A psychological study of operations desert shield and desert storm during the gulf war; through the eyes of a U.S marine sniper who struggles to cope with the possibility his girlfriend may be cheating on him back home.
A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
In South Central Los Angeles, street cops Brian and Mike are partners - balls-out cowboys patrolling the streets as Latino gangs are in a power struggle with Blacks. Brian and Mike get lucky a couple of times, making big drug and human-trafficking busts, so a Mexican cartel orders their deaths. We meet Mike's pregnant wife (whom he married out of high school) and watch Brian's search for a soul mate. There are internal squabbles within the ranks of the LAPD and lots of squad-car conversation. Can the lads escape the cartel's murderous reach?Written by
The scene where Janet and Brian are singing in the car during a road trip was unscripted. Jake Gyllenhaal and Anna Kendrick were driving around with the director in the back seat filming different scenes for the movie. At one point between takes, "Hey Ma" by Cam'ron came on the radio and Gyllenhaal and Kendrick started to sing along and the director began to secretly film them. Both Gyllenhaal and Kendrick were completely unaware that the moment had been caught on camera until they watched the movie at a screening. See more »
While chasing the minivan, Brian says that the car they're chasing is a Toyota minivan but it's really a Ford Freestar. See more »
I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may even disagree with the law but I will enforce it. No matter how you plead, cajole, beg or attempt to stir my sympathies, nothing you do will stop me from placing you in a steel cage with gray bars. If you run away I will chase you. If you fight me I will fight back. If you shoot at me I will shoot back. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am ...
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This film is dedicated to the men and women of the law enforcement community who face danger daily on our behalf. It is especially dedicated to our fallen heroes who have made the ultimate sacrifice in the line of duty. This is for all that fight evil so we may not know it. God bless you all. See more »
End of Watch seems to be another film that uses the found-footage style, but once again it's not a successful try. However, it still gets what it wants by being a true to life buddy cop film with a ridiculous amount of intensity. End of Watch looks pretty simple as a crime thriller, but everything is actually brilliant. The crimes are grim and the action is a load of thrills. But what really makes this film so appealing is the chemistry between Jake Gyllenhaal and Michael Peña. Their bromantic moments keeps the entire film so charming. The rest of End of Watch is engaging and interestingly gripping.
The story is about the lives of the lead pair. As these police officers patrol around the streets, they spend their time talking and joking around until they see something going on. Jake Gyllenhaal and Michael Peña brings it to life. Their chemistry is the magic of this film. When it gets serious it becomes really intense, makes you wish both of them are safe on their dangerous jobs. The common elements of cop movies are explosions and stylish gunfights, but this film is all about tension and momentum.
The found-footage style is as messy as what the recent found-footage film, Chronicle, did. Which falls into being unnecessary. It sometimes gets shots that aren't filmed on any hand-held cameras. The camera-work is still well shot and serves a different experience, but it could have been something like what action directors, Mark Neveldine and Brian Taylor(strangely has the same name of the main character), do. Shaking the camera ridiculously without calling it a found-footage film. If you ignore the style, it would be cool. The quality of the film is being realistic and there it succeeds. They left the impossibly cool police movie stuff behind and instead make them simply scrutinize, arrest, and watch the streets.
End of Watch doesn't have much of a concept but to depict the credible lives of these hero cops. While the lead stars shine on their beautiful down-to-earth bromance, there's a grim reality about to affect their lives thus makes this an indeed so compelling film. Still, it could have been a Crank like film than a found-footage. The crazy cam is a great effect, but not the characters holding the camera. Aside from that, it's a top notch thriller that is easy enough to enjoy. Worth a ride and recommended.
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