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Django Unchained (2012)

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With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

Director:

Quentin Tarantino
Popularity
397 ( 46)
Top Rated Movies #61 | Won 2 Oscars. Another 57 wins & 151 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jamie Foxx ... Django
Christoph Waltz ... Dr. King Schultz
Leonardo DiCaprio ... Calvin Candie
Kerry Washington ... Broomhilda von Shaft
Samuel L. Jackson ... Stephen
Walton Goggins ... Billy Crash
Dennis Christopher ... Leonide Moguy
James Remar ... Butch Pooch / Ace Speck
David Steen ... Mr. Stonesipher
Dana Gourrier ... Cora
Nichole Galicia ... Sheba
Laura Cayouette ... Lara Lee Candie-Fitzwilly
Ato Essandoh ... D'Artagnan
Sammi Rotibi ... Rodney
Clay Donahue Fontenot Clay Donahue Fontenot ... Big Fred's Opponent
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Storyline

In 1858, a bounty hunter named Schultz seeks out a slave named Django and buys him because he needs him to find some men he is looking for. After finding them, Django wants to find his wife, Brunhilde, who along with him were sold separately by his former owner for trying to escape. Schultz offers to help him if he chooses to stay with him and be his partner. Eventually they learn that she was sold to a plantation in Mississipi. Knowing they can't just go in and say they want her, they come up with a plan so that the owner will welcome them into his home and they can find a way. Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

This Christmas, Django is off the chain. See more »

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated R for strong graphic violence throughout, a vicious fight, language and some nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English | German | French | Italian

Release Date:

25 December 2012 (USA) See more »

Also Known As:

Django Unchained See more »

Filming Locations:

Jackson Hole, Wyoming, USA See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$30,688,000, 30 December 2012, Wide Release

Gross USA:

$162,805,434

Cumulative Worldwide Gross:

$425,368,238
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

There was talk of splitting the film into two parts, like Kill Bill, but Quentin Tarantino eventually rejected the idea and cut a whole lot of the planned film. Among what was cut out includes an entire backstory for Zoë Bell's character, which explains that she wears a bandanna over her face to hide a gruesome injury. Tarantino does plan on releasing an extended cut later down the line, restoring some scenes that were left on the cutting room floor. See more »

Goofs

The Female Tracker is seen playing with a Holmes stereoscope, which wasn't invented until two years later. See more »

Quotes

[first lines]
Dicky Speck: [cocks rifle] Who's that stumblin' around in the dark? State your business or prepare to get winged!
See more »

Crazy Credits

There is a small additional scene with the 3 men in a cage at the very end of the credits. See more »

Connections

Featured in ScrewAttack's Top 10s: Top 10 Bounty Hunters (2018) See more »

Soundtracks

Dopo la congiura
(from "I crudeli (1967)")
Written and Performed by Ennio Morricone
Courtesy of EMI General Music Publishing SRL
See more »

Frequently Asked Questions

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User Reviews

 
Tarantino Epic
26 December 2012 | by mistarkusSee all my reviews

By incorporating a multitude of thematic Tarantino elements Django is the best Tarantino movie SINCE Pulp Fiction. Not as good as that great movie since this one is a little more bloated and less novel, it nonetheless is Tarantino's second best movie. This was great because it used many of the best aspects of the other Tarantino films. Such as the friendship between a black and white antihero (a hit-man like in Pulp Fiction but now the male bonding is as bounty hunters), also the violence art similar to Kill Bill and the Gut Warming, heart pounding, pulpy thrill of revenge against an evil like in Inglorious Bastards. There were many other aspects of Tarantino's movie in this one.

To start off the complete unpredictability is what really draws you in. You really do not know what is going to happen next which is refreshing to those that frequently see movies. The episodic scenes have such a high degree of unpredictability that it mesmerizingly keeps us on the edge of our seats.

There were some really amazing characters created which was not wholly due to the writer/director but the great actors who infused their talent into the roles. These characters' eccentricities were so unique that you might have never seen characters like this before. A trademark oddity in how they spoke, what they said and their ultimate actions reflected without any creative barriers the moviemaker's soul. If you thought Christopher Waltzes and Jamie Foxx's character were great wait till you get to DiCaprios and Samuel L Jacksons. You really wanted to see more of these characters despite the nearly 3 hour length of this Tarantino epic. Dicaprio's character was probably the best; he was so amusing with his warped, semi-depraved, megalomaniac eccentricity. DiCaprios acting was really good here too. Samuel L Jackson can blurt out the necessary profanities with the appropriate rawness making him the perfect actor for some of Tarantino's parts.

The greatest thing is the psychological aspects to these characters and how that plays out in the scenes. There is actually a lot of psychology going on which builds multi-dimensional characters and creates scenes of intense unpredictability. There were other scenes of brilliant hilarity mocking the dark side of the old south, or genre film itself.

As the movie progressed and where it could have ended well and uniquely alas a contrived scene was thrown in to showcase Tarantino's signature brand of violence art, reminiscent of Kill Bill. This weakened the movie as a whole and made it drag however it was pure fun to witness the slow motion blood splattering and detailed depiction of body parts being shot with blood shooting out like geysers drenching the place in red.

I think I heard Tarantino is criticized for rehashing old movies or copying from other films. I guarantee whether or not that is the case you've never seen something like this before.


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