intimate relations with them. 12. Cannot change his or her physical appearance without the Leader's permission (e.g. dye their hair, lose or gain weight, wear coloured contact lenses, etc.). 13. Must be able to make convincing facial expressions (sadness, happiness, despair, etc.). 14. Must honor the title of their membership, and be ready to kill or die for it. 15. Must never attack another Alps member, and must believe in teamwork.

Mont Blanc, Leader of the Alps group January 2008 See more »

Quotes

Gymnast: You're the best coach in the world. You are the king of coaches.
See more »

Connections

Featured in At the Movies: Venice Film Festival 2011 (2011) See more »

Soundtracks

Love is Hard to Find
Written by Stéphane Huguenin, Christian Padovan & Yves Sanna
Label Kapagama/Kosinus Music
Publishing Media Music Publishing
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Frequently Asked Questions

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User Reviews

 
Stiff Acting
2 December 2018 | by CineanalystSee all my reviews

Much of the enjoyment of viewing the work of director-writer Yorgos Lanthimos and co-writer Efthymis Filippou, for me at least, is in trying to figure out what's going on, so I'd recommend seeing them, "Alps" included, before reading reviews such as this one. The four movies of theirs that I've seen thus far (which also includes "Dogtooth" (2009), "The Lobster" (2015) and "The Killing of a Sacred Deer" (2017)) all seem to exist in alternate realities and forgo much of the sort of exposition that makes most movies easily accessible. Moreover, the characteristic affectless acting from the duo's oeuvre dissuades the spectator from identifying with the characters, and the editing and compositions often obfuscate more than they elaborate on happenings. Distant shots remove more than they reveal and close-ups conceal rather than involve.

I suspect many are confused by searching for meaning in these movies, and that that's why so many strain to apply some social commentary to them. I think that's off-base, and if that were their raison d'être, I would've already abandoned them. Perhaps, they do reflect our society--our world in some ways, but I don't find that appealing; more so, I consider them self-reflexive of their own storytelling--of the art of cinema. This is especially the case with the filmmakers two earlier Greek productions, this and "Dogtooth." In the prior one, the characters were confined by a fabricated narrative--metaphorically and literally held captive within a movie--with that world, rather paradoxically, upset and expanded by VHS tapes of movies. "Alps" is the inverse of this, with characters desperately and intentionally trying to shrink their world into fabricated narratives and using qualities of cinema (performance and storytelling) to do so, to metaphorically enter the movie. Here, the main characters are actors, who employ a stiff or deadpan style, to replace dead people in the lives of the deceased's family and friends, who themselves become both actors and spectators to the fabrications of their own lives, equated to cinema as they are. To do so, the actors largely rely upon questions involving favorite performers: movie stars and musical pop sensations, particularly.

The actors proclaim themselves the "Alps," because that mountain range can replace any other (as they do with the dead), they say, and the name doesn't specifically describe them (their identities outside of acting largely being a moot point, anyways). As actors, they inhabit different narratives within the overall arch that is the movie, with the stories becoming crisscrossed for everyone: characters and the spectator. Meanwhile, there are other forms of performance, as well: dance, including the gymnastics routines, sex and violence. The only deadly sin for the Alps is to fall out of character. Without their characters and their narratives--without the performance, they perish.


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