Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Erik Van Looy
Koen De Bouw,
Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts?
María Soledad Rodríguez
Vincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he's out of town. Despite the apparent tranquility in Maryland, Vincent perceives an external threat.
The architect Vincent Stevens; the psychiatrist Chris Vanowen; the real estate agents Luke Seacord and Marty Landry; and Chris' half-brother Philip Trauner are married and best friends. Vincent has designed a brand new building and proposes that he and his friends share one of the wonderful penthouse lofts. This would allow them to hook up with other women without worrying about hotel charges showing up on their credit cards. When they discover the body of a beautiful woman cuffed on the bed in the loft, they argue over whom is responsible and secrets are disclosed affecting their friendship.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Mitra refers to Stonestreet's character as a "chubby clown" it's likely a reference to his Modern Family character who is a registered clown. See more »
[All goofs for this title are spoilers.]
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I swear to God, I had nothing to do with this.
We would love to believe you, Mr. Stevens. But you have to admit, your version of events does sound pretty bizarre. Don't you think?
Look, it was a setup, okay? The whole thing was staged.
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The only reason I knew this movie existed is because I was looking up what Eric Stonestreet had done aside from Modern Family, so I decided to give this a shot. The premise of the movie is the best part about it: Five guys have the keys to a secret loft where they can freely cheat on their wives, but one day they find a dead girl on the bed and have to figure out who did it. To this movie's credit, the first half is engaging and curious. They develop some shady history between the guys and show how the loft came to be, but as pieces of the puzzle start coming together and the more answers we get, the more the movie suffers. I mean I've seen botched premises before but The Loft takes it to a new low.
The five leads in this movie do what they can. They are likable actors and they have some moments of conviction here and there, but the script is so horrendous it's astonishing that they can keep a straight face delivering these lines. Wentworth Miller is the weak link, and I don't know if it's his fault or his character just being really weird and uncomfortable but that's another thing: you don't like any of these characters. They're all despicable, cheating, lying, douchebags that are only friends because they all have those sh*tty traits in common. And I use the term "friends" loosely because these guys seem to hate each other as much as the audience does. Half the time they're yelling and arguing at each other, the other half they're just dull and plodding along with the script. It's sad because you want to like these guys but they really are just sociopathic dickheads. Honestly the only one with a conscious is James Marsden's character but even then still he's a deceiving slimeball. However the cokehead brother completely embraces the psychosis angle and gives a very nice standout performance considering the material he was given.
The women in this movie are horrendous. There is not one memorable female character - they're all either stupid and married to these guys or stupid and f*cking them behind their wives' backs. It's hard to care about a movie where every character is totally unlikable.
Like I said, the first half of the movie is very promising. The pacing was appropriate, it was easy to follow what was going on, it gave you time to become invested in the mystery, then all of a sudden things get crazy. Like unbelievable, ridiculous, stupid levels of crazy. First of all there are like six endings to the movie; it goes on for a good 10-20 more minutes than it should, and the worst part is that each "ending" is worse than the last. They try over-explaining what happened and it ends up getting so twisted and convoluted that it collapses onto itself. At a point you just stop caring about who did what - you just want the damn movie to end. The entire third act is a disaster in every conceivable way.
This movie was watchable, mainly because of the cast, but the ending is so frustrating I had to give it a low score. I really tried to like it, it's just hard to care about a movie when you're just watching a bunch of stupid people do stupid things. And the police interrogation scenes were atrocious.
If you don't care about plot and just want to see a bunch of good looking people act like complete jerks for an hour and a half, you can get a kick out of The Loft. If you want a thrilling murder mystery that makes you think, stay far far away - The Loft does not deliver.
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